Ialari listened to Thomas' explanation of what he hoped to attain as far as his Animation pursuits were concerned. She stifled a smile as he spoke. She sensed a slight hesitation or nervousness in his demeanor. She thought it almost seemed kind of cute the way he seemed to almost stumble at first. The more he got into the explanation though, the more sure and stable in his thoughts he seemed. What he was telling her was not all that outlandish though as it resembled something else that was very close to her and her people.
When he had finished clarifying his ideas for the soul and his concept of immortality, Ialari openly smiled albeit softly. "Your thoughts on the matter, I must admit, they are insightful. Interestingly enough, my people have been known to achieve a similar end when it comes to our creations outlasting us." She held up her metallic arm. The black finish glistened in the dim light of her chambers. Silver veins lined her arm and stood out from the black, metal skin ever so slightly creating a contoured texture of sorts. Etched into the dark surface was a tattooed weave of lines, patterns and geometric shapes that extended from her shoulder to her elbow.
"Our arms are gifts given to us by our Divine Father, Izurdin. With them we can mold and shape the physical building blocks of the world you see around you." Ialari walked over to the stone wall nearby and looked at Thomas as she placed her metallic hand flat against the wall. She then sunk her fingers into the stone as if it were soft clay. At the point where her fingers touched and sank into the wall, the stone parted as if it weren't really stone. Small ripples formed around her fingers. She then pulled her fingers from the wall, wiped her palm over the points she touched and left a slight smudge in the stone itself where her fingerholes had been.
She smiled, looked at her hand and then back to Thomas. "Along with being able to shape stone, metal and wood with our hand, we can also use it to impart a piece of our selves on to an object. Our devotion and standing in the eyes of our Divine Father determines how much we can impart. All of us however can pass on a tiny piece of our soul, the purest form of djed, into an object thereby sharing with it a bit of what makes us who we are. The most basic of traits passed on is enhanced durability. An object becomes capable of withstanding most mundane forms of physical wear and tear and even a bit that isn't so mundane."
"As one progresses in their faith, devotion and standing with the Father, the extent of what we can impart upon objects is increased. For example, I am capable of imparting enough of myself onto an object that some of my personality, mood, my very nature is passed on. For example, if I were to impart upon a dagger, not only would it become unnaturally durable, I could make it so the wielder felt at ease among the unliving or cause those encountering the wielder to feel somewhat physically inferior around him. There is really no end to the type of property I can add. Only the potency of that quality is limited. The closer ones get to Izurdin, they find they can add even greater mystical qualities to an item on par with skilled magecraft. He who walks with Izurdin side-by-side can impart so much onto an item that the item becomes akin to his child. It has some of the creator's intelligence, knowledge and skill. It will essentially live forever since its physical form is unbreakable." Ialari smiled with a sense of pride as she explained a bit of Izentor to Thomas. There was so much more to the whole process but she figured that she might get into that more later.
Ialari set to gathering a few things, most importantly a well-worn leather-bound journal thick with yellowed pages and inserts tied shut with a black, woven leather cord. "There is nothing wrong with wanting a part ourselves to live on after we are gone. It's how one goes about it though that makes the difference."
Placing her journal into a pocket inside her robes, Ialari nodded her readiness to leave. She followed Thomas as he led her to their destination. Most of the known and a handful of the lesser known destinations that made up the whole of the Citadel were etched into Ialari's mind after her experience with Drainira's "prison". She could picture the map in her mind as she walked. Sometimes she would even close her eyes as traveled about the corridors simply for fun. She allowed her mind to lead her which except for a couple nearly disastrous times, worked out alright.
When they arrived at Lab 15, Ialari glanced around at all the work being done with golems of all shapes and sizes, purposes and designs. While she knew of the lab, she never visited it before. Her path went a different direction with her interrogation of the prisoners and occasional trip to the forge or magecraft facilities. Although not formally an apprentice at the Citadel, her unique status as an honored guest and associate (of sorts) to Master Qiao (doing his dirty work with prisoners), did offer some small advantages.
When asked what she wanted to see first, Ialari was at a loss for words. Her experiences with golems in general had been mixed at best, absolutely awful and life-changing at the worst. Not knowing how to begin, Ialari simple said, "I guess I'd like to see how it begins. Where does one start in creating a golem?"
When he had finished clarifying his ideas for the soul and his concept of immortality, Ialari openly smiled albeit softly. "Your thoughts on the matter, I must admit, they are insightful. Interestingly enough, my people have been known to achieve a similar end when it comes to our creations outlasting us." She held up her metallic arm. The black finish glistened in the dim light of her chambers. Silver veins lined her arm and stood out from the black, metal skin ever so slightly creating a contoured texture of sorts. Etched into the dark surface was a tattooed weave of lines, patterns and geometric shapes that extended from her shoulder to her elbow.
"Our arms are gifts given to us by our Divine Father, Izurdin. With them we can mold and shape the physical building blocks of the world you see around you." Ialari walked over to the stone wall nearby and looked at Thomas as she placed her metallic hand flat against the wall. She then sunk her fingers into the stone as if it were soft clay. At the point where her fingers touched and sank into the wall, the stone parted as if it weren't really stone. Small ripples formed around her fingers. She then pulled her fingers from the wall, wiped her palm over the points she touched and left a slight smudge in the stone itself where her fingerholes had been.
She smiled, looked at her hand and then back to Thomas. "Along with being able to shape stone, metal and wood with our hand, we can also use it to impart a piece of our selves on to an object. Our devotion and standing in the eyes of our Divine Father determines how much we can impart. All of us however can pass on a tiny piece of our soul, the purest form of djed, into an object thereby sharing with it a bit of what makes us who we are. The most basic of traits passed on is enhanced durability. An object becomes capable of withstanding most mundane forms of physical wear and tear and even a bit that isn't so mundane."
"As one progresses in their faith, devotion and standing with the Father, the extent of what we can impart upon objects is increased. For example, I am capable of imparting enough of myself onto an object that some of my personality, mood, my very nature is passed on. For example, if I were to impart upon a dagger, not only would it become unnaturally durable, I could make it so the wielder felt at ease among the unliving or cause those encountering the wielder to feel somewhat physically inferior around him. There is really no end to the type of property I can add. Only the potency of that quality is limited. The closer ones get to Izurdin, they find they can add even greater mystical qualities to an item on par with skilled magecraft. He who walks with Izurdin side-by-side can impart so much onto an item that the item becomes akin to his child. It has some of the creator's intelligence, knowledge and skill. It will essentially live forever since its physical form is unbreakable." Ialari smiled with a sense of pride as she explained a bit of Izentor to Thomas. There was so much more to the whole process but she figured that she might get into that more later.
Ialari set to gathering a few things, most importantly a well-worn leather-bound journal thick with yellowed pages and inserts tied shut with a black, woven leather cord. "There is nothing wrong with wanting a part ourselves to live on after we are gone. It's how one goes about it though that makes the difference."
Placing her journal into a pocket inside her robes, Ialari nodded her readiness to leave. She followed Thomas as he led her to their destination. Most of the known and a handful of the lesser known destinations that made up the whole of the Citadel were etched into Ialari's mind after her experience with Drainira's "prison". She could picture the map in her mind as she walked. Sometimes she would even close her eyes as traveled about the corridors simply for fun. She allowed her mind to lead her which except for a couple nearly disastrous times, worked out alright.
When they arrived at Lab 15, Ialari glanced around at all the work being done with golems of all shapes and sizes, purposes and designs. While she knew of the lab, she never visited it before. Her path went a different direction with her interrogation of the prisoners and occasional trip to the forge or magecraft facilities. Although not formally an apprentice at the Citadel, her unique status as an honored guest and associate (of sorts) to Master Qiao (doing his dirty work with prisoners), did offer some small advantages.
When asked what she wanted to see first, Ialari was at a loss for words. Her experiences with golems in general had been mixed at best, absolutely awful and life-changing at the worst. Not knowing how to begin, Ialari simple said, "I guess I'd like to see how it begins. Where does one start in creating a golem?"