2nd Summer 514 AV Dear Anouk, The Summer is upon us. What used to be the bane of my childhood, too hot for comfort, now comes as a welcome relief. In Summer, Kenash is hot. It swelters, and the swelter can be seen on every red face, on every sweaty brow and in the shadows of homes with the curtains pulled across the windows, faltering the heat if not banishing it. In the fields, the slaves soak through their shirts in chimes and so the male ones take them off, use them to protect their heads from the heat, while the women tie theirs into a knot across their stomach. It's dreadful to say, but it's all rather enjoyable to watch - the sweat glistens over muscles hardened and chiselled by years of labour, highlighting them. I have never seen a dynasty member in that sort of state - at least, not properly. Many don't do anything to stay in shape and many, who do like to, pretend that that - the proof of their own humanity, their own fallibility - doesn't happen. Horses (and slaves) sweat, gentlemen perspire and ladies merely glisten. But now, during the day, the heat really does me good. It settles my mind. The streets are more peaceful as people seem more reluctant to make a fuss or start a ruckus. It's also less crowded. At night, on the other hand, the heat causes me no small amount of issues. Less eager to socialise in the day, when most people are working at any rate, Lantern Square fills up rather too fast in the Summer. The longer days and the warmer nights mean that it very soon becomes the place to go, and I can no longer count on finding a quiet spot on my own since it becomes likely that somebody will recognise me and wander over. If it's a friend, I have to say I'm happy to see them. If it's an acquaintance, they wander over, talking about their sister or brother or some other family member that introduced us to each other: incestuous petch that I don't want to hear (Only, without the actual incest) I mean, most of the time I get on well with people and I actually do really enjoy hearing about their lives, seeing if they've put on weight and making all the right noises if they say that their wife has just given birth to a bouncing baby boy. It's just that I can barely even bring myself to smile at somebody at times when I want to be alone and I am aware that I come across as wholly misanthropic. I just can't help myself. Finally, the heat means I have trouble sleeping. So I have to call in a slave to come with one of those large fans and keep me cool until I have fallen asleep. Sometimes, though, I still wake up in the middle of the night alone and have nightmares. Anouk, and I know you do not mind that I call you that, I am sure you felt the same way and got those nightmares. We never actually met, but I feel like we have much in common, other than that I would never have killed myself while I still had a ten year old child depending on me - I never knew my Mother so I was never able to ask her how it felt to lose her own Mother. And because that Mother (You.) chose to die, in so melodramatic a fashion. Maybe I do not understand you, but shame is not a good reason. Yesterday, of course, my Uncle was sworn in as Magistrate. This season is a Sitai season and I know that our rule shall surpass the others - to be the best is the Sitai way of being. I went to hear the new rules and regulations being read with my half-sisters, Flavia and Aria, wishing Zuleikha was with me. That said, somehow, when Zuleikha is present, the relations between us and the twins become even more strained. It is as though all of us were involved in a sort of sub-conscious battle, sisters against half-sisters. Flavia and Aria, athletic and manipulative, against Zuleikha and I, cultured and vivacious. In truth, we reflect our Mothers. My Mother (and Zuleikha's) was a creature of whim and passion, romantic and overly volatile. Theirs is a woman, charming but manipulative, with considerable social and political savvy. That does not, however, stop me from enjoying Jafara's company far more than that of her daughters. We all reflect our Father's realism, intelligence and love of the finer things in life. Flavia is the worst though... we had to fetch her from the Auction House, where she was pretending to be interested in buying some Kelvic slave or other while really making eyes at Uncle Marshal. While Aria only rolled her eyes, I explained (For what must have been the hundredth time) that what she wanted to happen could not happen. If she is in love with him then tough - he is our Uncle, not even a distant one: our father's brother. The word "incest" means nothing to her though - she just smiles and raises her eyebrows Petch. That makes her sound far more interesting than she is. Flavia is, to my mind, a bore. Aria is not but, then again, Aria is a sociopath. This morning, I was sifting my way through belongings which I had brought back with me from Zeltiva then promptly abandoned in the attic. I hadn't seen them since I got back to Kenash - old dresses, moth-eaten (only good as presents for the slaves and making ragdolls) and a quantity of pieces of paper, covered in essays written for University courses, doodles, drawings, badly-written poems and scripts. Then a script for the play I was never able to perform in, because Naolom died and I would not stay in Zeltiva. These... things. I did not think I ever wanted to touch them again. Love poems only serve to remind me of those people I wrote them for: some are here and some are missing. Good riddance, really. I never had much talent for anything but melodrama and perturbingly original tragic deaths. Anyway, I found a drawing I drew when I had still been able to draw: it was of Gideon's mother - Madam Joanna van Arken. She had been hoping that Gideon and I would get married but I knew her to be very pleased when she came over for his wedding to Zuleikha, considering her absolutely charming. Well, this drawing of Madam van Arken had been done one afternoon in mid-Summer while we were taking a picnic in one of the lower foothills around Zeltiva, by a little cove where Gideon went bathing (though I would not, because I could not swim) She looked so content with the world, calm as only a woman who had a comfortable house and grown children could be. I drew her from where I was sitting, just her face. I never really finished it. And now I cannot finish it, because my fingers are numb. It feels as though I were never able to draw in the first place. To pick up a pencil and take it to paper makes me feel clumsy. To hold a paintbrush is hell. That is what a) being assaulted by your Art Professor and b) not even attempting to draw or paint for three and a half years will do to you. Any meagre skill I had has left me and I know that, if I am ever to draw like this again, it will take a miracle. Maybe this Summer, I can try again and my fingers will start working again. There's enough around me to be inspired. Maybe I can finally decipher the meaning behind her eyes, the meaning beyond the simple contentment. Perhaps melancholy, perhaps wisdom. The drawing was a little crumpled, so I've stuck it in here - for safe keeping. I wonder if you looked anything like that? Prettier, I daresay. Everybody says how you were beautiful. In that regards, if no other, I envy you a little. With love, Adelaide Sitai |