60th of Summer, 511 AV
Near the outside of the Mhakula Tea House
It was about five in the afternoon after Aiko was rudely awoken by yet another half formed artistic inspiration. She'd always trusted her instincts and impulses so she headed straight to the area that suited her best. Blocking part of the footpath that led to the exquisite Tea House, Aiko had set up her paints and easel, blissfully unaware of her rude placement. It had the best light after all!
The young woman frowned at the painting and pushed back a lock of dark hair, smearing a wide slash of blue paint across her cheek and the top of her ear. She started to paint swiftly, her right hand adding a definitive leading edge with a gradual blending of long shadow. Not satisfied with the coloration, she picked up her palette and began her usual monologue to Zintilla.
"Why can I only paint at night?! Zintilla you rudely wake me from a good sleep to come out in the wrong lighting until I can get this out of my head and onto the canvas! And why do I bother complaining to you? Ah because you're my muse!"
Aiko laughed at her own chatter and mixed the paints with confidence. 'Maybe a bit of Payne's gray instead of quite so much cerulean will give a better, softer tint? Perhaps a touch of white--no I think it needs thinning to make it work. Where's my gloss varnish?' Did I leave it behind or did I just put it down somewhere and forget it? Wait--maybe I need to look at it from more to the left instead.
With her brush dripping unheeded paint down one hand and the palette smearing into the side of her once very nice kimono, Aiko walked backwards to try and gain a better lighting perspective.
Near the outside of the Mhakula Tea House
It was about five in the afternoon after Aiko was rudely awoken by yet another half formed artistic inspiration. She'd always trusted her instincts and impulses so she headed straight to the area that suited her best. Blocking part of the footpath that led to the exquisite Tea House, Aiko had set up her paints and easel, blissfully unaware of her rude placement. It had the best light after all!
The young woman frowned at the painting and pushed back a lock of dark hair, smearing a wide slash of blue paint across her cheek and the top of her ear. She started to paint swiftly, her right hand adding a definitive leading edge with a gradual blending of long shadow. Not satisfied with the coloration, she picked up her palette and began her usual monologue to Zintilla.
"Why can I only paint at night?! Zintilla you rudely wake me from a good sleep to come out in the wrong lighting until I can get this out of my head and onto the canvas! And why do I bother complaining to you? Ah because you're my muse!"
Aiko laughed at her own chatter and mixed the paints with confidence. 'Maybe a bit of Payne's gray instead of quite so much cerulean will give a better, softer tint? Perhaps a touch of white--no I think it needs thinning to make it work. Where's my gloss varnish?' Did I leave it behind or did I just put it down somewhere and forget it? Wait--maybe I need to look at it from more to the left instead.
With her brush dripping unheeded paint down one hand and the palette smearing into the side of her once very nice kimono, Aiko walked backwards to try and gain a better lighting perspective.