A professor of Minnie Lefting's had once, in a class on Zeltiva literature, noted what a shame it was that the city was so stuck in worshipping the ghosts of the past, for it meant that the most beautiful gardens of the city were behind the high fence of Wright Manor, where none could enjoy them. Minnie had said nothing - in those days, she never did, unless asked. But she had, after class, run straight down to the gates of Wright Manor - the gardens there, were one of her secret places, one of the havens of her soul in the city.
In part, it was perhaps intimacy. She knew the gardens well, knew each place where, in a moment of timid, shivering excitement, her tiny fully extended arm could brush at the leaves of a topiary through the fence, or just barely stroke the bark of a linden or birch, or in one spot, feel the cold stone of a marble statue. She knew, too, that they were not unliving. She had spent long hours, in her camp chair, watching, as the two gardeners - an older woman and a young man - turned in manure, plucked and planted, trimmed the trees and dead-headed the roses. She had seen them lean on their shovels, seen them stop and pull their wellies off to eat lunch.
It was more than simple familiarity though. Those silent spectral gardeners, and the rich panoply of tended plants, they made the gardens a living thing to her. The house, it was frozen it was not quite the mausoleum that most people saw it as, for even there, she had seen in the evening, the flickering shadows of a house-servant passing before the high glass windows. But it was an enigma, it was the secret, private heart of the place. The garden, though, breathed. Its walks, dotted in the rain with Wellie-prints, well-swept and evenly flagged, spoke the story of wishing feet on them, called for their mistress in a way that made Minnie feel, sometimes, that the mistress was present. It was not supernatural to her - she did not want to believe that the great Captain Wright should have been so burdened by regret as to be caught in the terrible half-life of the ghost after death. It was more that the sheer mystery of the place made it, in her mind, less a place of forms, and more a place of dreams, a phantasmic place where the line between the real and the imagined was, perhaps, thinner. It was a garden of stories in this way.
It was the very first breaths of spring, now. The streets outside of Wright Manor were littered with the detritus of the city's New Year celebrations still. It was cold, but it was the cold that slaps refreshingly at the face, now, the cold of coming rain, instead of the dry-snow-cold that exhausts one in the heart of winter. Minnie had her coat pulled tight around her, and two pairs of socks inside her shoes. She was looking at the sea-tulips - there was one spot just through a circular path within the gates, in the center of a birch grove, its tall fingers of white reaching up nude and graceful in the winter light, and in the center, a bed of sea-tulips flew their arrogant, brave blossoms against the snow, great bells of red and yellow, that swung determinedly against the sea-breeze, offering just enough courage to the lily-flowers, which had now just began fingering their narrow leaves up from the ground amongst the tulips. A rabbit sat in the sea-tulips, gnawing on the half frozen top of a turnip, snitched from the soup-pile of a poorer house, or the trash pile of a richer one.
Minnie watched these, but her eyes flew up and down the street as well. She was not here simply for watching, not today. Today she was waiting. For today, she hoped, Gypa would arrive.
Gypa was three, now - he would be four by the summer when he left. His coming and going were different now. That first year, when he was an infant and Mina still recovering from blight, unsure even if she were going to be blind from the fevers of her eyes, being fit by a glassblower, for spectacles, she had seen the coming winter as a death-bell, for it was when Gypa's papa would come. The whole season, devoid of her normal distractions of study as her sight recovered, was a maddening, terrifying time, that culminated in his birthday, where she had delivered him to the parting wains, and then gone home and shrieked and sobbed in terror - so much could happen! The second spring-coming was worse. From midwinter on, she spent hours walking the Wain-market, straining her eyes up the road, for the flag of the merchant, seeing nothing. But, her fears, she learned, were unfounded. The first was relieved when, just two days after the first Tulip blossom fell, the wain rumbled through the town with the old merchant smiling atop the seat. The second fear, that Gypa would forget her, had a momentary panic associated with it, for as the merchant pulled the child down and set him on his unsteady feet, Minnie's frightened, desperate little face, drove the child to clutch at his papa's leg, and frown. But Minnie, through her tears had started to sing, weakly and shakily, their little shared lullaby.
"Lullay, my sweet, Lully..."
And the child had gone wide eyed, and sent off the wild giggle that only thee infant can produce, then stammered out, "Mama! Mama!" and toddled over to her. That too had been difficult. And the rest of the season was spent repeating, patiently, each time, "No, no, not mama. Auntie Mins. Auntie Mins. Not Mama. Auntie Mins." She had been driven to distraction by it at the time, but in retrospect, understood it as a blessing, for as she Gypa slowly learned the name, she learned it too, in a way, learned to hear 'Auntie' without thinking of her sister. Learned to hear 'mama' without thinking of the mother that should have had that name. And she watched Gypa learn her little ways, learn the contours of her crying, the varieties and intentions of it. Watched him learn the subtle care children learn to give surreptitiously to their caretakers. When he had parted, she had wept, but it had not been terror, anymore. Only sorrow.
And the next year, it had been easier. And now, it was almost sweet, this waiting, it was like waiting for Kena-Wright day - one knew it would come, one had no doubts that it would arrive. But one had the delectable pain of wanting it to already be here. She rearranged her flat more than a dozen times. She hung his hammock, and tested the hooks in the ceiling to make sure they were sound. She went to look for books, for little toys. She bought little treats to pull out at strategic times. Mostly, she fussed - she nested.
And then, he was there.
She heard them first - this was not uncommon between her near-sighted eyes and her short stature. The deep, barrel-voice of the merchant spoke softly to a different voice, strange but intimately familiar, a child's voice. //When did he learn to speak so clearly?// She climbed awkwardly up on her chair, and stood on her tiptoes to try to see around the heads of passers-by, to try to catch sight. And then she did. He stood holding his papa's hand, wearing a strange, short little jacket cut in a swooping curve at the bottom, and ridiculous pair of trousers //Trousers!// she thought, //On a baby less than five! The poor thing!//. He had grown more defined about the legs, had lost some of the baby's pudginess in his cheeks. And when he saw her, he cried out in a clear, sweet little voice, "Auntie Mins!"
Then he started to run forward, tearing away from Papa's hand, clomping forward in great, heavy leather boots //Boots on a baby? Tut! They'll ruin his feet!//. The boots and the rough pavement, and his own rush were too much - his feet caught on each other, and he started to tumble toward the ground. Minnie leapt down off the chair, with a squeak, tumbling forward to try to catch him - she was a deal too clumsy and a foot too short. Her foot, as she went down from the chair, caught on the tail of her skirt, ripping the cloth loudly, and tangling the foot in a loop of half-detatched linen.
Gypa, for his part, fell on his hands, but he hardly noticed, springing right back to his feet. Then he laughed, "Auntie Mins, you're funny!"
Minnie tried to disentangle herself, but the skirt strip had wound its way up her leg. She sat flat on the pavement, and started to fight with the linen, and with her petticoat, which had slipped considerably from her hips. She smiled, "Am I funny? Did you like that, My Gypa?"
Gypa crouched down on his hams, and laughed louder now, "I can see Auntie Mins's stocking-tops!"
Minnie disentangled herself, and laughed, "And what wicked fellow has been teaching my sweet little Gypa to look at a girl's stocking-tops?" She hitched the petticoat in a gesture a fine lady would have blushed at, and tucked up the strip of linen, finding her feet again.
"We was in Nyka, Auntie Mins, and Nyka? They don't wear no stockings at all!"
Minnie giggled at the boy and snatched him up in her arms, "Don't they? Well! Its a good thing we have you back in a civilized place, where girls wear stockings, and little children do NOT wear TROUSERS!" With that she swung the boys little body over her arm so his head swung down by her waist, and she began to spank him playfully over and over.
Gypa squealed with delight and mock fear, "Help! Help me!"
The old merchant laughed now, and his eyes sparkled. HE looked at Minnie, and laughed, "You sound like your mother, Gypa."
Minnie froze, and all the color drained from her face. Her hand stopped and she stared at the man, her mind frozen for a moment, her eyes suddenly very hot.
Gypa fought back to sit on Minnie's arm, and took her two braids in his chubby little hands, pulling them rhythmically, one side, then the other, "Look, Auntie Mins, this is how they milk the cows! Squish, squish, squish..."
The merchant frowned, and looked at the ground, "I'm... I'm sorry. That just popped out..."
Minnie's whole face went pale, and a little water collected in her eyes. When she spoke, her voice shook wildly, "No... no, its... I'm sorry, I'm fine. You caught me off guard, that's all."
Gypa stopped pulling, and frowned, his brow wrinkling up in something between fear and shame, "Did I hurt Auntie Mins?"
Minnie took a deep breath and closed her eyes for a minute, managing a smile again, and kissed the boy loud on the cheek, "No, no! Do you think such a little monster could hurt a great mean beast like me? You could hang on my braids like a bell rope, my darling, if you wanted! But! Now, lets get you and papa in from the cold, hrm? Maybe we can all have a little spot of tea."