Syllke wasn’t surprised or taken aback in the least by Seodai’s reaction. People were funny when it came to their bodies, he knew this. Personally, he had little inherent modesty about his own, and he was absolutely fascinated by others – all the infinite combinations of curve and plains, lines and angles – young, old, beautiful, ugly, smooth and wrinkled. It was rare that he had seen a naked body of any kind, and then not always for artistic purposes, but he thought it quite a pity that so much opportunity was lost, so much potential artistic life left quiescent in the media which longed to be called forth into being. So when Seodai rose up, Syllke was prepared to accept the young man’s refusal – but not without at least an attempt at explanation.
And as his would-be model cogitated upon that simple but truthful reason underlying his request, Syllke waited, patiently. An uncomfortable model was apt to somehow broadcast their negativity to his hands. He often found himself tossing a barely begun piece aside, knowing it was already somehow tainted. So it would be either willing, or it would not be. Capturing two thirds of the tree would have to suffice, if that was Seodai’s decision.
When after a long moment, Seodai’s fingers went to his belt, Syllke nodded philosophically. “I’ll try to be quick.” He said simply. Waiting for Seodai to settle himself back in basically the same position, though a bit more on his stomach this time. Syllke made no observation or request nor gave any instruction, but reached out and tugged a bit on the material, revealing the last half inch of roots. Satisfied, Syllke began to rapidly sketch the lines, his hand moving with a fluid grace as eye communicated with brain and then fingers. “It’s beautiful.” He said softly in reply to Seodai’s awkwardness. “Like your goddess, from what you’ve said about her.” Hoping that remark might put his model at ease, and relax the stiff line of shoulder and back, Syllke tilted his head to the side, his fingertips soon blackening with the charcoal. With the basic outline finished, he went to fill in each leaf and fruit, and eventually he rose to his knees and leaned forward in the failing light. He was almost done. In his mind he saw the stone under his hand, the shape of Seodai’s back, the curve of the dip where back ran into his bottom. At the side of the sketch of the gnosis mark, Syllke quickly began a smaller, fleeting work of flowing lines, trying to capture what he so much wanted.
Knowing the light was all but gone, with a sigh he laid the paper aside, stretching out his hand to gently touch Seodai’s back, running his fingers over that dip and up, from roots towards the top of Bala’s tree of life.