DESCRIPTION: The Konti who dedicate large chunks of their time to perfecting the dance with the suvai strive to imitate the grace and flexibility of flowing water … With this thought in mind the Suvai Pavilion has been built. Located at the outskirts of Mura, but as the end of a balk stretching towards the middle of Silver Lake, the pavilion is painted in both blues and reds for every suvai practitioner must achieve harmony between quick temper and relaxation to master the art of the suvai. Although the pavilion has originally been built to teach and train practitioners in different weapon styles, the suvai, being the traditional Konti weapon, has resumed the most dominant position very soon. Still other weapon styles are taught at the pavilion, although there is a limited amount of masters available. The outer walls are painted with rectangular white patterns, indicating the unity of two weapons and the two hands of its owner. All four must know and spend time with one another and work together to perfect the chosen style of fighting. Some also say that the four edges of those patterns symbolize the ideal suvai training group: pair versus pair. The whole pavilion is structured in a hierarchical pattern: At the first and largest floor the novices and amateurs train together. The floor is covered with reed mats, furnishing is simple and sparse and training circles indicate where the fighting area begins and where it ends. Red is the color of its outer walls, because those Konti still struggle with balancing emotion and calculation. The second and last floor is smaller, but houses more proficient suvai practitioners. Often it is reserved for masters only so that they can train without being distracted by pupils. This floor’s outer walls are painted blue for a master must have achieved unity of instinct and strategy, emotion and calculation, body and mind. There are no qualifications to enter the pavilion, rather everyone who owns a weapon and desires to learn something about it visits the first floor once and awhile and spars with fellow practitioners. From the earliest morning chimes to when Syna disappears someone can usually be found at the pavilion. If one finds that they want to train more regularly, however, it is highly recommended to ask for a master to skillfully tutor and guide them through the training process. Masters offer their services voluntarily, but have the right to demand some payment for the time and effort put into the progress of others. These payments vary from master to master and can be quite extraordinary. To enter the pavilion one must simply start at the city center and follow a narrow pathway to the southwest to reach the shore of Silver Lake and an equally narrow, but sturdy white balk which leads to the actual pavilion. Because the location has been built on Silver Lake itself, an unassuming staircase at the back of the entrance room leads to several areas built underwater. The beautiful environment of a now abandoned coral reef helps many Konti to relax and practice the dance with the suvai under different conditions. SERVICES & GOODS: Training in different weapons – payment varies Asking is free! NPCS: Suvai Mistress Val'mara :
Katana & Dance Mistress Kariha :
Archery Mistress Ildin :
Throwing Weapons Mistress Lenn :
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