Valo had been drinking perhaps too much as of late. In fact witnessing all this death during the season of winter had left his mind closed completely. Void of negativity , he kept himself, entwined in the perpetual practice of his art and meditation which he had become so fond of. A simple way of keeping himself occupied. And when that did not work, almost instinctively he turned to alcohol, for it seemed that perhaps Valo was a gentleman; he was by far not a man of principle. Or perhaps principle, like many other things, was subjective. Yes, that's how he explained it. And perhaps he had promised himself to relinquish this terrible habit of his; those promises now lay dead, buried in the sand.
There was yet another habit that the artist had developed, due to those evenings in the Kelp Bar when getting well and truly hammered seemed the only thing on his mind. A ship, sinking in joy with a song on his lips. For when he finally stumbled home with a spinning head, collapsing into slumber just a short while past sunset, he would wake up ridiculously early, before the sun even had the chance to sprout its rays past the horizon line. That morning was a morning of many that fallowed this pattern. With a gleaming smile on his face, Valo wasted a fair amount of time, vegetating in his bed, complaining about his head ache before getting on with his day. Hardly resolute, was the artist.
Besnik was on his mind again that very morning. The happy dhole whom he had grown so very fond of over the season. And despite him being gone for barely more than 5 days, Valo already wished that he may have not left at all. Bond mates, they were and closed ones at that. It made little sense to him why the Kelvic wanted to leave Zeltiva, why anyone may want to leave Zeltiva? Sure there was the plague and the killing and the bonesnapper, but to the artist it seemed like that whole of Mizahar had not another city as great as this one. His home. Now, he could only pray that one day, upon his arrival perhaps, that the Kelvic could see the city the same way he did.
The bond between them was perhaps the only reassurance. A belief, beep in his heart, that if anything terrible was ever to happen to his beloved comrade, he would feel it. Not sure, was the artist, where this belief sprouted from, for suffice to say there was nothing more mystical in the whole of Mizahar than the bond between a man and his Kelvic. None the less, it lingered in the pits of his stomach, along with the dear hope that nothing terrible indeed may befall Besnik. No terrible illness to harm him, no monster to scare him. An apprehension which took its fair share of suffocation to finally subside somewhat.
Alas, heavy headed, Valo dragged himself from the bed, residual stench of kelp beer still clinging to him like ghosts he wished soon to forget. And forget is what he did. For with a gentle slap to his face, a prickling sensation where the fingers struck that would no doubt leave the cheek red as his hair for a few moments, a jubilant smile was carved into his feature. A wide grin and a sparkle to his eyes and the self-reassurance. Today will be a wonderful day, he thought to himself.
The anxiety for his precious Besnik's safety became the very pleasant of though. A blissful recollection of memories they shared. The awkward and the humorous times. And soon more though of his dear friends rolled on, merely pleasant musings as groggily he went about his day, buried under clutter of thought in that mind of his. A thorough bath, the ritualistic picking out of clean clothing before finally setting out with paper and paint to work on a new masterpiece.
Reaver was the first to casually stroll into the artist's thought. A smile on his face, for it seemed that the foolish man never ceased to entertain him. It's been a while since they ran into one another and that could only mean one thing. Perhaps the mage had finally learned his way about Zeltiva. Or perhaps he had become so very lost that there was no hope for him. Whatever the case, Valo decided to soon meet with the man again purely out of the longing for his company. Nai'a was next. The vibrant hue of her luscious locks twinkled in the artist's imagination, the precious smile on her face, the twinkle in her eyes.
It was only then that the artist's feature fell a little and his slender fingers combed his damp hair in a manner of pondering. For it seemed like an age that he had seen Ricky's friendly face. And even if the man was going through a substantially hard time, it mattered not for Valo had held him in great esteem indeed and he worried for him in much a way that a friend should. Wrapped up in his own business, he was surely, but it was no excuse for leaving a wonderful friendship like this unattended for so long. Inexcusable indeed. Perhaps after he was done painting, he'd seek his friend out at the Grotto, merely to check up. A friendly conversation perhaps. Yes, a friendly conversation was no doubt in order. Perhaps a beer or two, for it seemed Valo was constantly in the mood for such as of late.
Stating that Ricky's and Valo's friendship had started off on shaky grounds would be both a completely false statement, yet in that falseness there were element of truth. For despite the two never being parted by the flames of aggression or distrust, the foundation upon which it was built was indeed a heart breaking one. Earlier on in the year, Ricky had lost his dearest companion, his greatest of comrades, a being so precious that he himself had described the dog as nothing less than a brother. Since then, the Wave Guard became the bear man's occupation and Valo could not help but wonder how he was coping with it all. What filled the man's days?
All this time that the artist had spent simply thinking, which was a substantial amount by any means, he was painting with his water soluble paints, for the sheer simplicity of the medium. It was something he truly did relish for it hadn't the habit of making merely as much mess, or wasn't quite as time consuming as his oils. The artist's very favourite of mediums. He wasn't precisely sure if there was anyone in particular he was painting, for truth it was a face conceived by his imagination only. A female face, heavily relying on structure lines and distance relationships between features which consequently resulted in the nose being too long and the entirety of it looking too synthetic and mathematical to ever having lived. An illustration that could perhaps be found in children's books, inorganic and flawed, but being enough for him to work into the faint sketch with the paint.
He began by laying down the lightest tones. The pale, warm nudes, light yellows for the hair and delicate green hues for the eyes. Since the sketch was little else than just a face and neck, crowned by cropped hair, he bothered not with clothing and simply laid down the very basic tints. All in harmony. It was only after he let the whole thing dry thoroughly that Valo began to work in layers upon layers of block colour, each darker, tinted and toned with different underlying shades. And as the layers built up, the three dimensional structure of the face began appearing a little clearer, looking less like a cartoon and more like a face, a form he was striving for.
Of course, wrapped up in his though, Valo refrained not from making mistakes and the ones he did seemed foolish at that. But perhaps ones he would soon learn to look out for when painting in this particular medium, for it was not an easy medium to paint with at all. He learned how to better control the saturation of the water with pigment, for that was a crucial part when it came to obtaining the right colour. Even a smudge too much pigment would cause the tone to become much darker than intended and no amount of white paint would change that. A simple mistake that now manifested in much an ugly fashion on the left hand side of the woman's face. A splodge of a hue way too warm for it to be a shadow, a colour way too intense to disguise.
The beauty of this very medium, or rather the curse of it, was that no mistake could ever be removed or truly masked. Any such mishap stood out boldly and mocked the painter with its magnitude. Then again, Valo had yet to learn to properly control the medium. He had yet to learn much about it and thus become more proficient at painting. For the other most horrible of mistakes was the cabbage leaf edge pattern that appeared in the paint when one area of it was still wet whilst another become dry. Thus pigment would spread unevenly, leaving this dark harsh line that now sprouted like a scar on the portrait's cheek and in the hair where he accidentally watered the paint down too much. Of course then there were all the areas where one colour would accidentally bleed into another, or be applied in too great a space or too little. Suffice to say, Valo had yet much practice before him.
He had painted relentlessly until that portrait was finished in all its imperfection. Another one started to much the same result. And once that one was abandoned, Valo had sketched himself yet another portrait of yet another woman, making a substantial amount of progress with it, before finally pulling free of this trance like hold that this art had over him. Time for some fresh air perhaps. Perhaps it was high time to pay Rick the visit he'd been awaiting.
Alas, clad in his usual grey, a midnight blue silk scarf around his neck. There had been talk on the streets of the plague subsiding, many recovering. Many however remained ill, bared up in their homes, barking out their lungs. Suffice to say he wasn't prepared to catch something just because he wasn't adequately clothed. And with a forced serenity over his mouth, the artist strolled down to the Grotto only to find his friend was nowhere to be seen. Ritually, the next location to visit would have been the Kelp Bar, but there was one more thing Valo wanted to do before leaving the area. Or perhaps it wasn't so much the question of want as of a restless calling, an invisible pull down to the dock where looked out into the open waters. Laviku's dominion before him. Calm it was, as calm as the ocean could be and bluer than usual, though it could have been simply due to the escapist rays of sunlight through the milky clouds. Only 22 more days till the season's shift. Only 22 more days till spring. Wrapped in his thought was the artist.
Idly - not quite aware of what it actually was that he was doing, as if in a daze caused by something unknown to the artist. That something was the memory, banished with many others. memory of mere 4 nights ago when he strolled here in not quite the state of drunkenness, yet not quite a sober state and he looked to the obelisks and he saw what no man ever wanted to see and he herd what no man ever wanted to hear. A memory so meticulously repressed with such devout determination - Idly so he strolled upon the deck of one of the smaller fishing vessels that now lay rocking in abandonment. It was foolish of him, that's for sure, for he asked no permission and no such permission had been granted as a prerequisite. He merely strolled until the ground beneath his feet was the wooden deck and he leaned over the side as far as a man could lean, eyes fixed on the pretending objects in the distance. A dreamy haze over his mind. The bone snapper wind and the people going about their daily needs became drowned into the background.
The next thing he saw was the ethereal blue of the ocean below him. The kind of blue that results in the features of the ocean floor so far in the depths, all melting together into one divine hues. Then the freezing pinch of the water grasped at his skin, though the clothing, awakening him abruptly from the daze. A cold hostility. His body in suspension. It took a few moments for the recognition to sink in and the profound realisation that if he was to simply hover there in the water and do nothing about it than no doubt he would drown. No breath in his lungs. Salty wickedness already gnawing at the flesh of his throat until alas, awake, he propelled himself upwards, breaking the surface of the water, a great gasp at any air available.
"And stay off my ship!" yelled the voice of an elderly sailor, clearly splitting sides as his act of great rudeness. An ill practical joke no doubt. Then again perhaps Valo deserved it.
Fallowing a moment of little more than panic, Valo finally swam - if such could be called swimming, for in reality the motion was an awkward thrashing about in desperate hope not to go back under. With more perhaps than a fair share of the gulps of salty water. No grace, no fluidity to the movement. A simple desperation in, reaching for the shore with all the strength he could possibly summon before succumbing to the cold. Alas the short distance between him and the bank surrendered and Valo's bone white fingers grasped it, before hurling the rest of his body from the water in haste. Water spewing by the gallon from his lungs. Hair clinging to his shoulder's like streams of crimson blood. Ferocious shivering.