"What made you decide you wanted to delve into art?" asked the knight with a raised eyebrow. A subtly perplexed expression on his face with resulted in almost a mirror image of it in Valo's own feature. Why not art? What else was there of true beauty and complexity to behold in this world where everything seemed so grey tinted.
Art was escapism, a powerful mistress whom the young artist had never battled with, but simply embraced. It was a principle etched so deeply into him, from such a young age that he could simply not imagine himself without it. Much like he could not imagine himself without a heart, or a kidney or any other organ. Perhaps that's what art was. Yet another organ, grown within him over the years. To pull it out would result in death. It was a greater calling, greater even than the gods. So many things, was art. It was both life and eternity. Both a science and poetry. Misunderstood so greatly, yet somehow touching every single being in one way or another.
Those who beheld mathematics over art simply did not understand it. Their hearts were as dead as the equations they plaid with. Art is a sense was a fluidity of set rules. It was both etched in stone and free to interpretation, welcoming the breaking of those rules. Art was the development of one's own perspective, one's own understanding of the world. It was the perpetuating of one's skill.
In a sense there was something very mathematical about the kind of art Valo created. The lines and and angles and distances that went into creating a form. The perfect and pristine nature of anatomy. it was also very scientific, chemistry based, in the mixing of mediums and pigments. The very processes that constructed what could only be known as art rooted in nothing more than the principles upon which the world was built. Few people understood it, for few people ever took up a paint brush and learned what it meant to paint with oil upon canvas. Few people truly had a taste of the meticulous difficulty of water based pigments. To many, drawing with charcoal was a relentless art of smudging. Few truly pay attention of the theoretical genius that was plowed into the works that hung upon the walls that belonged to the rich. Few had the ability for that level of appreciation. Few looked beyond the subject itself.
To say that art was very much open to interpretation, was indeed a statement Valo was prepared to argue both for and again. Truly, some of Mizahar's greatest work's of art truly bored his eyes. Then again some were unquestionably and always true works of art and to oppose that, to him, was simply a question of bad taste. And taste, though subjective, to Valo was suspended on the black and white spectrum of things. Some people simply had bad taste. A motto, which he repeated to everyone he ever debated with, was simple: one does not need to like the particular painting, to appreciate it.
"What made me decided to do art?" he simply echoed, giving a long moment to think his answer though. And when that moment neared it's end, he still had no coherent answer to give, so indeed he decided to simply ramble. The rambling of a man so very passionate. "It's like asking; what made you decide to walk, or talk? A need within one self. A simple occupation without which I could not survive for it is as basic to me as breathing. You see, I've been paint longer than I dare to imagine. Longer than I can remember. It's so very fundamental that it's not even a second nature to me any more, but the nature of myself."
He lowered his gaze for a moment, but once the words began rolling from his lips, he had no power, nor indeed the will, to stop it. A warm smile across his handsome feature before he looked back to the knight. "Everyone perceives the world in some sort of a way." It just so happened that his was entropy. And within that very entropy there was nothing but beauty which he so dearly wanted to share with others. But they could not look though his eyes, they could not see what he saw so clearly, thus he needed to show them and it was though the use of charcoal and medium that he did so.
There was of course his great love of the theory behind it all. A love so great that perhaps, beside his family, he had never known to love anything quite this much. For the naturally inquisitive man who was Valo, there was nothing better than the relentless hours of practising. the colour theory, the pencil marks, the anatomy. A certain peculiar joy in the frustration it often brought him. An ache of the heart when something went wrong, only to underline that profound joy which lingered about every worth looking at painting he produced. The very emotion, for Valo was a rather overly emotional individual, that went into creating something truly powerful. The pleasure of turning pages in a filled sketch book.
He had never thrown out any of his work, no matter how bad it was. And some of the sketches and paintings of his childhood were abominably bad.It was a way to keep a journal. A visual journal where words were unravelled and joined into lines that created form which spoke of one thing or another. Many self portraits and those of his family. Many portraits of friends. Freeze frames, time capsules. Each would bring an array of memories. Pictorial diaries of a sort, a chronicle of his life. He had improved so greatly since his earlier days and that was something worth celebrating and remembering for that was a a victory in progress. Art was progress.
"However few of us have the true power to change it." the artist continued. "Those that do... they're called artists."
It seemed that Valo didn't really have a great love for this world. Of course there were beautiful things within it, but even they were often obscured by the ugliness of reality. He didn't really have that much of a love of life either. It seemed he didn't really live but merely exist, suspended in that which he bothered not to think over for there seemed to always be something else on his mind. Detached somewhat he was, from himself and from the world. that art was his purpose. That art kept him from fading, kept his a passionate fool at the merciful hands of fate. it was art that guided him. and his passion sprouted from it. His deep burning passion, his determination and his spark of life all rotated around that single word; art. Art was life.
"Art isn't the depiction of the world. It is the creation of it. The power to take something imperfect, to shift and change it, mould it with your hands and breathe life into it. Another world within this one, too as imperfect and chaotic but different. We are born into this world so powerless and most of us life our lives in the lack of any significant power, unless the gods bestow it upon us. We are so very small. Well, this is my power. I'm the creator." When he spoke, there was a mad spark in Valo's eyes. Something perhaps a little ominous, painted in those elaborately beautiful emerald spheres, ever animated. The previously calm young gentleman had shifted ever so subtly, ever so very subtly into someone so very saturated by this sudden energy, this passion of his, that it seemed he was alight by it.