oocI'm going to try to get a lot done in this post to get this thread closer to a close, I may "assume" some actions by others (particularly Tock) so I apologize, feel free to either go with or contradict those instances however you like. I just don't want to take up more time by ending the post and waiting for an answer to move on.oocAlso with everyone so busy as of late this is likely going to involve lots of skipping around of "turns" as I'm not sure who's actually back and who isn't. If you are back feel free to "jump in" to continue interaction with each other, just know Wart's going to be largely focused on getting the painting done so we can finish this up and get it submitted soon. Wart paid careful attention as she listened to the things Tock said. She understood most of what the woman was describing, and smiled as she brought up designs and ideas she wouldn't have been able to think of on her own. When she'd finished Wart said "A'right, lemme see if I got all 'is right" and went to try and lightly outline in each spot that had been mentioned.
She hadn't initially thought of a top border for the wall, so she added a light line there to indicate that. Then she tried adding a little wave patter, something that curled so that it kind of looked like it could be coming from either above or below. She didn't go all the way down the length with it, instead stopping and checking with Tock to make sure that it was the sort of thing she was talking about. If it needed changes or fixing, she'd listen to each correction, but otherwise continued.
The fish were a little more tricky. She went from bottom to top, tail to mouth, as Tock had demonstrated, but had to wipe it off a couple times to fix their shape and the symmetry of their positions. After a check once again with the other woman to be sure that they were correct, she moved to the table.
Wart wasn't actually very familiar with what a "lathe" was or what it'd look like if one were used, so asked for more clarification regarding the leg and what it was that had been described. She'd listen to the explanation, and if she was willing, allow Tock to outline the sort of shape and design she'd had in mind. If not she would go by what she was told and try to get as close as possible.
Once all of the outlines for the woodcarving details were complete and approved by Tock to be reasonably realistic and accurate to her knowledge in the skill, it was time for the actual paint.
Stepping back Wart looked over the whole thing. This was going to involve a lot of variants of brown. She had her own jar of a basic brown, plus red orange and yellow, so she'd have enough to make the different colors but she wasn't certain whether she'd have enough to cover it all. Looking towards the other artist helping her she noticed she'd brought out, among other things, her own set of paints. A hand in her hair and she started explaining the next step and what was needed.
"So, this is gonna be the easy part, layin' down the base color for each different wood, an the grain detail and stuff 'll come after. Problem is its gotta stay consistent. I got an idea of what kinda' mixes for each, but you prolly know more 'bout this than I do so if you have other ideas or whatever to fix em, I dunno make it more like actual types of wood, tha'd be great."
With a few gestures she explained that she wanted the wall of the cabin a sort of golden-orangeish-brown, the table a darker orangish-brown, and the frame of the painting and window a deeper reddish-brown. She then showed this by mixing a small sample of each color in a small spot in each place. After this she listened to any suggestions about the colors, and adjusted the mix samples accordingly. Usually it didn't matter to her what people thought of the pictures she put on their houses, but here she didn't dare paint unrealistic wood on the house of someone whose craft
was wood. That would have simply been stupid, especially when she was right out here and willing to help.
Now that the colors were set Wart took out one of her thicker brushes. "I'll go 'head 'n start the wall, if you wanna do the frame an the window?" After a second she added " I don't have too much paint," she gestured to the jars on her belt, which couldn't be too big or they wouldn't have all fit, "but ''tween us we should have enough for it all, if you've got the colors we jus' used for the mixes."
Once any clarifications or answers were taken care of, she started to the far right of the wall. The brown paint went on, then each color to be mixed in, and the paint would be brushed and spread in smooth up and down strokes, in order to keep to the vertical orientation of the boards. "Oh and the carving details, if you want you can paint around em and they'll get done with the other wood detail, or if you really want you can always fill them in with a shade or so darker."