Continues from The Dastard of The Docks
The play had ended with a surprise, as it was meant to do and always did : the role as the Ebonstryfe soldier in the end scene was always done by a random bypasser the actors went out to fetch on the street. It used to amuse the audience to no end. But this evening the random bypasser had seemed to really be a stryfer.
Fiction and reality had bled into each other in the most unexpected ways and turned what merely was acting into reality - if it was real. But who was able to tell what was truth and what is only appearance ?
The saviour had carried “Rozita Romaro” out, at the ravokian style happy end of the play named The Dastard of The Docks. But he continued to carry her, in reality, after the end of the play. And being carried away by the stryfe was definitely an end that made Amolina feel worried, no matter how enthusiastic the applause from the audience had been.
“That was the end of the play. We can stop acting now and you don’t need to carry me anymore” Amolina said hopefully, when the man stepped up on the nearest platform.
She had dropped the impersonation of Amelia Cross she had been using while she acted as “Rozita Romaro”, the heroine of the play. But she was still acting, though it was a totally other thing now. It wasn’t a play. It was just her, Amolina Moletta, playing unmoved and lighthearted, concealing the fear she felt.
She gave a light and unconcerned laugh that matched the glittering beauty of Ravok by night and put all of her skill into making it sound natural. The laugh had a somewhat inebriated undertone she didn’t need to act at all…she had had a wee bit too much to drink while she shared the fun stories with the vantha.
Only chimes had passed. But it already seemed long ago.
“I don’t mind”. The man spoke in a low and calm voice just he had done right before he told them he had been dreaming about doing the savior role and act it “the right way” - right before he had started to beat Essing unconscious. He hadn’t gone on mindlessly and beaten the actor to pulp though. But the swift efficient violence had been scary enough. Amolina made a silent promise to herself to never again star in one of those plays where the outcome was a surprise every time.
The play had ended with a surprise, as it was meant to do and always did : the role as the Ebonstryfe soldier in the end scene was always done by a random bypasser the actors went out to fetch on the street. It used to amuse the audience to no end. But this evening the random bypasser had seemed to really be a stryfer.
Fiction and reality had bled into each other in the most unexpected ways and turned what merely was acting into reality - if it was real. But who was able to tell what was truth and what is only appearance ?
The saviour had carried “Rozita Romaro” out, at the ravokian style happy end of the play named The Dastard of The Docks. But he continued to carry her, in reality, after the end of the play. And being carried away by the stryfe was definitely an end that made Amolina feel worried, no matter how enthusiastic the applause from the audience had been.
“That was the end of the play. We can stop acting now and you don’t need to carry me anymore” Amolina said hopefully, when the man stepped up on the nearest platform.
She had dropped the impersonation of Amelia Cross she had been using while she acted as “Rozita Romaro”, the heroine of the play. But she was still acting, though it was a totally other thing now. It wasn’t a play. It was just her, Amolina Moletta, playing unmoved and lighthearted, concealing the fear she felt.
She gave a light and unconcerned laugh that matched the glittering beauty of Ravok by night and put all of her skill into making it sound natural. The laugh had a somewhat inebriated undertone she didn’t need to act at all…she had had a wee bit too much to drink while she shared the fun stories with the vantha.
Only chimes had passed. But it already seemed long ago.
“I don’t mind”. The man spoke in a low and calm voice just he had done right before he told them he had been dreaming about doing the savior role and act it “the right way” - right before he had started to beat Essing unconscious. He hadn’t gone on mindlessly and beaten the actor to pulp though. But the swift efficient violence had been scary enough. Amolina made a silent promise to herself to never again star in one of those plays where the outcome was a surprise every time.