.
“Flowstones are made by trickling water along the walls. They bring sediment with them and create a dribbling sheet of minerals. Remember, they are made of minerals not limestone so you’ll not only have to focus on the form you’ll have to focus on making a mineral. You will try Gypsum, it is a soft very light mineral so it will be the easiest mineral to make. Furthermore, because it is so light and soft it’ll fall into the soft wavering form you are trying to create more easily. Creating Flowstones out of denser minerals is exceptionally more difficult as you are not only creating a more difficult mineral that demands more res, but you are commanding it to act in a way that it does’t naturally form, except over hundreds of decades."
Ayszels eyes widened. He had never bothered to explain this level of detail before nor an explanation for why he wanted her to solve problems in certain, more difficult ways. She felt a tad ashamed for rebelling so much previously.
“Can you show me Gypsum…I can’t create it without something to reference.” She explained slowly, “I-I’m not great at descriptions…in case you haven’t noticed,” She added a touch snidely, feeling as if she was admitting to a weakness, “But once I see and feel something, it’s much easier to create…to feel.”
“Perhaps you have something to teach me in return Ayszel.” He replied. Takes out a bag with a small box. Inside are little compartments with pieces of rock.
“Oh wow…what a beautiful idea…” She ran her hand along the box and made a mental note to start her own collection. Working reimancy in the future, and future research would certainly be easier with a reference.
The Gypsum he pointed out was translucent with edges and cracks of white, like the image of cracking ice that she had seen some reimancers create. “You probably wont be able to create anything this pure, if it is a little yellow, red or blue it is from impurities of thought. Because you haven’t been exposed to Gypsum before, you’ll likely get a lot of impurities. Besides focusing on purity when creating minerals you will need to focus on the crystal system. These are the two most important qualities to consider and know when learning to create a mineral. We don’t understand how the crystal systems are created, but with enough practice you should be able to learn to duplicate it.”
I think I am getting a little overwhelmed… Ayszel admitted to herself but didn’t voice. She continued to nod gently.
“Focusing on Gypsum…” He turned back, as if he saw the confusion in her blank nodding, “You are going to create a monoclinic crystal system. It is one of the seven groups.”Withdrawing one of the several sheets of paper that she brought with her she slowly sketched a long rectangular prism. “This is the basic shape of a monoclinic crystal system. There are three angles to consider; alpha, beta and gamma.” He drew a gentle rounded curve on each of the angles as he named them. A gentle curving line between the horizontal line and vertical line of the front face, the vertical line and horizontal line of a side face and the two horizontal lines of the top face respectively. “In a monoclinic crystal system the alpha and gamma angles are 90 degrees and the beta angle is anything but 90 degrees.” Next on the paper he drew a straight line and a half circle on top.
“This is 180 degrees.” He drew a line in the center of the half circle, “This is 90 degrees. Does that make sense?” Ayszel nodded slowly, though it wasn’t really a yes, it was her thinking.
“That is the structure that the entire mineral is formed from, you aren’t making a hardened crystal in this shape, it is going to be a melting sheet line deposit of it, but understanding this structure is integral to understanding Gypsum. When you create it with your res you will want to make this structure first, make your res take this structure without becoming a stone. You will then place it at the top and let it run like water down the curve as naturally as possible, but don’t lose this geometric shape, it will create the most realistic Flowstone.”
“Alright. Let me give it a try.” Ayszel replied, closing her eyes.
“Wait Ayszel.” He reached out, touching her shoulder. “This is going to take a lot of practice, and you’ll get it wrong a 100 times before you get it right. Geomancy in other places is all about just making dangerous pieces of rock” He said nastily, “but here it is an art form and making perfect art, it takes time, and it’ll never be perfect. We can’t recreate in minutes what Semele does over her lifetime. So don’t hold yourself to too tight a leash.” Ayszel smiled faintly, as troublesome as he had been to her and as much as every action she had committed till then had proclaimed a lack of perfectionism he had still somehow seen it in her.
“Anyone that gets as upset as you when they’re corrected is a perfectionist.” He answered her unasked question. Taking the Gypsum sample into her left hand she didn’t respond to his explanation, though it made her lip twitch.
Closing her eyes without another word Ayszel fell more easily than ever into the golden lake of power in her core. It was easier to find now than it had originally been when she was a child and just beginning her exploration into geomancy.
Slowly she crept up to the edge and crossed her legs. Since the overgiving that had mutilated her body she was terrified of the lake, terrified of its enigmatic and powerful draw. It teased her body, threatening to once again pull her completely into its depths.
She always struggled to ignore the tug but her fear was far stronger than her desire. Dipping a hand into the golden liquid she drew it out of her, visualizing it forming a thin thick ball in the palm of her hand. She could never open her eyes when she worked, losing sight of the lake within her made her panic as if it could then sneak up behind her and pull her in without her knowing. Besides that, it broke her concentration and made even the simplest work difficult.
Holding the glowing ball in the palm of her hand she invited it to thicken slowly and then began to visualize the thick rectangles that he had drawn for her. She slowly made the beta edge wide, matching the sense of self in the stone in the opposing hand. Though the shape of the res changed, resembling the structure in her left its sense of self was much much weaker, a quality which Ayszel chose to interpret as purity. However, the tug of res from the pool was already stronger than she was comfortable with so she ignored the impurities, instead focusing on perfecting the geometry of the shape.
Slowly, she placed her hand on the stone before her and pressed the thick ball of res against the surface. Holding the geometry in her mind she slowly loosened her hold on the res and released a deep breath. She had found over the years that regulating her breathing was the easiest way to control the thickness of the res she controlled. Holding it, with tight deep breaths thickened it into a solid, loose slow breathing created a more watery fluid while shallow fast breaths echoed the cacophonous gas that she rarely found a use for.
Slowly the thick res loosened and poured over the stone. Holding the geometric shape in mind she felt its tumble was far different that the trickle of traditional watery res. However, while she tried to divide the res into sheets as he had suggested as soon as her focus drifted to that the geometry began to loosen and fall apart. Careful not to exhale in frustration, a gesture which would ruin the fluidity of the res she thought over the predicament as she held the res daintily in place.