It seemed that despite Mikayas' best attempts - or lack thereof - to find an additional carver to supplement Venser's own services, the Rush twin was still alone in the Emporium, still kept from the full breadth of his studies. Venser arrived to work almost each day, given the occasional day off he requested it, but for the most part, it was becoming more and more difficult to keep the scales tipped. Miro was teaching the Rush twin the workings of magic, the Institute was supplementing said knowledge and expanding upon it, the two forming a guided path for him to follow and tread.
Magic was the power of the world, the mundane submitting to its power, the transcendent practicing it. Power was one's means of ascending their limitations, and their ability to enforce Change upon the world, which was Venser's primary motivation, but of course, this day, he was bound to his work. Or rather, Mikayas' work. The Rush twin allowed a breath of frustration to flee his lips before he moved to behind his desk to find the sanding leather and polish serum. The two together worked to complete the work that Mikayas accomplished, turning wonderful sculptures to life-like, breathtaking visages and images. Sculptures stood like sentinels, a narrow, but walk-able path made in the shop to both the desk and the staircase, but for the moment, Venser's presence in the midst of the sculptures made crossing impractical.
A client had entered the shop the day before, requesting a sculpture already made in the collection, a crafted piece depicting a woman, her breasts revealed to sport an ugly scar across her chest, her eyes raised to the sky, open wide, features contorted in pain. Set upon her knees, Venser imagined that the sculpture depicted the receiving of Rhysol's blessing, though the Rush twin was confused as to why the face was in pain.
Is receiving Rhysol's gnosis painful? It makes sense that to receive power, one must overcome pain, but is this truly how it looks to be blessed into Chaon?
He wondered solely because he knew that Rhysol's love and blessing was Verin's ultimate dream, and the materialization of such a thing was his ambition, but did Verin know this? Would Verin receive the pain gladly? Though, Venser was not one to compare. The power that Miro bestowed upon him was painful, as well, the initiation, their meeting, both were painful in their own ways. Venser knew better than some that pain was necessary in order to grow. But, still, worry gnawed at him.
Thoughts stirred for a moment before being cast aside, his eyes narrowed in scrutiny of the work to be done. The sculpture was wonderfully done, the carvings of a satisfactory nature, though the rougher edges at the cheekbones, the texture of the 'skin' around the horrid scar, and lips were rather unrefined. It was, of course, Venser's job to touch up and erase the flaws that his Master overlooked.
He found, that as of yet, the flaws were easier to identify. He overlooked less and found that the finishings were easier and more efficiently done when they were spotted with ease. Venser first focused upon the scar, as the other two were smaller and finer things to fix. He'd rather have the larger surface to work on and save the rest for afterwards.
The sanding leather was raised in Venser's left hand, the Rush twin choosing the smallest of the set, the piece approximately the size of his palm, adorned with a strap so that one could 'wear' it on their hand. It also included a piece to be strapped to the finger, so that even finer points could be manipulated. This was surely one of Mikayas' own inventions, the engraver unable to relate it with anything he had ever seen before.
Rather than use the larger surface at his palm, Venser focused specifically on the finger, kneading his index finger, covered by the sanded leather, into the sculpture, making sure to keep a fixed attachment to the raised skin of the scar, without truly pressing into the scar 'tissue' itself. The Rush twin traced the expanse of skin, dust falling to the floor beneath the sculpture, the space slowly, but surely becoming more refined in appearance, cleaner, smoother, yet it still missed the sheen of brilliance that came with the philtered serum that Venser set upon the floor. There was also a small, clean rag that Venser used to apply the serum, though they were, for the moment, ignored.
Words sailed through the space of the Emporium, a shadow materializing at Venser's left hand side, the silhouette of a man visible, but, for the moment, completely ignored. Venser was busy, and the man, a younger one by the sound of his voice, did not sound like he was here to buy, but instead pester Venser with useless questions about some particular bauble that he wasn't likely to be able to afford.
Instead, the blonde finished the process of touching up the sculpture, reaching down for the serum, using his right hand to grip the cloth, his left closing around the bottle holding the serum. He made sure to blow on the area of the finishing, air dusting out the remainder of the wooden specks before he applied the serum to the cloth. Slow, circular strokes were set in motion, the serum seeping into the wooden surface, providing a glossy finish that needed to be dispersed along the entire sculpture, but segments that required heavy polishing came first.
It was only when Venser completed the first part of his task that he turned to the newcomer, concentration broken and the focused expression upon his features quickly surrendered to a neutral, unreadable expression in order to mask the disdain that Venser felt about being disturbed. He stepped to the side of the sculpture so that he could be seen properly, his lips parting as he replied,
"Yes, I am here, my friend. Welcome to Mikayas' Emporium for Sculpted Curiosities. Is there anything that I can assist you with? There is a vast assortment of existing sculptures available for purchase, and custom projects are certainly available to those who are willing to invest in it. My name is Venser Rush, and I will gladly assist you however I can."