Name: Emory Ruin Race: Human, Inarta Age : AV 488 (21 years old) Gender: Female Height: 5 '3' Newly born with frail red curls and tiny gemstone eyes, young Emory slept in the comforting arms of her father, Maverick. Thus was the beginning of her immaculate little life. Emory grew up adoring earth, the critters that ran along the carpeted floors of the forest and the birds that fluttered miles above. Every day was an adventure. Prone to intractable behavior, Emory often found herself shooed away from the other Inarta children. To abridge the workless hours of her day, Emory established solitude among the crimson leaves of her Redoak trees deep within the woods. From there she could prattle endlessly to the neighboring birds and roaming beasts that scavenged for food along the ground. Emory inured the scathing remarks from the children she never played with; she lived peacefully with her twin brother Fenilen who frequently acted as her soul confident. Her father slept was gone for the majority of the day with his mount. The luxury of living with her father throughout her entire upbringing became an excuse to disregard the other common folk or potential friends her age. Emory was educated in the skills of glass blowing, archery, falconry, reading and even medicine. During her childhood, Emory remained more warmhearted to the waterfalls and forests of Mount Skyinarta than to the cold carved streets and stone arches within the fortified city. The perfect time to escape daily chores was late afternoon when the riders went fishing and the Inarta you would gather to the communal kitchens to be served a meal. Maverick and the other riders were all fed separately along with their families. Her father’s mount was a large male named Alai, an eagle whose blue wings imitated the splendor of a crisp morning sky. One afternoon after Emory’s father took flight with his sky-brother, a traveler appeared in Wind Reach. His name was very odd sounding, consisting of many slurred syllables. Emory never learned to articulate it and merely referred to him as Magic Man. Magic Man was a traveling sorcerer who had come to live with Inarta in hopes of learning their tales. His practices, though not spoken of, were not received well among the Inarta. He dwelt with Emory’s people for twelve moons, scrupulously bemusing Emory the entire time. Though he mostly spoke in conundrums that Emory’s eight-year old mind could not comprehend, she generally liked the stranger. Water would surface from the earth under his touch, and fire erupted atop his fingertips. It was he who inspired Emory to become a sorceress one day, but all well dreamt reveries come at a cost. Magic Man desired information about her people and the eagles; in return, he would teach her the ways of his profession. Naïve little Emory promptly accepted, blinded to the work and pain such a vocation necessitated. Many nights were thus efficiently spent surveying Magic Man draw shapes and explain to her the history of his skill. All of these wonders mesmerized Emory’s typically ephemeral attention span. One day she would learn to master a windstorm and call upon fire, one day…. Emory bonded with a female mount at the age of eleven. Her mount’s name is Raisia, meaning “Flying Roses” chosen because of her speckled pale red wings. Raisia, though fierce in nature, completed Emory’s inquisitive nature and shyness that transpired as she developed into a young woman. Now they are inseparable, together conceiving a single free spirit that permeates the mountains of Skyinarta with their captivating strength and unity. Emory has a very introverted personality. She is soft-spoken with words that often run together like a mellifluous breeze. Discovering no pleasure in socializing with the youth of her childhood, Emory enjoys the extravagance of having her very on aviary in which to share with Raisia. Surprisingly, the saying “It is better to ask forgiveness than permission” infuses her believably tranquil character giving light to her true inner stubbornness. With Raisia perched beside her branch, Emory fancies spending starlit nights under a canopy of the Redoak leaves throughout the summertime. She is incredibly open-minded and overtly expresses her thoughts on any particular subject. Emory may be a bit of a neophyte when it comes to her practicing sorcery, but that doesn't sway her from the phenomenon magic entails. Though she remains precarious in revealing her training in public, Emory holds a strong affinity for her work and refuses surrender her sole joy [apart from Raisia that is]. Lover of secrets and hater of speech, creator of magic’s that few minds can breach. Emory is not a particularly talkative person among her people. A one-on-one relationship is more her approach because of the solitude it offers. If caught in a larger crowd, Emory will more oft than be found examining the traits and quirks of those who are surrounding her. She is always frank with the people she speaks to, never screening her desires, only her motivations. Emory is excruciatingly wary of vast waters and is generally adamant in her decision to never step foot upon a seafaring boat. Aside from that, Emory is reliant on Raisia for constant advice. However, because of her obstinate mentality and sense of overwhelming intractableness, she hardly ever accepts it. Overall, Emory thinks of herself as a self-reliant woman and an independent character. In truth, though, she thrives off of the attention given by those contiguous her and the adoration expelled from Raisia bold nature. Emory’s physical features imitate the eagle-like beauty of the sky born creatures she adores. With fervent green eyes that set off her pale smooth skin, Emory’s demeanor is calm and her presence demanding. Dark crimson locks encircle an observant face, but one must not mistake wisdom for the questions hidden behind those emerald eyes. Emory is both flexible and athletic, a trait that was developed while learning the art of riding Raisia, her bonded Wind Eagle. Though she is often found wandering aimlessly, it is generally because her graceful form is deep in thought. |