Seirei brought the book and charcoal stick outside. The bright light of the sun was much better for than she wanted to do than the dim light within the tent. Seirei sat down, and opened the book to the first page, and placed her left hand on the sheet of paper. Holding the stick of charcoal with her right hand, Seirei traced the outline of her left hand. Her movements were slow and hesitant, and the rest of the world faded away as she focused on her self appointed task. The paper was smooth and even, but her own lack of experience made her lines uncertain. As a result, the black line of the charcoal on the paper was thicker in some areas, and thinner in others rather than being a nice, even line. And even though she was tracing something rather than drawing it freehand, the lines weren't perfectly straight. If anything, Seirei found it more difficult to trace her hand than to try to draw something without the aid of tracing it. Part of that was the fact that she was trying not to get any charcoal on her hand, and that made her hold the charcoal farther away from the object she was trying to trace than she should. But she was going to work with wood when she was done practicing drawing, and she didn't want to get any charcoal smudges on the wood. With the drought Endrykas was suffering, water was at a premium. She simply couldn't justify using even a little of what she had stored in her waterskin for washing her hands when she was done. Likewise, there was no water available to wash her clothes if she should try to wipe her hands clean on them instead.
The end result was hand shaped...mostly. Seirei could recognize it as being a hand, at least, so that was something. But it was a far cry from what she imagined it would look like when she got the idea to trace her hand so she could get a feel for what drawing a hand should feel like.
Well, I guess it could be worse... Seirei mused as she eyed her efforts critically.
In the small blank areas around the image of her hand, Seirei tried to recreate her efforts. But this time, she used the traced hand as a reference while she was drawing, and simply drew her hand in a smaller scale. She had more luck with this than she had with tracing her hand. Since she wasn't trying not to get charcoal on her left hand anymore, her lines were more precise. But drawing something when she had only traced it once before wasn't easy. Especially when she was trying to make it smaller than the one she had traced before.
So while the smaller versions were also recognizable as hands, the palms of the hands she drew were too round, or too square, or too angular. And they weren't often the right size in proportion to the fingers. The fingers themselves were a problem as well. They were too long and narrow, or not long enough, making them look fat and stubby. They were drawn too far apart from each other, or not far enough apart. And there were none of the details a hand would usually have. Things like fingernails, and lines for the finger joints, and lines in the skin of the palms were all missing. For now, Seirei was focusing only on the basic shape of the hand. Details, while important, could wait until she got the basics down consistantly.
Seirei moved to the page opposite the one she had begun drawing on. Slowly but surely, she filled that page with hands as well. Big ones, and small ones, she tried drawing a mixture of sizes. The repetition paid off. As she gained confidence, and began to remember how to draw the hand shape rather than having to focus on every inch of every line, her lines grew straighter, and more even. And it was easier to space the fingers properly in proportion to the rest of the hand. By the time the page was full, her efforts, while still far from perfect, were a good deal better than her first attempts.
Seirei flipped the page. She was tired of drawing hands, so she decided to try something else. But what did she want to draw? Seirei stared at the blank page before her for several chimes before an idea came to her. Then she set her charcoal stick to the paper, and began.
A straight, horizontal line roughly an inch or so from the bottom of the page became the "ground." Two triangles drawn a short distance apart with a straight line connecting the top two points, and a second straight line connecting the two bottom ones that were nearest each other became a tent of sorts. A small square drawn in one of the triangles gave her a tent flap...sort of, anyway. Short, thin straight lines sprouting up from the "ground" became grass growing around the tent, while a circle drawn in one corner of the "sky" at the top of the page became the sun.
When Seirei paused to judge her work, she couldn't help but laugh. The lines were straight, and even. The circle she had drawn was round as it was supposed to be, not oval. And it wasn't lopsided. When looking at the picture, you could tell what it was supposed to be...mostly. And yet...
As a reference for carving an image, this is useless. Completely, and utterly useless. No details of any kind. Just basic shapes. And I guess those shapes came out all right, but the picture looks as though a young child drew it.
Seirei wished that she could draw better, but she wasn't especially annoyed that she couldn't. Skill in drawing would come with time, and practice. Lots, and lots of practice. Just like it had with carving. And Seirei knew that if she practiced a little whenever she got the chance, she stood a decent chance of being skilled enough to make a good reference drawing by the time she truly needed one.
Seirei tried to recreate the image she had just drawn on the opposite page. It took her less time than it had for her to draw the original, but it wasn't any better than the first. On the other hand, it wasn't any worse, either. Seirei stared at it for a long moment. Then she looked at Lian's tent. The ground to one side of it was covered in shadow due to the angle of the sun. Seirei stared at the shadow, then looked back at her drawing.
With the charcoal stick she was using, Seirei blackened the ground near one side of the tent she had drawn. Then she eyed it critically. It was a shadow...sort of. If one looked at it the right way. But Seirei had no real hopes that anyone else who looked at the picture without knowing that it was meant to be a shadow would see it as such.
Seirei sighed. She silently reminded herself once more that the more she practiced, the better she would become. She glanced at her hands, and sighed again at the smears of charcoal she saw on them. After a moment, she wiped her hands on the ground. That left them dusty and covered in dirt, but the friction had rubbed the smears of charcoal off of her hands. She felt small scrapes on her hands as she rubbed them on the ground, but she didn't mind. The slight sting was far preferable to getting charcoal on what she was trying to make. When she was done, she wiped her hands on her pants. The dirt and dust left on them would be far easier to clean than charcoal would be when the rains came, and she could finally wash her clothes. Then she closed the book with a snap, and retreated back into the tent with it. She emerged once more after putting the book and charcoal away, and gathering her carving tools, and the pieces of wood she had cut earlier in the season. It had been well over a week, so the wood was dry. Seirei sat on the ground, and spread the pieces of wood on the ground around her. |