by Jilitse on April 12th, 2010, 5:16 am
"Na-a-ah." Jilitse shook her head, "Not because I said I could introduce you to Mashaen, doesn't mean I will." Azola now felt the growing interest Jilitse was giving her(to the point of appearing friendly). "You said you needed to learn the basics. I hope you have noticed that I am already teaching you the basics. I'd be grateful if you leave me alone, but I am undecided whether I should let you go." She covered her mouth with her hand to hide a hallowed laugh.
Jilitse really wanted to send off Azola to Mashaen. However, since winter, Mashaen had been too preoccupied (he's probably only pretending to be) to teach Jilitse anything. Sometimes he pays her a short conversation, but if she even dared to ask for any form of help, he would seem too distant. It was a message: she needed to stand on her own. She didn't really like the idea of working independently, but it was becoming more and more common for Jilitse to start learning on her own, without anyone telling her to.
And besides, she could almost hear Mashaen's voice: "You can do it on your own." Can you teach me how to animate this rock? "You can do it on your own." Can you tell me where to find a book about golems? "You can do it on your own." Can you teach Azola animation? Jilitse had a nagging feeling - and not without good basis - that Mashaen's answer will be: "You can do it on your own." Of course she could send Azola alone to Mashaen, it was a matter of giving the right directions. But the Archwizard was still the Archwizard after all, and Jilitse didn't want Azola to have the notion that visitors can get free lessons from the Archwizard himself. No matter how pressing Azola's revenge must be, the other needed to fall in line and know her place.
The fact that Azola had given her a story - a lie as it was, she could logically surmise - means that the other nuit is honestly interested in learning the craft. Jilitse should know, she knew amusement when she saw it. Azola had both a need and a want to learn animation.
"I volunteered to join Sahova because I love Zarik Mashaen." The words tasted bland, she had not used that excuse in a very long while. "I am very grateful that Sagallius accepted me, since most of the wizards here were coerced or forced into joining. I have a personal oath to serve the archwizard to the best of my abilities." Azola may think that when Jilitse said archwizard, it did not necesssarily Zarik Mashaen, but for Jilitse there is no other archwizard than Mashaen. "So tell me, Azola, what do you know about magic?" Jilitse intended to continue with her lecture.
"The ritual circle you need," Jilitse pushed aside books and tools from the table, revealing two large circles inscribed on the wooden table top, one big as a plate which was connected to one big as a saucer, "would be one like this." She pointed to one circle. "This is the source." And then the other. "This is the destination."
"The linked circles allows you to copy the life principle of your source and create a simple artificial soul for your construct. Since you are a beginner you should only attempt to animate something small." Jilitse handed Azola a small toothed gear, big as a toenail. She took out a bigger gear and showed it to Azola. "That smaller gear was patterned after this one. Place yours on the smaller circle." Jilitse placed the bigger gear on the other circle. She reached out for two glass jars and covered both gears. "Animation does not necessarily work with anthropomorphic golems, you can copy the soul of anything. Monsters, machines... as long as you can make sure that it does not leave the ritual circle." She tapped the jar encasing the bigger gear. "If you are copying the soul from here, it must not go out of the circle. Most of the time wizards copy their own souls. They stand in the source circle, and place their constructs in the smaller circle, although this may result in unwanted emotional attachment to your creation. The animated object, too must not leave the ritual area or the spell will fail."
"If you fail," Jilitse stressed on this, her voice becoming grim, "you might corrupt the object's djed, rendering it unusable. Freak accidents do happen, especially if you are not useful. I have had one of these gears fly away out of the ritual area because of miscalculations, the other nuit was lucky to have morphed her hair quickly to repel the gear"
She turned back to the demonstration. "As the wizard you now have to sacrifice your own blood. One drop." Jilitse revealed one hand, unwrapping the bandages around it. It looked burnt in small areas. "Sometimes I cut myself, sometimes I use a syringe to pull out ichor. I singe myself to close the wound. I do additional embalming care for my hand." Azola would notice that Jilitse was 'clean' for a nuit, one with impeccable hygiene.
"Once you have made the sacrifice, you must concentrate and control the djed from the source to the destination." She murmured rotatlas, and both gears whirred inside the jars. "You first create the other object's soul. It is artificially controlled djed, and is quite easy to perform. For a beginner like you, it just takes focus and concentration. The soulcore or life principle - remember this - is the deepest part of the soul. It carries the sense of self. For the next phase you'll need to forge the soul and create the persona, the second layer of being. You will have to define your construct's memories and personality. Keep in mind that you are giving your construct a directive. A directive will be your construct's absolute law. Keep in mind that as a beginner you cannot imbue a complicated task. You may incorporate a sense of obedience, provide commands such as kill phrases." She called out "Pondt." The two gears whirred to slow until they stopped for a while. And then both continued to whirr. "Rozast." Both gears dropped.
"You have to make sure about your directives, and this requires good planning and logic. These gears know how to start rotating, pause for a while or stop completely. Very basic, simple, easy. I established that these are the three things they need to know."
"Then comes the hard part, the third layer of the soul. You need to teach the animated construct how to perform every single movement it needs to know. It takes a while for beginners." Jilitse made the hardest part sound too easy. A nod, "That's about it. Your construct had awakened."
"Now I do not intend to send you off with a lecture." Jilitse grinned. "I don't want to send you to the Archwizard just yet. I'll let you animate anything you want - as long as it is within your abilities. I'll guide you through the whole process. I'll even work by you side by side. Do you have an idea in mind?"
"Once you've proven you can learn animation, I'll introduce you to the archwizard."
I. Vox Populi, Vox DeiII. The Night the Watchtowers CriedI am nothing special, of this I am sure. I am a common woman with common thoughts and I've led a common life. There are no monuments dedicated to me and my name will soon be forgotten, but I've loved another with all my heart and soul, and to me, this has always been enough.