Syllke considered Veldrys’ answer, and juxtaposed it against a vague recollection of something the bounty hunter had said – a brief comment from almost a year prior and one that Syllke had only an imperfect memory of. Something about the Symenestra – and the kidnapping of females. But he could not conjure the exact words from his mind. So he could not contest his guest’s somewhat ambiguous explanation, though he felt like it was far from complete. His mind was thus elsewhere as Veldrys inspected the sketch. But when the Symenestra posed his questions, Syllke’s gaze refocused on his guest. He was well used to criticism of his work and well used to raised eyebrows and people being a bit at a loss as to what to say about it. Unusual was far from the worst that had ever been said to him about something that he had created. Stretching out his hand for the paper, Syllke glanced at it again as Veldrys passed it back to him. “I could duplicate the exact lines of your body - your face – your hair and muscles and eyes. But that would be . . . boring. I don’t want to just copy you – or anything I draw, or paint, or sculpt. That’s just simple mimicry. I . . . I want to – know you – to understand you – through my fingers and my eyes and my mind. I look at you – and I hear you. I talk to you. That all flows into me, and through me. Sometimes – with other people, or things – I even . . . touch them, smell them – taste them. It all goes in here.” He pointed to his temple. “And . . . here too, I guess.” He placed his hand over his chest. “I don’t know – it goes in, all of it, and . . . this is what comes back out.” His hand moved to rest lightly on the paper, his fingers brushing over the lines of his drawing. His colorful eyes lifted to those violet ones. “It’s how I see you – how I understand you. That’s why I want to do this.” His fingers tapped the paper again. “Art – creation. It’s how I learn.” His voice trailed off, as he appended, “That’s the best I can explain it.” His head turned and he reached for the red crayon, holding it before his eyes as if really seeing it for the first time. “This?” He said, softly. “This . . . I don’t know . . . “ His eyes went to Veldrys and back to the crayon. Shaking his head gently, the image of Nayayik’s corpse – a shell cupping the remnants of her liquefied innards – flashed before his mind’s eye. “It – it just seemed . . . to fit.” It was no explanation, but he couldn’t offer a better one, for he didn’t understand it himself. Tossing the crayon on the bed, he rose and crossed to the kettle, stirring the contents. “Almost ready.” He said, easily. “And you’re in luck, I have some bread as well – fairly fresh. I, um, I guess you can maybe soak it in the soup, if it’s too hard to eat?” He was still unsure of how the healer actually did eat, and he was wondering now if he really wanted to know. Taking a dark loaf from under a cloth, he carved off two pieces, as he asked, “Are their artists among your people? Or storytellers?” He placed the slices on his only plate and took a bowl and a big cup down from the mantel. “What kind of stories are told in your city?” It might have sounded as if he was trying to change the subject. He probably was. |