Time Stamp:
8th of Summer
Early Morning
Location: Sea of Grass
In the shade of a tall, lonely tree, a man sleeps. Wrapped in a ratty cloak he lies with his back against the tree. It might seem odd, for a man to be sleeping in the middle of the Sea of Grass, but for Korin, it was a normal day. The large Kelvic has always disliked cities, so he spends as little time in them as possible. While most of his life was spent living in a house, once free, he quickly grew used to the outdoors, and began to love it. If the night is cold, he enters into his Lion form, but during summer keeping cool is a better option, so the Kelvic normally stays in his human form.
It is still early morning, but the sun has now risen enough to cast light on the Kelvic, awakening him. With a massive yawn, the large man rises and stretches out his body. Raising his arms above his head he grasps his hands, inverts them, and stretches toward the sky, cracking his back and knuckles in the process. He then goes from muscle to muscle, flexing and stretching. This day, the Kelvic has decided to devote to training, so he must be limber. As he finishes his stretches, he begins a light workout. Starting with push ups, the Kelvic enters the standard push up position, and quickly does fifty push ups. Jumping up from their he begins squatting, after fifty he begins the next exercise. The number fifty is no random number, decided on a whim, it was the set number used by his master. When Korin was still being trained, he began every day with this light workout. Often he would do more, but the standard before any class or activity was fifty push ups, squats, sit ups, leg lifts, reverse punches, and front kicks. By the time Korin finishes he has a light sweat going, but is not nearly tired, that was just the pre-exercise.
While Korin was never taught the name of the system, his master was a traditionalist. He only used five forms, but not all five were taught to Korin. Before the death of Korin's owner, the Kelvic's master only taught him the first four forms, saving the last one for when he finally mastered the first four. With the death of Korin's owner his master left since he was no longer being paid to instruct, and so Korin never learned the final form. While the Kelvic's master did not teach him all the forms, he was strict with the forms Korin knew. Many of the scars on Korin's body were because of "errors". As such, Korin quickly learned to do the forms with out mistake. Entering the first form the Kelvic closes his eyes. He stands with his feet touching, his shoulders relaxed, hands closed at his sides. Suddenly he inhales loudly and opens his eyes. His feet part slightly, and his hands raise up quickly, as if he is trying to touch his shoulders with the tops of his hands, as his hands shoot out into a palm strike, he steps foreword with his right foot, putting most weight on his back leg, both feet pointed foreword. He then steps in, putting his feet together again, then spreads them into a wide horse stance, his legs slightly beyond shoulder with apart, his knees bent. His hands touch as they move inward, making a circle like shape before going into a twin choke strike, his hands forming a v on the neck of his imaginary foe. Bringing his feet back together he then steps foreword again, bringing one arm up in a low guard, and the other chambered at his side. He then steps foreword with his back leg, the same leg as the chambered hand as he strikes with the chambered hand. As he strikes the blocking hand enters the chamber position, he then steps and strikes, steps and strikes. After the third strike both arms go into a guard position shoulder with apart, the elbows bent in, the tops of his fists pointing out. He then kicks with his back leg, kicking over his head with a powerful front kick, he then steps into the kick shifting his back leg foreword. He then repeats this twice. After his final kick he steps in, lowering his arms to his sides and opening his hands. Throughout the form his eyes were locked foreword, imagining an invisible enemy, a mental trick his master taught him to increase his focus. He kept all his muscles taught and tense. His strikes and movements were not fast, but they were powerful. This was a form for power, not speed. While the outside form was done properly, it is the internal aspect that makes the form useful. While no obvious mistakes were made, Korin has not yet reached the level where his real inner power is brought out. While the large man is an intimidating sight, when his master showed this form, the sheer power of it awed the Kelvic, something that Korin has not achieved in his own work. He then re enters the ready stance, eyes closed, feet touching, hands closed at his side, and starts the form again. When Korin devotes a day to training he normally picks one form, and trains mostly with that. This day he chose the first form, a form dedicated to increasing the power and strength of the practitioner.
As the sun slowly rises, Korin trains. He does the form again and again. At first he keeps track, five, ten, twenty times, but eventually loses himself in the form. By midday he is ready to pass out from exhaustion. He lumbers over to his tree, and drops to the ground, breathing heavily. His body is covered in sweat, and just lifting his arms seems hard. He reaches over to his backpack he left lying against the tree and pulls out his water skin and drinks deeply. Fortunately he refilled it the day before, but he still drains a quarter of the water. He then pulls some dried meat out of his bag for a quick lunch. Slowly eating, he leans against the tree, resting and recovering. After an hours rest, he gets back up for there are still two parts to today's training he had planned. The daily toughening of the skin, and flux practice.
Rubbing his hand on the tree, Korin decides to begin with the toughening of the skin and bones. Most days Korin spends at least ten minutes on some light work, striking some hard object with various parts of his body, injuring himself slightly, but strengthening himself in the long run. Over the years of training, he no longer does to much damage to himself, but today he plains to bleed. Placing his closed fist against the tree, the Kelvic enters into horse stance, and begins striking the tree. As each blow lands, Korin slowly increases the force. He does this for five minutes without counting the strikes. While this might seem like a small amount of time, the strikes were rapid, and punching any solid object for that long hurts, to say the least. When he finishes with his strikes he feels sharp stinging in his knuckles. Looking down he can see the callouses in some areas have been cut into, and he is bleeding slightly. Shaking out his hands, he begins to strike the tree with his palms, repeating the five minute process. When he is finished, his palms are sore, but due to the thick callouses covering them, are mostly unharmed. He then does the same with his elbows, bridge of his hand, and the blade of his hand. When he is finished their is some light scrapes on his elbows, but nothing bad. He then moves to his lower body. First he front kicks the tree, striking with the ball of his foot. After about five minutes he shifts into turning kicks, striking with the top of his foot. He then shifts into back kicks, with the heel of his foot, then finishing with side kicks, with the bridge of his foot. All the striking points will be sore for a day or two, but this training allows him to hit objects harder and lowers his risk of breaking bones, so he loyally does the training every day.
After Korin finishes he takes another short break, drinking more water. The work is tiring, but once the Kelvic makes up his mind he does not back down. After all, he only has one more part of his training he had planed for that day, magic practice. Korin always hates using magic unless he has to, but he needs to, to get better.
Before starting, the Kelvic sits cross legged, and relaxes his mind and body. As he begins to relax he stands up, for he is still an amateur with the Flux, and needs a special gesture to begin using it. He enters a deep stance, one hand, the palm out raised in front of his head, the other, in chamber at his side. Both knees are bent, his left foreword, and his right back, and the foot pointing to the right. As he enters this stance, he lets the Djed flow. Slowly he moves the energy through his body. Focusing it first in one area then another. He focuses on moving it slowly, though he can only concentrate a little energy in relatively broad parts of his body. First he focuses his energy in his right leg, then slowly shifts it to the left. He then moves it up his body, into his stomach and chest, then from one arm to the other. He does this for a while, not keeping track of time, only focuses on the Djed, and its flow. While the risks of Flux are great, the Kelvic trains slowly and carefully. His skill isn't even high enough to focus dangerous amounts of power, but he still is careful to make sure he does not overload any part of his body for to long. After a while he begins to move, jumping and striking at the air, shifting from stance to stance with the Djed flowing through his body. As he trains, Korin remembers when he first learned how to use Flux. His master, who taught him how to fight, was not the one that taught him how to use the Flux, that was the one who owned him. His owner was a wizard, a paranoid, wizard, who was having Korin trained to be a bodyguard. While Korin's martial training began when he was still young, he was not taught how to use Flux magic until he was an adult. He was told of the dangers, and was taught the basics on starting it. Since then he has trained, not frequently, as he does not want to use the power much, but regularly enough to maintain the flow, and even become more proficient in its use.
After working up another sweat, Korin releases the Flux, and lies down in the shade of the tree, exhausted, but happy. There is nothing better then a good workout, at least that is true for the Kelvic. It is now late afternoon, and Korin has finished off the last of his water. To tired to move, he passes out against the tree, hungry, but not as hungry as he is tired. As he falls asleep one final thought drifts across his mind...
I need to go Hunting, I'll do it tomorrow...