Pluckett listened intently at Madeira's words about Alvadas. She wasn't interested in leaving Lhavit any time soon, but she'd certainly remember.
A spiritist. The only thing Pluckett knew of the branch of magic was that it had to do with ghosts. More questions brewed inside her, but Aleah's stare let her know that it wasn't time for talk.
Madeira's magic comment brought a warm feeling to Pluckett's very being. She soaked the compliment up like a sponge, smiling broadly. When she came in for a kiss, Pluckett accepted it. Just a light peck. It wasn't world-breaking, but something about the way Madeira held herself and had such a unique and mysterious... and seductive? air brought a bolt to Pluckett's gut. As quickly as it began, it was over, and Madeira's parting message gave Pluckett the jolt to reality needed to finish her performance.
"Thank you, Madeira," Pluckett replied as she stood from her seat. She didn't know how to put that same energy into a name - whatever energy it was that her name being spoken by this woman held, "I hope to see you again."
She gave a small wave before turning and walking back to her instrument. It did manage to cool off a little in her abandonment - not a great thing for tuning, but it would probably not be noticed. She took her seat, worked out what song she would play, and began.
It was a fluttery song. A simple, summery melody that started in a sweet major key. The notes were short and vibrant, the sound was clear.
Pluckett realized near the end of the introduction that she had forgotten how the next part went, exactly, in her distraction. She was going to have to wing it. She repeated a very neutral part of the introduction, first as usual, then lifted it up an octave. She then added quarter notes here and there, and slipped in a few changes of notes - most were fine, but one or two were a miss that would have stopped the flow of the music if not played quickly and passed over. Hopefully to a casual listener it would sound intentional.
She remembered the next part. To herself, she called it wave-like. It flowed a bit slower than the first and improvised middle parts, before hiking up an octave and then travelling down the scale into the ending. The ending brought back the beginning, as many songs tend to do, and before she knew it the final song was wrapping up.
The applause came - familiar at this point. Pluckett openly watched Madeira's reaction this time. She felt in her gut that Madeira was going to be an important figure in her life during her time in Lhavit.
With the applause dying down, she stood, she bowed, and she gently put her instrument away. There was a lot to rest on tonight.
A spiritist. The only thing Pluckett knew of the branch of magic was that it had to do with ghosts. More questions brewed inside her, but Aleah's stare let her know that it wasn't time for talk.
Madeira's magic comment brought a warm feeling to Pluckett's very being. She soaked the compliment up like a sponge, smiling broadly. When she came in for a kiss, Pluckett accepted it. Just a light peck. It wasn't world-breaking, but something about the way Madeira held herself and had such a unique and mysterious... and seductive? air brought a bolt to Pluckett's gut. As quickly as it began, it was over, and Madeira's parting message gave Pluckett the jolt to reality needed to finish her performance.
"Thank you, Madeira," Pluckett replied as she stood from her seat. She didn't know how to put that same energy into a name - whatever energy it was that her name being spoken by this woman held, "I hope to see you again."
She gave a small wave before turning and walking back to her instrument. It did manage to cool off a little in her abandonment - not a great thing for tuning, but it would probably not be noticed. She took her seat, worked out what song she would play, and began.
It was a fluttery song. A simple, summery melody that started in a sweet major key. The notes were short and vibrant, the sound was clear.
Pluckett realized near the end of the introduction that she had forgotten how the next part went, exactly, in her distraction. She was going to have to wing it. She repeated a very neutral part of the introduction, first as usual, then lifted it up an octave. She then added quarter notes here and there, and slipped in a few changes of notes - most were fine, but one or two were a miss that would have stopped the flow of the music if not played quickly and passed over. Hopefully to a casual listener it would sound intentional.
She remembered the next part. To herself, she called it wave-like. It flowed a bit slower than the first and improvised middle parts, before hiking up an octave and then travelling down the scale into the ending. The ending brought back the beginning, as many songs tend to do, and before she knew it the final song was wrapping up.
The applause came - familiar at this point. Pluckett openly watched Madeira's reaction this time. She felt in her gut that Madeira was going to be an important figure in her life during her time in Lhavit.
With the applause dying down, she stood, she bowed, and she gently put her instrument away. There was a lot to rest on tonight.