29th of Winter, 434 AV
Name NoteThis flashback occurs in a previous life when Nimvahlis was an Akvatari. As such, it uses his Akvatari name of Sonblummatis.
PurposeThe purpose of this flashback is to detail the first heavy overgiving of Sonblummatis with his magic, and the first time he encounters the Sweet Whispers on a conscious, forceful level.
As another note, in this past life Nimvahlis was significantly more skilled at what he does than he is at the moment. In fact, most of his current skills are collateral damage from this life. As such, the Akvatari depicted here is significantly more skilled than Nimvahlis.
A soft sunset painted the tower in shades of black, lightening to the natural cerulean as its stone circumference moved east and away from the red sunlight. Two violet arches curled up from the earth to intersect at a right angle at the middle of the tower. Neither doors nor stairs adorned the structure, stretching up into the skyline like some untouchable obelisk. Four stone pillars carved into the likeness of roses stretched from the flat top of the tower. Their petals bloomed widely, forming a roof with only a small hatch in the top for light to enter. This high up supplied a ceaseless wind that was at best a breeze, but at worst a flight defeating gust. Yet the wind must have been manageable, for two lone figures could be seen perched at its apex, silhouetted against the evening light.
Rorwos sat still as the stone tower beneath him, torso straight and arms hanging down his front with palms facing the sky. His wings were folded behind him, hiding their gossamer greens and olives. The fur on his tail shone with the same hues, yet his eyes incongruously designed as icy spheres. However, his companion saw none of these traits, for his eyes were focused on something unseen to many. While another saw Rorwos as a physical entity, the one before him saw deeper into the Akvatari. Before him was a painter of auras, an artist of emotions. There must have been several of them in the bizarre city, but none were quite like this one.
Indeed, Sonblummatis was relatively well known in the city of Abura. Yet nobody in the far off city of Zeltiva pined for his works, none in Ahnatep desired his art, and nobody in Syliras fawned over his pieces. In fact, he was an unknown off of the isle of Akvatar. But he was rising within the circles of Akvatar’s artists. Each work was similar yet subtly different and sometimes his paintings had the strangest habit of changing emotions once or twice. More astounding, is that when subjects saw the work, they would swear it is accurate and often recall the emotional change. Those that enjoyed his work delighted in comparing the auras of various subjects and discovering the sometimes hidden differences. Yet he had some critics that pointed out a lack of variety in his paintings.
Yet I am only a messenger of the visceral, yet invisible. Then, is it not the fault of the subject for lacking distinction?
A blank canvas patiently awaited his attentions, desiring the transcription of Rorwos’ essence. Sonblummatis picked up a fine charcoal pencil from the easel tray, and commenced his work. A small sigh escaped his lips, he was tired. He had done two other paintings this day, which was far too much work in a short span. His Djed was taxed, he needed rest. But he had promised Rorwos this painting, and so light hands began sketching an outline of the subject, beginning with his hollowed cheeks. Truthfully, this step was all too quick and necessary, but Saot was anxious to reach the interesting part of this process. Charcoal dragged along the canvas, mimicking the outline of Rorwos’ shoulder. It moved down to outline his forearm and hand, delicate and statuesque. Working more quickly, he sketched what part of the tail was visible from this perspective, and commenced the right side of the subject. Again, his hands, side, and arms were swiftly recorded on the canvas. It almost breathed as Sonblummatis fell into his rhythm and completed the outline. It would not last, but was simply used as a reference when pinpointing colors and layers.
Silken vocal cords vibrated as Son spoke to his subject, ”What is amiss in your life, Rorwos?” The painter’s charcoal continued running across the canvas as if he continued drawing. In truth, Saot was hip deep in planning. Rorwos contemplated the question for a few moments, furrowing his brow in thought. A small silence stretched between the two, quietly vibrating the space with energy as a the green Akavatari spoke, ”Many things plague this world, Sonblummatis. I am not so selfish as to think events revolve around us, such an inconsequential blemish on Mizahar.” Stillness was not so much an issue for Son as for those who painted the intricate details, and as such he encouraged the subject as he spoke. A small ”Indeed,” or nod of affirmation prodded the subject further when his speech slowed. Dry riverbeds will not do, the subject must be pouring forth like a powerful watercourse. It was with the speech that Son set his mood, for the Akvatari were emotional creatures that would inevitably stray to more depressing topics. Rorwos was no different, ”So my thoughts have been drifting to the outside, Ahnatep mainly. Such hatred, and such darkness is harbored within their hearts. I despair to think of their state.”
Rorwos’ eyes closed as he furthered the topic within his mind, likely recalling a discussion he’d had previously. Son had spoken with Rorwos often before, and knew that once he was on a topic his mind would be hard pressed to stray. He was a ship that never strayed from its course, destined always for that foggy port just out of reach. Never was Rorwos satisfied, he would speak again soon.
So too, did Sonblummatis close his eyes. He felt his Djed rouse itself and inundate his veins. A deep blue depression began blooming against the back of his eyelids, the aura of Rorwos penetrating physical barriers. He breathed deeply, as the Djed swirled and his eyes opened again to see the subject staring at him. A small smile crept onto Sonblummatis’ face as he focused on the aura and spoke, ”do continue, Rorwos.”
Name NoteThis flashback occurs in a previous life when Nimvahlis was an Akvatari. As such, it uses his Akvatari name of Sonblummatis.
PurposeThe purpose of this flashback is to detail the first heavy overgiving of Sonblummatis with his magic, and the first time he encounters the Sweet Whispers on a conscious, forceful level.
As another note, in this past life Nimvahlis was significantly more skilled at what he does than he is at the moment. In fact, most of his current skills are collateral damage from this life. As such, the Akvatari depicted here is significantly more skilled than Nimvahlis.
A soft sunset painted the tower in shades of black, lightening to the natural cerulean as its stone circumference moved east and away from the red sunlight. Two violet arches curled up from the earth to intersect at a right angle at the middle of the tower. Neither doors nor stairs adorned the structure, stretching up into the skyline like some untouchable obelisk. Four stone pillars carved into the likeness of roses stretched from the flat top of the tower. Their petals bloomed widely, forming a roof with only a small hatch in the top for light to enter. This high up supplied a ceaseless wind that was at best a breeze, but at worst a flight defeating gust. Yet the wind must have been manageable, for two lone figures could be seen perched at its apex, silhouetted against the evening light.
Rorwos sat still as the stone tower beneath him, torso straight and arms hanging down his front with palms facing the sky. His wings were folded behind him, hiding their gossamer greens and olives. The fur on his tail shone with the same hues, yet his eyes incongruously designed as icy spheres. However, his companion saw none of these traits, for his eyes were focused on something unseen to many. While another saw Rorwos as a physical entity, the one before him saw deeper into the Akvatari. Before him was a painter of auras, an artist of emotions. There must have been several of them in the bizarre city, but none were quite like this one.
Indeed, Sonblummatis was relatively well known in the city of Abura. Yet nobody in the far off city of Zeltiva pined for his works, none in Ahnatep desired his art, and nobody in Syliras fawned over his pieces. In fact, he was an unknown off of the isle of Akvatar. But he was rising within the circles of Akvatar’s artists. Each work was similar yet subtly different and sometimes his paintings had the strangest habit of changing emotions once or twice. More astounding, is that when subjects saw the work, they would swear it is accurate and often recall the emotional change. Those that enjoyed his work delighted in comparing the auras of various subjects and discovering the sometimes hidden differences. Yet he had some critics that pointed out a lack of variety in his paintings.
Yet I am only a messenger of the visceral, yet invisible. Then, is it not the fault of the subject for lacking distinction?
A blank canvas patiently awaited his attentions, desiring the transcription of Rorwos’ essence. Sonblummatis picked up a fine charcoal pencil from the easel tray, and commenced his work. A small sigh escaped his lips, he was tired. He had done two other paintings this day, which was far too much work in a short span. His Djed was taxed, he needed rest. But he had promised Rorwos this painting, and so light hands began sketching an outline of the subject, beginning with his hollowed cheeks. Truthfully, this step was all too quick and necessary, but Saot was anxious to reach the interesting part of this process. Charcoal dragged along the canvas, mimicking the outline of Rorwos’ shoulder. It moved down to outline his forearm and hand, delicate and statuesque. Working more quickly, he sketched what part of the tail was visible from this perspective, and commenced the right side of the subject. Again, his hands, side, and arms were swiftly recorded on the canvas. It almost breathed as Sonblummatis fell into his rhythm and completed the outline. It would not last, but was simply used as a reference when pinpointing colors and layers.
Silken vocal cords vibrated as Son spoke to his subject, ”What is amiss in your life, Rorwos?” The painter’s charcoal continued running across the canvas as if he continued drawing. In truth, Saot was hip deep in planning. Rorwos contemplated the question for a few moments, furrowing his brow in thought. A small silence stretched between the two, quietly vibrating the space with energy as a the green Akavatari spoke, ”Many things plague this world, Sonblummatis. I am not so selfish as to think events revolve around us, such an inconsequential blemish on Mizahar.” Stillness was not so much an issue for Son as for those who painted the intricate details, and as such he encouraged the subject as he spoke. A small ”Indeed,” or nod of affirmation prodded the subject further when his speech slowed. Dry riverbeds will not do, the subject must be pouring forth like a powerful watercourse. It was with the speech that Son set his mood, for the Akvatari were emotional creatures that would inevitably stray to more depressing topics. Rorwos was no different, ”So my thoughts have been drifting to the outside, Ahnatep mainly. Such hatred, and such darkness is harbored within their hearts. I despair to think of their state.”
Rorwos’ eyes closed as he furthered the topic within his mind, likely recalling a discussion he’d had previously. Son had spoken with Rorwos often before, and knew that once he was on a topic his mind would be hard pressed to stray. He was a ship that never strayed from its course, destined always for that foggy port just out of reach. Never was Rorwos satisfied, he would speak again soon.
So too, did Sonblummatis close his eyes. He felt his Djed rouse itself and inundate his veins. A deep blue depression began blooming against the back of his eyelids, the aura of Rorwos penetrating physical barriers. He breathed deeply, as the Djed swirled and his eyes opened again to see the subject staring at him. A small smile crept onto Sonblummatis’ face as he focused on the aura and spoke, ”do continue, Rorwos.”