Kamalia was pulled from her body towards the ocean of dreams, and a maternal peace enfolded her. The vision was crystal-clear, almost blindingly so, in its sheer clarity. Kamalia instinctively knew that it was a fragment of memory from Mizahar’s golden years. The konti had never before seen glimpses of the chavi of one who had existed in pre-Valterrian ages. The seer was utterly spellbound by the vision, knowing that it was a memory so ancient, preceding even the existence of the Konti race. Like a silver shadow, the konti’s soul glided past through the gleaming corridors of the palace. Through her seer instincts, she knew that she was inside the royal citadel in Ahnatep. She listened closely to the exchange of words between the cold-looking Eypharian lady and the concubine.
Those faceless abominations were once real people too, the konti realized in horror. They seemed vastly different from the golems whose djed-given life sprung from the discipline of Animation. This noble Eypharian, Lady Lalilah, radiated with an icy beauty about her while she spoke about the Goddess of Logic and Order, Gnora. Kamalia realized that the four-armed lady was a follower of the stoic goddess, and as she explained the clarity granted by the absence of emotions, the Konti’s curiosity grew. The sorceress herself, as a Konti seer, had always envied her elders for their clarity of mind and certainty. But a life bereft of emotions? A life without passions? An unclouded mind was something Kamalia wanted to achieve, but this was too much. What caught Kamalia’s full attention was when Lady Lalilah mentioned how the attachment of the heart branches one away from the “Way”.
What was the “Way”? Was the Eypharian referring to the True Way, the magic wielded by gods long-forgotten? At the same time, what was Gnora’s role in all these? Her mind reeled to think how so many gods seemed to be connected to this Game.
Lady Lalilah’s emotionless voice trailed off in the wind, and an invisible force snatched the Konti back from her goddess-given reverie. The dream flickered, and her soul slipped back into the physical realm. Reality opened her eyes, and the seer found herself once again on Dira’s chariot as the platform was being lifted from the stage. The konti lay still and motionless, silently thanking Avalis both for the vision and that this unholy theatrical tragedy was finally over.
When the platform stopped, Kamalia rose and followed the masked actress of Dira. She observed the room studiously and methodically. She had seen this in the vision Gromhir had transmitted through his ivaski telepathy: a small square room lit by flickering candles. A larger door was on the opposite wall, with five hooks protruding in a pentagonal fashion.
Kamalia gently removed the white frowning mask of Princess Iolanda with both hands. She took Queya’s light blue frowning mask from the folds of her cloak. She stared at the princesses’ masks in each hand, smiling knowingly. Her movements certain and sure, Kamalia hung the two masks on the hooks of the door, with Queya on the left and Iolanda on the right. The konti girl faced the masked actress and smiled mysteriously.
“You were once a servant of Gnora,”the konti said softly in Ancient Tongue, her voice strong and musical. “Or have you forgotten her ways? Have you forgotten your mortal name?”
The konti stared at Stitch and Nyahna, and gestured for them to attach their masks on the door.
The konti closed her eyes and sang an enchanting spellsong, pulling power from the djed within her body. The reimancer concentrated as she emitted silvery res in ethereal gases through the centre of the glyph on her palms. Her body swayed in a gossamer dance, and her hands weaved the summoned res, making it congeal like a tendril-like whip with the consistency of gel around her right arm. With a single word in Nader-Canoch, the konti transformed the outer layers of the res into highly pressurized water. Since water is almost incompressible, the sorceress can use this water whip as a semi-solid weapon that can be controlled at will, and be pressurized to such a level it could slice through bones and wood.
She turned to face the man who played the role of Iolanda’s guardian, Fyodor. The water whip moved menacingly like a ravenous viper, as if it were waiting to strike at the human male. Kamalia smiled mysteriously, yet her crimson eyes remained icy and calculating. “You must forgive me, kind ser, but I cannot allow you to pass. I cannot allow you to win the Game. There are children’s lives at stake here—orphans in Syliras, innocent souls,” the konti said gently, but her voice was determined and unwavering. “If we are not proclaimed victors, the orphanage will be smouldered, along with the children.”
“If you are not willing to concede—well, that can be arranged,” the sorceress said icily. The water whip rose sinuously in the air in a serpentine manner. "What say you?"
Those faceless abominations were once real people too, the konti realized in horror. They seemed vastly different from the golems whose djed-given life sprung from the discipline of Animation. This noble Eypharian, Lady Lalilah, radiated with an icy beauty about her while she spoke about the Goddess of Logic and Order, Gnora. Kamalia realized that the four-armed lady was a follower of the stoic goddess, and as she explained the clarity granted by the absence of emotions, the Konti’s curiosity grew. The sorceress herself, as a Konti seer, had always envied her elders for their clarity of mind and certainty. But a life bereft of emotions? A life without passions? An unclouded mind was something Kamalia wanted to achieve, but this was too much. What caught Kamalia’s full attention was when Lady Lalilah mentioned how the attachment of the heart branches one away from the “Way”.
What was the “Way”? Was the Eypharian referring to the True Way, the magic wielded by gods long-forgotten? At the same time, what was Gnora’s role in all these? Her mind reeled to think how so many gods seemed to be connected to this Game.
Lady Lalilah’s emotionless voice trailed off in the wind, and an invisible force snatched the Konti back from her goddess-given reverie. The dream flickered, and her soul slipped back into the physical realm. Reality opened her eyes, and the seer found herself once again on Dira’s chariot as the platform was being lifted from the stage. The konti lay still and motionless, silently thanking Avalis both for the vision and that this unholy theatrical tragedy was finally over.
When the platform stopped, Kamalia rose and followed the masked actress of Dira. She observed the room studiously and methodically. She had seen this in the vision Gromhir had transmitted through his ivaski telepathy: a small square room lit by flickering candles. A larger door was on the opposite wall, with five hooks protruding in a pentagonal fashion.
Kamalia gently removed the white frowning mask of Princess Iolanda with both hands. She took Queya’s light blue frowning mask from the folds of her cloak. She stared at the princesses’ masks in each hand, smiling knowingly. Her movements certain and sure, Kamalia hung the two masks on the hooks of the door, with Queya on the left and Iolanda on the right. The konti girl faced the masked actress and smiled mysteriously.
“You were once a servant of Gnora,”the konti said softly in Ancient Tongue, her voice strong and musical. “Or have you forgotten her ways? Have you forgotten your mortal name?”
The konti stared at Stitch and Nyahna, and gestured for them to attach their masks on the door.
The konti closed her eyes and sang an enchanting spellsong, pulling power from the djed within her body. The reimancer concentrated as she emitted silvery res in ethereal gases through the centre of the glyph on her palms. Her body swayed in a gossamer dance, and her hands weaved the summoned res, making it congeal like a tendril-like whip with the consistency of gel around her right arm. With a single word in Nader-Canoch, the konti transformed the outer layers of the res into highly pressurized water. Since water is almost incompressible, the sorceress can use this water whip as a semi-solid weapon that can be controlled at will, and be pressurized to such a level it could slice through bones and wood.
She turned to face the man who played the role of Iolanda’s guardian, Fyodor. The water whip moved menacingly like a ravenous viper, as if it were waiting to strike at the human male. Kamalia smiled mysteriously, yet her crimson eyes remained icy and calculating. “You must forgive me, kind ser, but I cannot allow you to pass. I cannot allow you to win the Game. There are children’s lives at stake here—orphans in Syliras, innocent souls,” the konti said gently, but her voice was determined and unwavering. “If we are not proclaimed victors, the orphanage will be smouldered, along with the children.”
“If you are not willing to concede—well, that can be arranged,” the sorceress said icily. The water whip rose sinuously in the air in a serpentine manner. "What say you?"
Hurry up and win the Game, so I'll be one step closer to taking over you.