[Lab 22A] Hear No Evil Part III
3rd of Fall, 514AV
THUMP
Switch found himself once more in the lab just beyond the threshold of his home. This time instead of finding himself searching for materials the pycon could be seen sitting on the scarred surface of one of the many workbenches thumping his heels against the wood, his face staring at the surface without expression. The Citadel has ears... Ears yet it is not living. Ears yet it doesn't. Golems that listen yet they have no voice. Or do they?
His eyes drifted in their 'sockets' towards a wall. He knew there was a witness golem somewhere amongst the interlaced mortar and brick there yet from this side he could see no change in appearance. The view from inside the walls was a whole different matter, there he would find the glorious line of wiring that connected the various golems together and yet they ran nowhere and everywhere. Golems that have no visible hearing apparatus yet can listen to our every word. The crafty nuits know how to makes work without revealing the fullness of a machine's inner workings.
THUMP
Switch's heel bounced off the wooden surface, his buttocks could feel the thump just as much as the source of the sound. His once more fell to the surface, he studied the surface and frowned, his nexus was able to interpret his heel's connection as self-inflicted as well as the resulting vibrations that his buttocks were able to feel. Shifting his body a bit so he was more in a squat then directly sitting upon the surface Switch thumped the surface this time with his hand.
The resulting sound wasn't as loud, but his feet were able to feel it all the same. Sensitivity via contact is inevitable for sounds to be transferred among a surface. Standing the Pycon's actions suddenly became more animated as it seemed he was now actively searching for something. His fingers twitched as his head swiveled on his skeletal neck.. Owls would be jealous of the miniature animator as his head went a full three-hundred and sixty degrees around before pausing momentarily and then brought his head back around the way it came until it returned to it's original location.
“Sound is relative to the contact an object has to the source of which it is traveling through it seems. Solid objects send the sound as a muffled yet vibrating force with which the end user can feel it within close proximity. As evidence when I thumped on the surface with my foot well sitting upon it my arse was able to feel the vibration, yet when squatting the same thumping done via my hand was unable to be felt by my arse by my feet felt the resulting vibrations. I wonder how sound transfers through a liquid base. What about open air? What about a thin membrane? Or a combination of a subset of those mentioned? Hmm.”
This bit of monologue and external thinking was enough for Switch to want to experiment further into this concept and in theory gain one step closer to understanding how the Nuit's Citadel was able to hear without having ears. His attention was set on the task at hand and now he had to just move, but yet he couldn't come up with a testable construct on which he could test his sound theory with. It was time to locate objects with which he could test his theory and the first was rather easy to locate.
Sitting discarded from a previous user of this lab – of which there were several as this was a Judgment Preparation Lab – sat a forgotten bowl, spiders have long abandoned it's dusty curvatures for loftier and better bug locations and thus the bowl sat. Liquid obtaining was a bit harder to handle, for there wasn't much in the way of liquids easily available. Hmm... Switch wasn't sure how long he was looking at the bowl before he realized he was hunched over close to it studying the outer curves. To his examination the pycon couldn't see any visible cracks or damage done to the bowl that would prevent him from conduct experiments using it.
“Hmm.” Pulling himself onto the edge of the surface Switch removed his pack so he wouldn't fall backwards back to the surface of the work bench. Leaning forward Switch made a guttural sound and listened at the immediate return sound of his sound echoing off the curved surfaces around him. The sound was best amplified in the area closest to his face. Amplification of sound best produced from an external source is in an open air environment is one in which the sound is closest to the source? This didn't seem to settle right with the theory and thus Switch had to test his theory more.
Sliding himself down the inner curve of the bowl Switch found himself sitting in the flattened bottom of the surface, surrounded by curved walls that he could peer over the pycon nodded and then once more made the guttural sound, this time the sound bounced off the curves of all surfaces, yet the ones in front of him returned the best quality of echo where as the sound off the back was dampened and muddled by the rebounding from in front. Yet the sound was also diminished on all cases as there was an escape 'hatch' for it being the open air above. “Sound still carried best by the curved surfaces closest to the source yet the sound is not yet effectively carried effectively to produce audible clarity.
THUMP
Switch found himself once more in the lab just beyond the threshold of his home. This time instead of finding himself searching for materials the pycon could be seen sitting on the scarred surface of one of the many workbenches thumping his heels against the wood, his face staring at the surface without expression. The Citadel has ears... Ears yet it is not living. Ears yet it doesn't. Golems that listen yet they have no voice. Or do they?
His eyes drifted in their 'sockets' towards a wall. He knew there was a witness golem somewhere amongst the interlaced mortar and brick there yet from this side he could see no change in appearance. The view from inside the walls was a whole different matter, there he would find the glorious line of wiring that connected the various golems together and yet they ran nowhere and everywhere. Golems that have no visible hearing apparatus yet can listen to our every word. The crafty nuits know how to makes work without revealing the fullness of a machine's inner workings.
THUMP
Switch's heel bounced off the wooden surface, his buttocks could feel the thump just as much as the source of the sound. His once more fell to the surface, he studied the surface and frowned, his nexus was able to interpret his heel's connection as self-inflicted as well as the resulting vibrations that his buttocks were able to feel. Shifting his body a bit so he was more in a squat then directly sitting upon the surface Switch thumped the surface this time with his hand.
The resulting sound wasn't as loud, but his feet were able to feel it all the same. Sensitivity via contact is inevitable for sounds to be transferred among a surface. Standing the Pycon's actions suddenly became more animated as it seemed he was now actively searching for something. His fingers twitched as his head swiveled on his skeletal neck.. Owls would be jealous of the miniature animator as his head went a full three-hundred and sixty degrees around before pausing momentarily and then brought his head back around the way it came until it returned to it's original location.
“Sound is relative to the contact an object has to the source of which it is traveling through it seems. Solid objects send the sound as a muffled yet vibrating force with which the end user can feel it within close proximity. As evidence when I thumped on the surface with my foot well sitting upon it my arse was able to feel the vibration, yet when squatting the same thumping done via my hand was unable to be felt by my arse by my feet felt the resulting vibrations. I wonder how sound transfers through a liquid base. What about open air? What about a thin membrane? Or a combination of a subset of those mentioned? Hmm.”
This bit of monologue and external thinking was enough for Switch to want to experiment further into this concept and in theory gain one step closer to understanding how the Nuit's Citadel was able to hear without having ears. His attention was set on the task at hand and now he had to just move, but yet he couldn't come up with a testable construct on which he could test his sound theory with. It was time to locate objects with which he could test his theory and the first was rather easy to locate.
Sitting discarded from a previous user of this lab – of which there were several as this was a Judgment Preparation Lab – sat a forgotten bowl, spiders have long abandoned it's dusty curvatures for loftier and better bug locations and thus the bowl sat. Liquid obtaining was a bit harder to handle, for there wasn't much in the way of liquids easily available. Hmm... Switch wasn't sure how long he was looking at the bowl before he realized he was hunched over close to it studying the outer curves. To his examination the pycon couldn't see any visible cracks or damage done to the bowl that would prevent him from conduct experiments using it.
“Hmm.” Pulling himself onto the edge of the surface Switch removed his pack so he wouldn't fall backwards back to the surface of the work bench. Leaning forward Switch made a guttural sound and listened at the immediate return sound of his sound echoing off the curved surfaces around him. The sound was best amplified in the area closest to his face. Amplification of sound best produced from an external source is in an open air environment is one in which the sound is closest to the source? This didn't seem to settle right with the theory and thus Switch had to test his theory more.
Sliding himself down the inner curve of the bowl Switch found himself sitting in the flattened bottom of the surface, surrounded by curved walls that he could peer over the pycon nodded and then once more made the guttural sound, this time the sound bounced off the curves of all surfaces, yet the ones in front of him returned the best quality of echo where as the sound off the back was dampened and muddled by the rebounding from in front. Yet the sound was also diminished on all cases as there was an escape 'hatch' for it being the open air above. “Sound still carried best by the curved surfaces closest to the source yet the sound is not yet effectively carried effectively to produce audible clarity.