Spring 13, AV
The Web in Endrykas
-------------------------
When Ara let her fingers fade just slightyl from the interlacing into the wooly strands of the city's web, almost she felt the sunlight on her proper, earthly skin. There was a magic to the web - she could trace back her fingertips, and listen close, and hear her own self, the echo of the trilling cry of her own breath beneath her slack breast, her collapsed limbs, could smell the shutness of her eyes, the vulnerability of her body. Could smell too, the frowning watchfulness of Livvy, who had never grown to trust these queer periods where her mistress would lay unconscious in the deep-grass on the edge of the city. She did not know what she did, here - she was a slave, an outsider, she could not know. There was a pleasant sadness in that, that gave the low moan of the strand Livvy made in the great song of the web more resonant and clear in Ara's mind. It was one of the themes by which she understood the rest of the symphony.
She drifted back to where she was on the web - not far. The weave of Endrykas was so tightly knit, so filled with individual knots, that while she was first learning, it had been hard to tell one note there from another. The city, at first glance, was just one, heaving chorus, shouting, shouting 'Ride, ride, the land is ours, ride, ride, the earth calls us on.' That song was still there, she felt it in the tense restlessness of their tents, now, even as she walked in her skin. But she had learned, slowly, to tease out the individual elements of the song, both the pieces that had been webbed in by others like her - songs to say 'there is leatherwork here' or, 'this is the Pavilion of such-and-so' - and the passive, rising swells of the voices of Endrykas, of the souls walking in it, or that had walked in it, or, sometimes she half-believed she could hear the souls that would walk in it, one day.
The web was settling now - it had shimmered with heady, drunken festival songs for the days at the beginning of Spring. It was finally beginning to grow as still as it ever did, which was something of a comfort. Celebration was a complex of noise and bonhomie. These things were fine, but eventually they began to grate. It was comforting, to draw her fingers deep into the strands, and be able to hear the whirring song of the winds, again, over the clamor of human voices.
She was working on simple things today - if she were honest with herself, she had gone webbing mostly for the sheer pleasure of it, the rich feeling of immersion, of the delicate harmonics of a living thing, of the soft-taut threads in her fingertips. She fiddled mildly with a frayed knotting on an anchor in the horse-breeder's row, but it hardly needed it. The knotting was functional, she was simply making it prettier.
She rested then, the shadow of her hands atop the knotting, just an anchor between other anchors, really, the shadow of the song of her face, just above it. She sings, softly - partly this is how she speaks with the web, the interplay of point and counterpoint. It is how she speaks and listens to the tangled frayings of the web, how she tests their harmony when repaired. And partly, its simply the sensual pleasure of having a voice when she is normally silent.
Her eyes drift, softly, as her ears perk up, listening, listening to the vibrations along the slender threads.