Johanne's skepticism could only rise, like the waters that crept up and over a flood measure, when Seleucus the Ethaefal spoke. He was so aware of his own beauty, and compared the scars that adorned her arms to his divine and blesséd seeming. His long fingers, alight from Leth's rays, shimmered in the moonlight, as the moonbeams shone through the open window of the tea house. Ever closer they came, reaching out to touch and feel and see with flesh. Here was an Ethaefal, one that Johanne had idolised so often from afar, touching her own unclean mortal flesh. He had been in communion with the sun and the moon, and she had not known devotion. And yet he sat at her table, and touched her. And yet she could feel no awe inside of her.
For Seleucus to consider himself art seemed to Johanne to be a sacrilege against the very nature of beauty, the very thing Johanne sought to encapsulate with her words and her scars, and to defend. Seleucus had fallen from the Ukalas like a babe from his mother's arms, and had, in pity almost, been gifted a beauty that these mortals of Mizahar could only dream of. Johanne was the one who took a blade to her flesh and ripped strips of skin away from her frame. She changed the very nature of herself for beauty. Seleucus was privileged to have fallen with it.
And though her doe eyes pierced into Seleucus', she kept her thoughts inside of her, while he pressed down with heavenly finger onto the scars that lined her skin. Perhaps he would notice the barely furrowed brow, or the thin line of her lips, but she would not argue with a man she had barely met, let alone one who had been touched by the Gods. But she could not keep all the words inside herself: she was a writer. Words would bubble up regardless. Keeping her gaze steady, she spoke.
"It was not bravery, Seleucus. Just necessity." Her protestation was quiet and strange, surely something that the Ethaefal sitting across from her would pick up on. That scarification should be a necessity to Johanne was oddly worded. If he asked, she would elaborate, but she would not offer up her past so freely, like the tea was served within this circular parlour. Seleucus would have to dig. Too polite to refuse him outright, Johanne relied on subtlety and the subjectivity of language to protect her from one Ethaefal she seemed to perceive as arrogant.
"You drink tea, then, although it is not something that your body needs." It was not a question, but a statement softly repeated to herself, as if to understand better that which Seleucus had said. "But if Leth dictates that you do not need the sustenance from tea, then why drink it? Is that not a sort of sacrilege?" She was not trying to press or offend. She simply asked because the question had occurred to her. He had brought up her scars, the most intimate part of her, and so she felt she deserved to ask questions of his faith: perhaps the most intimate part of him. "Although loneliness can be a cruel mistress. I understand the need to escape her thrall." Her language tonight was on guard, defensive, overly formal. This is what happened when her hackles were raised. This is what happened when her scars were brought into question by someone she did not know or truth.
But her sober form was melted a little, by the warmth of his confession. His voice dreamy and his eyes longing, he spoke of the Ukalas and the fall, in ambiguous terms and short sentences, and yet it was an acknowledgement of his past nonetheless. Johanne's shoulders softened, her back unstraightening, becoming more gentle like the poetry she so loved. She paused. He had fallen from the heavens and lost his home forever. Johanne could return to Denval at any time (or so she thought), and yet Seleucus was trapped in a cage that was mortality. Pausing, swallowing, she swallowed her defensiveness and opened up her heart a little more.
"You may talk to me. I have nothing but my terrible sketches to accompany me. You may be refreshing." A soft smile crept onto her face. All of a sudden, she looked younger, rounder, gentler. More delicate, more open, more loving. Seleucus would hopefully see that she meant him well. "I have something you may like to see."
Slowly, shakingly, she stretched out her left forearm, so that it lay in the middle of the table, a bridge between the girl and the fallen. Stretching across the entirety of her forearm, lay a rendition of Leth chasing Syna, desperately searching for his love, round and round Mizahar they went. The scars were faded, but the impression was still there, a deep cut, five years old. "This is your God and his Lady Love. It was the first scar I ever made." If Seleucus should look from the scar to her face, he would see Johanne looked uncertain, more afraid, more childlike. This was The Scar to her. The one that began it all. To show it willingly to Seleucus took more courage than she could express.