Solo Things Set in Motion

In which Alses visits Maeki Cho.

(This is a thread from Mizahar's fantasy role playing forum. Why don't you register today? This message is not shown when you are logged in. Come roleplay with us, it's fun!)

The Diamond of Kalea is located on Kalea's extreme west coast and called as such because its completely made of a crystalline substance called Skyglass. Home of the Alvina of the Stars, cultural mecca of knowledge seekers, and rife with Ethaefal, this remote city shimmers with its own unique light.

Things Set in Motion

Postby Alses on August 13th, 2013, 10:41 pm

Image
Timestamp: 21st Day of Summer
Location: Maeki Cho's Animation Studio


Alses had paced the unprepossessing street three times before she found the place, each time scrutinizing the houses lining the leafy boulevard with greater care, hawkish eyes hunting, hunting, trying to find the elusive place she'd been assured – and by no less of a personage than Tian J'net herself – was here.

It was just that all the buildings looked fairly similar – at least as far as general form and function went; Lhavit's houses were fairly easy to spot, after a while. They were mostly made of pale stone and light, treated wood with a broad dome of skyglass forming the roof, with an occasional spire for variety or vanity. Alses had grown used to the fact that, in this most magical of cities, the sorcerers and sorceresses could enjoy the fruits of their labours to the full, and that meant a tide of kina rolled their way. Mages' residences, especially if their skills were hard-to-find, tended to be grander than most. The Towers and Elena Lariat's palatial estate were perhaps at the extreme of the curve, but nonetheless it was generally a reasonable assumption that the grandest house on a street belonged to a mage of one flavour or another.

Here, though, it was impossible to distinguish arcane from mundane – the only clue, on closer inspection, being a discreet (Alses' sharp eyes picked up the roughness of the edges, a slight wonkiness to the letters – homemade?) sign that proclaimed this dwelling to be the residence of one Maeki Cho, Lhavit's resident and only Animator.

Hmm.

It didn't look particularly grand, it had to be said – perhaps someone had moved the sign?

No, what would have been the point? This was the street she'd been told about; Tian had no reason to lie, after all. For all its outward plainness, perhaps Maeki had decided to lavish her attentions and wealth on the interior? As far as Alses had been able to determine (contrary to popular belief, every mage didn't know every other, especially in a city like Lhavit, where the djed-aware population was so large) by consulting the Wizard's Registry and talking to Chiona and a few other wizards, Maeki was the only animator in all the celestial city.

Rather a mystery, then, why she lived in such an...ordinary...dwelling. Still, hanging around on the street outside was no way to determine such things; what better way than to screw up the courage to knock and enquire?

Indecision warred with anticipation for a few ticks, before Alses rose above the spray of memories and concerns the moment had thrown up and walked briskly forwards, one hand upraised to knock.

The instant her knuckles met the wood – or perhaps a fraction of a tick beforehand, actually, a bell boomed in the depths of the house, the muffled sound nonetheless making itself known to Alses, standing nervously on the unassuming doorstep, frozen with surprise at the sudden sound – all she'd been expecting was the staccato rap of her own knuckles on the wood, after all.

There was a brief pause, during which the sonorous peals of the bell died away and Alses considered knocking again, before a muffled voice worked its way through the door: “With you in a chime!” There were various muted thumps and a crash before the door was thrown open with considerable energy.

Yes?

Even though the figure who emerged was comically short, childlike almost, Alses herself wasn't particularly tall (positively stunted, by the standards of her race). Maeki had brilliant, almost bone-white hair (Alses learned later that this was the result of a dye; the natural colour was a rich and glossy black, like so many Lhavitians) that tumbled down below her shoulders and her heart-shaped face sparkled with piercing blue eyes.

She was thin, too, although a voluminous furred overrobe hid the fact from a casual look, and the broad smile almost perpetually on her large mouth made her about as intimidating as the children she so closely resembled.

Er...do we have the pleasure of addressing Maeki Cho?” Alses asked in her best formal manner, although the effect was ruined somewhat by the tentative, unsure tone.

Speaking,” she replied cheerfully, and then her eyes flickered quickly over Alses and zeroed in on the Dusk Tower crest still pinned at her throat – a look of almost comical dismay fell across features that were evidently more used to a sunny smile. “Oh, you're from the Dusk Tower? It's the vault door, isn't it? I said I wasn't sure about the new rack-and-pinion anchor gear design; she's got stuck, hasn't she?” Maeki cast a glance back into her home and then turned back.

If you'll give me a few chimes I'll be right over and sort her out.” A blazing smile, a return to good cheer after dismay. “To tell you the truth, I like the challenge.

Without further ado, Maeki Cho vanished into the depths of her...home? Animation laboratory? Both? leaving Alses to peer in, nonplussed.

Ma'am?” Alses didn't know why the more usual title of 'Lady' didn't spring to her lips – perhaps it was the relative ordinariness of Maeki's home. Then, louder: “Maeki Cho?

Just a tick!” came the distant, harried response.

This wasn't getting her anywhere; Alses filled her lungs and bellowed, to the best of her ability: “We're not from the Dusk Tower! I'm here in a private capacity!

The echoes rolled inside, and probably some way through the street, as well, resulting in an immediate cessation of the distant movements and a hurried return. “
Sorry!” Maeki exclaimed cheerfully. “Saw your crest and sort of assumed...come in, come in!

Alses massaged her aching throat – she wasn't used to shouting – and thankfully stepped inside, looking around with curious eyes as Maeki swiftly shut the door behind her and ushered Alses further in.

It was, to be blunt, a mess – the pale floorboards shone bravely through clutter piled high on their uncomplaining backs, mounds of books and papers and the occasional lock-box. A few paintings and tapestries glimmered bravely high on the walls, and the odd piece of furniture – tallboys and the like – struggled desperately amid the piled-high odds and ends.

Maeki moved through the disorderly jumble with the ease and grace of long practice. Alses didn't have the benefit of time to teach her about the position of the piles – which she later learned shifted about every eight days, whenever Youichi Dawn came to visit and tidied up with a vengeance – and so stumbled and hopped along after her as best she was able, accruing a reasonable collection of bumps, scrapes and bruises from unexpected hard edges.

Her feet were aching, too, from the stress of stepping carefully, by the time Maeki led the way into a cluttered – but much clearer – kitchen, a well-lit space made rosy by reflected light from ranks of copper pans. A battle-scarred table, so large as to be almost outsized in the space, dominated, its honey-coloured wood exuding warmth and comfort and a sense of winter days curled around a hot pot of tea – although that last almost certainly came from her powerful auristics rather than any mundane sense.

Tea?” came the bright question as she absently waved Alses into a seat, Maeki's diminutive form brandishing a copper kettle eagerly. “I have rosehip, lemon, bergamot, kariino...” she rattled off a long list, clearly from memory, without even glancing at the bunches of herbs and leaves dangling from slender chains overhead.
Image
User avatar
Alses
Lady Magesmith
 
Posts: 852
Words: 1556681
Joined roleplay: August 8th, 2012, 2:32 pm
Location: Lhavit
Race: Ethaefal
Character sheet
Storyteller secrets
Medals: 3
Featured Character (1) Overlored (1)
One Million Words! (1)

Things Set in Motion

Postby Alses on August 15th, 2013, 1:55 pm

Image
Whatever you're having will be fine,” Alses replied smoothly, not quite ready to detail her personal peccadilloes just yet. A frown line creased itself into existence on Maeki's forehead, and just as quickly smoothed itself away, laugh-lines re-etching themselves as she smiled once more, delicate hands reaching up to pluck herbs from a low-hanging chain – one that lowered itself to her hand as she reached up, Alses noted with a subtle jolt; magic was at work even here, in this homely kitchen.

With practised ease, Maeki snipped several leaves from a bunch and let them fall into the kettle. Sliding it onto a rail over a snapping fire was the work of but a moment, and when it was done, with a peculiar economy of motion Maeki turned from her work and slid into a chair opposite Alses, propping her chin on her hands and relaxing, completely at ease in her home and entirely different to Alses herself, ramrod-straight and uncomfortable in an unfamiliar environment. Kitchens, though she'd got better at dealing with the smells they produced, were still hardly her favourite places.

So.” Maeki broke the silence which had descended. “I can't keep calling you Dusk Tower lady, blessed one.

Alses,” she replied quickly, and perhaps more sharply than she'd intended. 'Blessed one' still annoyed her. “Please, call me Alses.

Not fond of your titles? Alses it is, and you'll call me Maeki.” came the reply, even as her head tilted sideways to rest on her palms. “What can I do for you, hmm? You want a lockbox or something similar?

Alses shifted uncomfortably on her chair – the question was suddenly a rather blunt one, put like that. “Actually, we were – that is, I was – wondering if you'd consent to pass on some knowledge of Animation?

Maeki blinked, slowly, face blank with surprise – whatever she'd been expecting, that particular request hadn't been it. The kettle, whistling merrily, made them both jump, and bought Maeki some extra time as she rose fluidly to attend to it, puttering happily about with teapot and cups – Alses' sharp eyes noticed a few chips, which she decided, tactfully, not to comment on.

There were a few further ticks of silence as both of them savoured the warmth of the tea – bergamot, by the characteristic smell rising on curls and whorls of steam – and Maeki drank deeply.

Why d'you want to learn?” came the lazy question. “It doesn't really bring much in the way of wealth and power.

A flash of blankly dead, unseeing yet piercingly accusative eyes, a vivid memory of a coldly perfect face, beautiful even in the slackness of death, staring at her from a blood-smeared Temple floor.

Life from lifelessness.

Alses shrugged, the moment of recollection passing fast, her control iron-hard. “Perhaps not,” she replied with a slightly forced smile, “But I can get that from some of my other talents. We're drawn to most magic, and animation has a sweet lure all of its own, bringing life to the lifeless. I can already make the mundane extraordinary, but I cannot make anything but the rudiments of intelligence – and we understand animation has succeeded where magecraft fails.

Maeki smiled. “
Ah, I knew I'd heard your name somewhere before!” she exclaimed. Alses returned the smile; it was hard not to, when the auristic impressions were so strong.

It's also the name of a star,” she demurred, just in case. “The North Star's far and distant companion. You might have heard it from there, if you've an interest in astronomy...

Maeki tipped her head, considering. “
No, no, I don't think so...Youichi mentioned your name a few times – Youichi Dawn. Know him?

Alses blinked. “We're afraid not,” she managed to reply, not prepared for the casual name-drop of one of Lhavit's three most powerful dynasties. “I mostly know the Dusks. Chiona teaches me, you see.

Maeki blinked. “
But you're wearing instructor's robes,” she pointed out, possibly as a holding statement until actual thought happened.

We teach the novices, and are taught ourselves. Chiona thinks teaching helps refine our technique; and I have to say it has. And I enjoy it, too - my novices are mostly a delight. Trying, on occasion, but still, delightful.

Maeki nodded. “
It's nice to have minions too,” she added with a wicked grin. “Although if you make golems you'll find yourself developing attachments to even the simplest ones.

Alses blinked. “Really?

Oh yes; Animators often use their own souls as templates for the Life Principle. Seems to cause something of an attachment. Silly, I know, but there we are.

Alses blinked. “Life Principle?

Maeki shook her head. “
I'm getting ahead of myself. Follow me, follow me!

Still with tea securely in-hand, and sipping from it every so often, satisfaction surging through her aura at every intake of liquid, Maeki Cho led the way through the clutter of her home (Alses hopping and doing her utmost not to curse behind) to a blessedly clear, almost spartan chamber.

A magical laboratory, that much was evident to Alses the very instant she crossed the threshold, even had she not been already initiated into a discipline of world magic and thus could recognize many of the trappings. It was large and bare, as most labs tended to be, with plentiful space for glyphing circles of one flavour or another, with the requisite blackboards and writing desks ranged between tapestries that broke up the blank whiteness of the walls. This particular flavour of laboratory had large crates ranged around the edges, and there were two T-shaped frames for some arcane purpose, too.

This is my laboratory,” Maeki announced happily. “About the only place I can manage to keep clean on my own.” She smiled wryly. “I'm not the most organised of people. Now, what do you know about Animation, hmm?

It's the art of somehow giving life to lifeless things,” Alses replied distantly, inspecting the surroundings to the best of her considerable ability.

Correct! Although it's not very impressive when you're starting out. Instincts, a couple of reflexes, that's about all you can manage. Still, you're building artificial souls, so I suppose it counts.

Alses blinked. “Proper souls?

Well, copies. Usually of your own, as I said.
Image
User avatar
Alses
Lady Magesmith
 
Posts: 852
Words: 1556681
Joined roleplay: August 8th, 2012, 2:32 pm
Location: Lhavit
Race: Ethaefal
Character sheet
Storyteller secrets
Medals: 3
Featured Character (1) Overlored (1)
One Million Words! (1)

Things Set in Motion

Postby Alses on August 19th, 2013, 10:25 pm

Image
This is the heart of the discipline,” Maeki announced, tapping it with her foot for emphasis. 'It' was a double-ring glyphic setup inscribed into the floor, one of two in the laboratory itself, painstakingly inked onto brilliantly pale tile, the runes tugging at Alses' attention with their sinuous yet brief forms.

Circles, one of the more stable and powerful forms in magic, especially world magic,” she added with a smile. “The stabilising effect of the circles is what allows a Life Principle to survive without a proper astral body, without anything but the very rudiments of a soul.

Just the circles?” Alses asked, skeptical.

Well, the combination of shape and runic form put together,” Maeki admitted. “Pretty impressive, though – have you seen all the equipment an alchemist needs, for instance? Animators just need enough space for their circles – oh, and things to work on.

'Things?'” Alses echoed, feeling a little like a parrot.

Maeki gestured wildly and grandly, eyes bright, her windmilling arms threatening the few objects within the lab itself. “
Any object, really – doors, scarves, cloaks, robes, necklaces...anything solid. Golems and buildings, too, when you get more skilled – always providing you have them to hand.

Alses blinked. “You mean golems aren't just the product of Animation?” she tried not to let the disappointment show.

Maeki laughed lightly. “
Bless you, no! I work closely with Aska to make the vessels that become golems – that's Aska Terras, of Touch of Fire; do you know her?

Alses smiled. “Her at least we do know, although not as well as I'd like.” The smile quickly ran off her face, swiftly replaced with a dissatisfied frown. “I don't think I made a very good impression on her last time.

Maeki made a sort of non-committal 'Hmm' noise, a ratcheting back of her conversation and a sudden reassessment being sparked behind the eyes. “
What did you do? She's normally a good judge of character.

Alses winced at this – her chances of learning were dwindling, it seemed. “I delivered a message, back when we worked as a courier for the Tower-” she got no further when Maeki interrupted, eyes almost comically wide.

You worked as a courier?” her voice was almost a squeak. “I'm sorry, I just...” Maeki gestured helplessly at Alses, in a way she recognized; a wry smile spread across her perfect face.

We were a very impecunious apprentice,” she informed the diminutive animator. “Couriering was preferable to some of the alternatives, trust me.

A brief laugh, older and more knowing than would perhaps have been expected, given Maeki's childlike figure, rippled out, only to be cut off by a deep draught of tea; Alses' own throat worked unconsciously as her powers brought her the sense of hot liquid rushing pleasantly down, tasting faintly of oranges and the indefinable tannin tang of tea itself. “
I can imagine,” Maeki sobered slightly. “But you don't courier now?

No,” Alses replied, shaking her head and relaxing slightly now that the danger appeared to have passed. “Chiona Dusk presented us with a class to teach when she took me under her wing as an apprentice.

Did you have any experience at teaching?

A wry grin was Alses' initial reply to the mildly incredulous question. “
None whatsoever. Trial by fire, I think they call it; it wasn't really presented to me as an offer I could refuse. So we didn't. Truth be told, I'm still learning the ins-and-outs of teaching, all the pitfalls and traps students can lay for their poor, unsuspecting teachers.

And does Lady Dusk know you're here?

Alses frowned at that. “House Dusk has eyes everywhere,” she allowed. “Or rather, there are always eyes that can be bought. So it's possible, certainly.

Maeki grinned suddenly. “
I can vouch for that,” she replied, eyes twinkling and mood once more upbeat. “They're a regular customer for various sorts of eavesdropper golems. Good for my coinpurse, less good for the secrets of the city.” She shrugged. “So. Leaving aside the issue of House Dusk's usual nosiness, does your good lady know you're here?

Alses blinked. “I shouldn't think so. What we do in our own time has always been a private matter. Well, she sometimes asks how I'm doing or what we've been up to since last we met together, but I certainly don't have to report my every doing to her. I'm an apprentice and an instructor at the Tower, not a slave.

Maeki, for her part, grinned. “
Can't imagine the gods would stand for the slavery of their own, at least, not for long.” A pause. “Will you tell her?

Alses was canny enough to see the answer clear, even without the benefit of her auristics. “Not if you'd rather we didn't,” she replied calmly. Alses couldn't quite see why it mattered so much; Animation was harmless to the Dusk Tower's interests, and out of their purview anyway.

I guess House Dusk will probably find out pretty quickly,” Maeki mused, “But if it's all the same to you, I'd rather you didn't mention it outright. If I teach you, what will you use it for? I mean, if you just want lockboxes I can whip you one up in about fifteen chimes – I'm very reasonable.

There, at least, was something recognizable, strong emotion surging in the honey-wine yellow of Maeki's shimmering, giggling aura, and the path through it was a simple one. “I'm a magesmith, first and foremost,” she reminded Maeki. “I want to understand more of world magic, the wider field – that means knowing more of the disciplines. Don't worry, if we ever put any skill we might gain to use it'll be to further our other crafts; golems for heavy lifting and delicate sorting work, if they can be taught to do that?

Maeki grinned, apparently mollified – at least to an extent. A worry over livelihood was a reasonable and fair one, after all. “
All that and more,” she replied happily. “Old Alahea even made golems for battle, can you imagine? So tall and so strong and so well built they could shrug off mighty siege weapons with barely a dent, so skilled in construction they built vast walls and castles to hold off the Suvan Empire.” She sighed. “All that's gone now, of course – all we have are sets of construction documents in the Bharani Library. We don't have Alahea's great forges and foundries, after all, so we can't rebuild them, and as for some of the alloys they were made of...” she tailed off, and a shadow crossed her normally sunny features.

But. Being maudlin about things lost half a millennium ago never helped anyone! Smaller golems are easy enough to build; I work nice and closely with Aska to make, oh, all sorts of things for people. Most of the better restaurants in Lhavit have a golem, or sometimes even two, of mine in their cellars, for instance, helping with heavy barrels and the like. Satisfying work, take it from me! Well, satisfying if you've the right sort of brain, anyway.

Alses' brain, however, was still stuck on the offhand comment about Alahea's war-golems. 'Golems for battle? That would never have occurred to us. Useful thought...'

A sharply quizzical look sank deep into Alses' flesh, suddenly. “
You said you were a magesmith? Rare and difficult art, I've heard, so perhaps you'll have the patience for Animation. It's delicate and fiddly; you're building souls and astral bodies, after all, not bashing two bits of metal together.

Maeki paused, considering. “
Mind you, knowing a bit of metalsmithing will help you in the long run – most of the serious golems are made of it, joints and all.
Image
User avatar
Alses
Lady Magesmith
 
Posts: 852
Words: 1556681
Joined roleplay: August 8th, 2012, 2:32 pm
Location: Lhavit
Race: Ethaefal
Character sheet
Storyteller secrets
Medals: 3
Featured Character (1) Overlored (1)
One Million Words! (1)

Things Set in Motion

Postby Alses on August 20th, 2013, 9:05 pm

Image
Metal joints? Like hinges?” she asked, curious. Maeki, though she tried mightily, couldn't contain her laughter; it swelled in her aura until the honey-yellow corona swelled and stretched to breaking point and then burst out into the mundane world in a tide of sound.

Ahem. Excuse me. Oh, Zintila, if Aska had been around to hear that! A hinge is to a fully-functioning automaton joint what a...a...a candle flame is to the sun. They're enormously intricate, works of art, really, each and every one, and far beyond most people's skill to make. To watch one in action is to be mesmerised, the way the metal bends and flexes like a living thing and all these miniature gears mesh and shift and change with every tiny motion. They're beautiful, and the very devil to craft.

Maeki shook her head, coming out of a brief reverie. “
But. It takes a real expert – a master, really – to take full advantage of that kind of gearing. Still, it's good to get some experience with metalsmithing and the like; you'll understand the bodies of lesser golems quite well that way. And you might even become skilled enough to make your own, which is always a bonus.

Alses was cautiously optimistic; it sounded as though Maeki were preparing to share some of her knowledge.

You're an aurist, right?” At her confirmatory, though confused, nod, Maeki continued: “I'll show you a simple Animation, then; you might be able to appreciate the intricacies more than most.

So saying, Maeki crossed to a pair of recessed cupboards framed between two tapestries near the Animation circles, opening them with a wave of her hand – more Animation at work, perhaps, the conceit of the experienced Animator, in this case – and contemplating the hidden contents for perhaps half a chime.

When she turned back to the circles, there was a small object in her hand, something she presented to Alses. It was essentially a square block of wood with a tensed spiral of metal screwed into its underside that was, itself, attached to another flat piece of wood. “
This is really going to be more of a party trick and a children's toy than anything,” she confided. “But it's small and simple and easily done, so it won't take too long.

Alses, observing keenly so as not to miss a single detail, however trivial it might have seemed, watched Maeki place the object, the golem-to-be, into one of the two circles and then draw out a thin, glittering spire of metal which she casually jabbed into the side of her index finger. Evidently, this was so often done and such an integral part of the discipline and her normal routine that nary a wince, nor even the shiver of anticipatory tensing and fear which normally accompanied an action resulting in injury, made itself manifest in her shimmering aura, and the tiny red droplet which welled up was almost lost in the glory of light and delicate sound.

You're not squeamish, are you?” Maeki asked suddenly, a fat crimson drop of blood swelling slowly from her self-inflicted wound.

We've seen far more blood than that,” Alses replied distantly. “And I sometimes use a drop or two myself, in my crafting work; it doesn't bother me.” It probably helped that her own blood was the colour of burnished bronze.

The shivering shimmer, the humming cadence of curiosity, quickly restrained by bars of absolute silence, crackled and snapped in the outer reaches of Maeki's aura even as she turned back to the circles. “
Good. Blood wakes the animation circles and grants a sort of sympathetic link, which is absolutely essential for creating a Life Principle, and for transferring ideas and concepts to your golem.

Even had she not said so, Alses' auristics were screaming for attention as the diminutive Animator touched the stuff of life to the inky runes, igniting them in a sudden rush of commingled ambient and personal djed, spun into long crimson skeins - all of it drawn from the richness of sentient life pulsing in the sorceress' blood and combined, wrought and woven by glyphic artifice. The soft fire of working, moving djed, the numinous light that illuminated nothing to those without the specialised senses to see them, whirled around the first of the circles, leaping from rune to rune in dramatic flashes of ephemeral flame, but always, always being pulled back into the slow whorl of woven-together djed that followed the main path.

Sparkling crimson gave way to shimmering yellow in quick-time, though, tendrils of Maeki's aura extending from herself as she focused – that very focus brought glimmering currents of her own djed, everything that made her, well, her chasing across her skin in scintillating waves and then, whether by some internal artifice or by the external demands of the animation circles, began to expand outwards, to be teased and tugged at by the greedy fingers of the animation circles.

Slowly at first, and then faster and faster, more quickly than could be put down to infiltration alone, the whirling circle of djed that defined the first of the animation circles in Alses' Sight, that humming tonal choir that provided a grating counterpoint to the light and magic she Saw, began to glow with the honey-wine colour of Maeki's djed. It was almost as though the shining ring of blood -djed and ambient magic was taking some form of imprint from the blazing soul in the centre, whirling round and round as more and more information, more and more djed, was added to the ouroboros until honey-wine was all that could be seen.

Suddenly, a snap, a harsh glyphic realignment, and the whirling ring of Maeki-imprinted magic roared down a new connection, a new pathway, one that sucked and drew at the stable ring with a powerful hunger carved into its very essence, an irresistible suction that pulled smoothly and well, maintaining the structure of the djed conduit even as it uncurled from one circle and began to coil around the second.

Butter-yellow filled her vision as the second circle set to work, drawing in and converting ambient djed, a replicant reaction of some kind, under the control of Maeki herself, copying the djed that whirled around the second circle's circumference, shifting and changing and growing more and more complete around the almost-invisible object at the very centre of it all.

Perfusion was going on there, contained within the ambient walls of the circles; something was growing in the middle of it all and continually being edited, being changed and controlled and affected by the coursing, coruscant djed all around until it mirrored the essential nature of the torrent all around – although not quite. Alses' powerful auristics picked up the tiniest of dissonances, the subtlest of plangent notes that said 'This is different'. A copy, yes, but not a perfect one.

As Alses watched, at some unseen signal the coiling ouroboros of djed once more reversed its flow, surging back along the pathway to the first circle and dying away to nothing, inward-falling tentacles of butter-yellow djed being caught and consumed in the radiating glow of Maeki's aura until the rings were dark and silent and all that blazed in the auristic impression of that part of the world was Maeki herself, on one side, and a much weaker solar glow on the other.

And there we go.

Maeki's sudden words sent a jolt of adrenaline through Alses; she jumped violently, not having expected the Animator to reorient herself to the physical plane quite so quickly.
Image
User avatar
Alses
Lady Magesmith
 
Posts: 852
Words: 1556681
Joined roleplay: August 8th, 2012, 2:32 pm
Location: Lhavit
Race: Ethaefal
Character sheet
Storyteller secrets
Medals: 3
Featured Character (1) Overlored (1)
One Million Words! (1)

Things Set in Motion

Postby Alses on August 26th, 2013, 11:54 pm

Image
Maeki covered a chuckle with her free hand. “Sorry,” she added, bending down to set the little Animated construct on the floor. After a few ticks, evidence of its magical nature became apparent; the metal coil flexed and tensed and all of a sudden the whole assemblage sprang up, jumping high into the air and dashing off into the depths of the laboratory, landing with a loud clack before leaping up again almost instantly, bouncing off furniture and clutter and knocking things over left, right and centre.

Despite the mess being made of her lab and her home, Maeki made no effort to run after the little Animation, instead grinning inanely (or so it appeared, anyway) at Alses, who'd been looking to her for guidance.

How do we stop that thing?” she demanded after a chime or so, when it appeared certain that Maeki would do absolutely nothing about the jumping toy wreaking havoc in her laboratory and her home – Alses winced as another crash echoed through the dwelling, thinking of all the precious things that might have been sent tumbling to their destruction by Maeki's 'toy'.

She seemed undisturbed, perhaps even amused at Alses' concern. “
You catch it,” she replied, laughter bubbling in her throat. “It stops on contact with flesh. Quite common, in Lhavit – have you never played with one before?

Alses shook her head. “We were never a child,” she replied distantly, senses expanding outward in a numinous wave as she slipped into a light trance, the dancing weave of magic on the move rising to her command, searching and searching, turning the wood and stone partitions of Maeki's house into so much smoke and shadows, easily pierced, scanning tirelessly for the first flash of a copied aura.

Quickly, she found it, rising in one fluid movement and following her senses, hopping nimbly from side to side to avoid the clutter, a fresh layer of which had been knocked to the floor by the passage of the recklessly-Animated toy.

Far from being a simple, easy capture, an elegant application of auristics followed by a swift grab and a triumphal presentation to Maeki, it quickly degenerated into a wild lurch from place to place, Alses making futile grabs at the blasted thing whilst it bounced and danced with gleeful abandon, leaping from floor to desk to teetering pile of miscellaneous clutter which would then, without fail, promptly collapse, just in time for Alses, perspiring freely and radiantly furious, to tumble over it whilst the little construct almost mockingly watched, bouncing up and down on the spot in simple glee whilst she glared death at it and did her level best to stop from turning the air blue with normally-repressed swearwords.

Come here you Syna-cursed abomination!” she exploded, patience coming rapidly to an end as she made yet another fruitless lunge. “Stop...bouncing...away! Or I'll...I'll...gah!” Insultingly, the toy somersaulted past her face and leapt merrily down the hallway instead of heeding her furious tones, leaving her to struggle upright amid a pile of knick-knacks and gewgaws that Maeki had collected and dumped, seemingly at random, on one of her groaning tables.

Why in...the name...of Syna...” she gasped, as she passed Maeki, charging as quickly as she could after the toy, her voice trailing down the hallway. “...did...you...oh gods I'm not cut out for this...make it...so blasted...fast?

Any reply was lost in a crash as, casting all decorum out of the window when she spotted an opening, Alses dove forward, grasping fingers outstretched, just grazing the roughened wood of the toy before losing their grasp.

A groan of dismay was barely out of her lips before, with an energy borne of desperation, she managed to lunge a little further forward and tangle her fingers around the spring, bringing the toy to a blessed halt at last, with only a patchwork of bruises and scrapes across every inch of her body – and a trail of destruction through the laboratory – to show for her struggles.

Please, please turn it off properly,” Alses begged Maeki, as the diminutive Animator stepped daintily into her line of sight.

Maeki covered a grin as she extracted the tiny toy from Alses' vice-like grip, carefully unscrewing the spring – which flexed in her hands like a living thing before falling still – and dissassembling the whole of it, laying the component parts out on the palms of her hands with a satisfied sigh.

Up you get, Alses. Well done!

Alses glared weakly at the pieces of the toy, wincing at the unreeling litany of complaints her body presented as she struggled upright. “A moment,” she murmured, most diffidence lost in the aches, fingers dancing a fandango over herself and drawing in their wake a rippling wave of true-blue light that soothed angry red and mottled purple skin back to the more usual jewel-toned hues, which closed up the occasional graze, which leached out the ache in her bones and her wrists from falls and staggers and generally restored her to hale and whole celestial form. “Please don't have me do that again,” she pleaded, slightly desperately – there'd be no easy relief if there was a round two of any kind.

Maeki, fortunately, giggled. “
I'm not that cruel,” she replied, casually tossing the pieces of the toy into whichever crate came most easily to hand. "Although watching you scramble all over the place was funny, I'll admit." It was fast becoming evident why her home and her studio were a cluttered mess; absent-minded carelessness that seemed inbuilt.

Why did you have us chase that damned thing all over the place?” Alses asked, tone just shy of a demand. In reply, Maeki simply smiled, unfazed by the annoyance boiling off the Ethaefal.

You were ever so serious and a bit self-important,” came the unflattering reply. “Wanted to see what you'd do. If you'd flailed or recoiled or said it was servant work, chasing after creations, I'd have shown you the door.” Maeki nodded, a smile back on her face after its sudden, serious expression. “You need to care about what's made, and you can't be afraid of getting your hands dirty. Most Animators are metalsmiths or carpenters or gadgeteers too; we rely absolutely on their creations to work our magic; I'd have no companions and no source of work without Aska and her apprentices.

So...you'll teach us?” Alses asked, still unsure and a little out of breath from her antics chasing after Maeki's test, still not feeling very kindly-disposed towards the diminutive wizard.

I think we can work something out. You're an Ethaefal, right? You probably want to be able to make something that can last the ages with you; well, that I can understand.” A flash of melancholia, a sympathetic flare from the walls, a fact that surprised Alses inordinately. The next time she was here, she'd have to scrutinize the place from top-to-bottom and get used, properly used, to its auras and the history imprinted in the stones. “As I said, we can work something out,” Maeki continued, evidently taking her silence, her introspection at the words, as assent.

You're a teacher at the Dusk Tower, right? Give me an idea of your schedule and we can work around it; Animation's flexible enough to let me do that without too much extra hassle. Anything you make in my lab – unless we make other arrangements – becomes mine, all right? As payment for the knowledge. I might ask you to take over some of my orders, too, when I've taught you a bit more of the basics; it'll free me up to work on some of the more advanced stuff with Aska. Sound fair?

It did, and in any case Alses was in no position to bargain; she didn't really have anything the Animator could want, after all.
Image
User avatar
Alses
Lady Magesmith
 
Posts: 852
Words: 1556681
Joined roleplay: August 8th, 2012, 2:32 pm
Location: Lhavit
Race: Ethaefal
Character sheet
Storyteller secrets
Medals: 3
Featured Character (1) Overlored (1)
One Million Words! (1)

Things Set in Motion

Postby Alses on August 28th, 2013, 1:22 pm

Image
Theory first,” Maeki announced cheerfully. “No time like the present to get the basics, at least, out of the way. Sit, sit! Clear a space somewhere – just give everything a shove.

Gingerly, Alses moved, still half-expecting, against all experience in the wake of Tanroa's Blessing, her muscles and bones and bruises still to ache, managing to find a space to sit down by the simple expedient of lifting, wholesale, a stack of bulky papers – past invoices, they looked like, to her untrained eyes – from one of the chairs pushed back against the wall.

She settled in with a sigh that was impossible to stifle, looking expectantly up at Maeki, who now at last did not disappoint, gesturing energetically towards the complex circles etched into the floor.

Animation circles!” she announced, happily. “Three common types, Alses, very important to remember that. Source circles, Destination circles, and Directive circles. Most of the time you'll just use the first two, especially when you're just learning the basics. We make a source circle out of a braided array of self and non-self runes...” Maeki cast around, aimlessly for a moment; Alses realised she was looking for a blackboard or a piece of paper, anything to draw on.

Despite all the clutter, it quickly became apparent she either couldn't find or didn't have anything suitable; with a sigh that sounded annoyed to Alses, Maeki beckoned her over to scrutinise the complex arrangements more closely.

On hands and knees, the pair of them explored the circles, Maeki's slender fingers drifting lovingly across well-crafted runes and pathways. They were all, without exception, specialised glyphs that had been adapted almost out of all recognition by generations of Animators that had refined a general tool – glyphing runes – into a specialised subfield all of their own. Alses' own glyphic knowledge quickly came in handy, however, the basic principles still held and stood her in good stead as the pair of them worked their way through the complex sets of runes.

There were barriers on the outside, of course – Maeki's own version seemed to be shimmering, twining snakes of power, rippling in Alses' vision with remembered djed flux, then the most important part of the circle, according to Maeki: the central pathing line, modified and changed out of all recognition specifically to draw on the numinous qualities of blood above all things, to purify and cast out everything but the soul-energy contained within the fluid of life – the process of which had manifested itself, in Alses' auristic vision, as a whirling ring of crimson and butter-yellow that, as time went on and the runes had effected their purpose more and more strongly, purified itself into the pure solar shimmer that was the essential essence of Maeki herself.

There were venting glyphs, too, a specialised subset of a focus glyph Alses hadn't encountered before; their job was to catch the superfluous elements of the blood djed, to spin it off from the whole and to process it, to release it - although not as uncontrolled djed that would drift freely and could cause untold damage, in high concentrations, to the Animator, Animated construct and indeed the surrounds in general.

That was one of Yovinkus Wotch's great advances, of course,” Maeki said, offhand. “He worked out the process of anonymising the djed, of putting it through so many curls and whorls and transformations it gains many purposes and can be released without too many problems. The unwanted djed flux from blood is minor, but it can build up over days or months with grand projects – without those venting runes, anyway.

Alses blinked, storing the flood of information as best she was able. Her fingertips itched to try and reproduce the new glyphs she'd seen, but one thing was niggling insistently at her brain. “Who's Yovinkus Wotch?” she asked, making an effort to get the pronunciation of the name – definitely alien to Lhavit, that much was certain - right.

Maeki rocked back, suddenly, on her heels, buttery aura flashing and flaring with consternation, chagrin and plentiful surprise. “
Yovinkus Wotch,” she intoned, voice almost reverent, “Was one of the two greatest Animators Mizahar has ever seen. The other was Zarik Mashaen. Both pre-Valterrian, of course, but their influence on the craft is such that every Animator knows who they are, and what they did. They turned the discipline from a disorderly jumble of half-understood rituals and reactions without any rhyme or reason into something similar to what you see now.” She nodded towards the setup between them.

Without their work on the discipline it would still be a niche affair, practiced by hedgewizards who don't know any better, or by the Nuit – they're a...a...” Maeki tailed off as she tried to come up with words to put around the concept of the race. “A sort of undead. The ritual that makes a Nuit is the product of Animation, one of the oldest forms of the discipline. I don't do it,” she was quick to add, waving her hands in front of herself as though to ward off any association. “Too grisly, for one, and the needs of a Nuit aren't particularly palatable. No call for it up here, anyway.” A shudder, and a bright smile to dispel the macabre topic, sunbeams all but literally dancing from her form.

These days, even after all the problems the Valterrian brought Animators – all the conflicting djed everywhere, even after the disaster faded, made our golems go mad or shut down completely – it's much more sanitary. We work with golems, the inanimate and inorganic, and we mostly use our own souls.

Aside from the venting glyphs, there were focus runes in enormous profusion around the inner edge of the source circle, creations that greedily hoovered up anything, djedically-speaking – that evolved from the centre of the circle – where the source, aka the attending Animator, would be.

A brief pathway, blocked off for now with further glyphery, almost unchanged from a standard barrier-trigger combination, led from Source to Destination circle. Very similar in its fundamental components – barriers around the outside to prevent the contamination by ambient djed were directly replicated from the first circle, for instance, and the central pathway was much the same too. The inner boundary, though, that was where the differences lay, a vast rune encompassing the whole of that boundary curve encouraged the replication, transfer and permanency of djed from the central path, the source of the inward-falling behaviour Alses had observed in Maeki's animation.

As with all world magic, the vast majority of the discipline revolved around the tools, these complex circles that doubtless had further complexities built in, unnoticeable to the novice, or even ones that could be built in, at the Animator's will, to more precisely and carefully direct djed, to more closely adapt it to their purpose.

Fascinating,” Alses breathed, nose scant centimetres from the inked curls and whorls, drawing her fingers lightly along the runic swirls, learning by sight and touch their forms and looking beyond their physical constraints to the crucial concept behind them, the impact-mark their mirrored forms made in the fluid djed of the world in general.

She wasn't being facetious – this sort of work, this sort of knowledge, in all its glorious pedantry and precision, the need for strengthening and specialised tools of one sort or another, all underpinned by sensible inviolable rules, fired her brain and fed her insatiable thirst for scholarly knowledge, seeded in her a desire to know those fundamental rules and processes and, by such methods, perhaps find some common ground between all world magics, no matter how different they might have appeared on the surface.
Image
User avatar
Alses
Lady Magesmith
 
Posts: 852
Words: 1556681
Joined roleplay: August 8th, 2012, 2:32 pm
Location: Lhavit
Race: Ethaefal
Character sheet
Storyteller secrets
Medals: 3
Featured Character (1) Overlored (1)
One Million Words! (1)

Things Set in Motion

Postby Alses on August 29th, 2013, 11:12 pm

Image
Maeki was pleased – that was a good sign for their future relationship, or so Alses fervently hoped, anyway. “Yes it is,” she replied softly, that brilliant beam lighting up the room. “We step into the Source circle and touch blood to the centre of the circle line, like we showed you earlier. That's crucial – it provides a link to the circles and a sort of source for copying your own soul, if you want to use that. There're extra steps down the line if you want to take bits of souls from other creatures – where that third circle comes in – but that's quite rare; I'll teach you about that if we ever get to a point of needing it.

Alses nodded intelligently, still scrutinising the circles laid out in complex array before her. “So after the blood?” she prompted, afire with curiosity.

The circles and the blood go together and establish a mental link,” Maeki explained. “Even a total novice should be able to feel it quite strongly, a sort of insistent, sucking pull in your head. It can make people quite nauseous – I'll get a bucket, actually, when we start you in on your first practice. I'm not very good with...body fluids,” she admitted, slightly guiltily. “About all I can deal with is the blood-drop.” Shaking her head to dispel whatever images were crowding her brain, Maeki pushed determinedly on.

It helps if your source – such as yourself – really focuses hard on...well, on whatever it is you want the Animation to do. If you're physically capable of it, you can even mimic what you want to happen – jumping up and down, say, that's quite a common one.

Alses blinked. “For toys and things?” she asked, but then inspiration suddenly struck. “Or, or could it even work for pumps and things? Doing useful work? They go up and down, yes?

Maeki smiled, genuinely pleased once more. “
Indeed they do – or rather, parts of them do. You need a bit of control to direct the jumping to just one or two bits of your Animation, but it's quite common. Quick study,” she added, eyes appraising.

Alses shrugged, looking away slightly. “Just logic, Maeki,” she murmured quietly. “And a bit of mental chance, admittedly.

Nothing wrong with chance,” the Animator announced cheerfully. “Saved my work on more than one occasion. Now, other thing to remember is you're utterly petched if you try and modify or change your object, whatever it is, during the Animation process. It'll go berserk, or you'll end up with some half-baked thing that'll tear itself apart or not work properly. Another important thing is to make sure you're on top form - I remember being very tired when I was making a doll once, and you had to really scream at it to make it do anything, and I was totally puzzled. My master-” again, that flash of momentary melancholy, a dimming of the sunbeams, a shadow across the face of the sun “-took one look at it and asked me what I'd been doing when I made it. Turns out the Animation was sleeping; you had to yell to wake her up and get her to do what she was supposed to. Academically interesting, but money-wise...not fun. I was paying for that little mistake for...ages,” Maeki settled on, evidently unable to remember exactly how long it had taken.

Just like magecraft,” Alses observed. “It absolutely has to be perfect and complete by the time we get our hands on it, or that's however many thousand kina cast to the mists.” Maeki winced at that, her sharply indrawn breath whistling through pursed lips.

Thousands of kina?

Easily,” Alses replied, slightly confused. Surely everyone knew magecraft was insanely expensive. Aristocratic Houses, rich merchants, city leaders and governments were the clientele. “Even the most basic of artifacts will set me back a thousand kina in production costs. Something we would consider...reasonable and versatile might set me back about nine thousand, but some of the truly great artifacts might have cost millions simply to produce.” Maeki shuddered.

Too rich for me,” she muttered, looking to her circles and crates for reassurance and changing the subject quite quickly, and with little art.

Now...what do you know about souls, and their structure, Alses?

Ah, now this was territory she was more familiar with; she brightened up, recalling her own teaching and diagrams. “It's a layered structure,” she replied happily, letting Maeki dictate the course of the conversation. She was the teacher here, after all, her knowledge, and if she was comfortable then the whole affair would flow much more smoothly.

At the centre is the soulcore, the kernel that defines us as...well...us, as opposed to that chair, or you, for that matter. Then-” she stopped as Maeki raised a hand.

That's the heart of the Life Principle,” she announced triumphantly. “It's the most basic part of Animation; once you've established that in one of your creations you can stop for a rest; it'll hold itself without collapsing. It has no...no...no information in and of itself, but it's the kernel of life you need. Um, carry on,” she said, slightly embarrassed, gesturing for Alses to continue.

Smothering a smile, relaxing in the oddly soothing surrounds of a world magic laboratory, Alses obliged. “Then there's the Persona layer, where parts of the personality are stored. It's where feelings and skills and memories are stored, as far as we can determine.” Maeki was nodding encouragingly, so she carried on. “Then we have the astral body, which as I understand it is a sort of puppeteer for our physical body, it's a djed network inside our skin that controls our movements. We've been told Projectionists can somehow detach the astral body from their soul and move it around independently, but that it stops you using the bit of the body it corresponds to.” She sighed. “We've never known someone skilled enough to teach us how it's done, either, which is a shame. It would be nice to experience how it works, what it feels like.

Don't you worry about overgiving?” Maeki asked. “It's partly why I do Animation rather than...than Reimancy or something; I've seen the damage they wrought when the djed storm came over. All I had to worry about was my golems shutting down and a half-completed piece waking up unexpectedly.

What did you do?” Alses asked, intrigued – Maeki winced at the memory.

Took an axe to it,” she admitted. “It was out of control and careering all over the place, so confused the poor thing couldn't respond to the kill-word. I had to lop off its limbs and break the poor thing up for scrap metal and firewood. Terrible waste.

Alses sympathised; losing something precious to circumstances beyond mortal control was a familiar pain. “Finally, we've the aura,” she continued quietly, hoping to draw the conversation away from things lost and destroyed. “It's not really a layer, we can tell you that much, more an energy, a sensation the soul radiates, and it's forever changing and always beautiful. Terrible, sometimes,” she admitted, mind homing in unerringly on how Hayani had felt, the odd beauty of an insane mind and a tortured soul against her auristic power, against her own naked sense of self, terrible in its twisted form and yet beautiful like shattered glass caught in the instant of impact, enticing in its million shimmering curves and impossible angles, “But always beautiful to our senses.
Image
User avatar
Alses
Lady Magesmith
 
Posts: 852
Words: 1556681
Joined roleplay: August 8th, 2012, 2:32 pm
Location: Lhavit
Race: Ethaefal
Character sheet
Storyteller secrets
Medals: 3
Featured Character (1) Overlored (1)
One Million Words! (1)

Things Set in Motion

Postby Alses on September 2nd, 2013, 6:28 pm

Image
A thorough description of a soul,” Maeki complimented. “You're Dusk Tower, though, so I guess I should expect it. Basically, as a novice Animator, you're concerned with the soulcore and the astral body – at least until you get a bit better in the craft. Trying to finagle the circles enough to let you incorporate a Persona layer as well is just asking for trouble, until you understand the basic structure of how they all work, and until you've had a fair bit of experience in the field, as it were.

Maeki shrugged. “
For the simple stuff, you really don't need that layer; the soulcore can accept a few directives – that's what we call the most basic and essential commands that the Animation simply can't disobey – without too much trouble. Memory and suchlike only comes in with the more complex constructs; automata and guardians and their ilk.” She coughed in an oddly scholarly manner, and adjusted her robes to fall more comfortably, head nestling in rich fur – the one luxury that Maeki seemed to be able to afford, or perhaps simply the only one she permitted herself.

Alses had heard of the ascetic aesthetic and creed, seen it practised by the Shinya, and had decided in the privacy of her own head that she wanted none of that, thank you very much. Wealth should be enjoyed, its trappings should be enjoyed too, come to that.

So. Onto directives – which I briefly went over a tick or two ago. They're the deepest sort of action or command you can give a construct, right down there in the depths. Can't be disobeyed; the stress will tear the Animation apart from the inside out. Mostly, we put the really basic stuff there – loyalty to a master, some sort of kill-phrase, some sort of self-preservation protocol, that sort of thing. It's good to plan everything out beforehand, because directives are final and irreversible. As well as the instruction, you need to cargo it with concepts and definitions; no good telling it to avoid violence if it doesn't know what violence is, or how to avoid it. Catch my drift?

Alses nodded; Maeki apparently didn't think this was enough.

Sure I'm not going too fast for you? If all this is washing over you like so much mist on the Cloudward Pathway, just say and we'll break for tea and biscuits.

It's fine, truly,” Alses protested, mind fully engaged in drinking in every nuanced shift and inflection in what Maeki was saying, hungry for more knowledge, golden eyes burning with their own personal suns.

If you say so,” Maeki continued, slightly dubiously. “The next phase is simply transferring instructions – behaviours and the like that you want the construct to be able to do. They can be simple or complex, it doesn't really matter; all that changes is the time you need to teach the construct what you want it to do.

Alses kept nodding, and then, since Maeki seemed to think she wasn't taking things in, she asked a question. “What about the senses? How do we – how does one – go about incorporating those?

In reply, Maeki ferreted about in one of the crates, absently throwing out seemingly-random pieces of bric-a-brac that Alses scrambled to catch – she knew, with a terrible certainty, that if she didn't then within five chimes she'd be tripping over everything.

There were small, semi-precious gemstones, long pieces of string and twine, squares of leather cunningly assembled into sheets and drums, an intricate brass horn affair and much else besides, a tumbled pile of knick-knacks that Alses was having a hard time understanding the purpose of, let alone how they might be applied to magic.

Maeki, though, knew exactly what she was doing, turning around and regarding with mild surprise the pile of gewgaws. “
Neater than usual,” she observed, before flourishing one of the gemstones high.

Sight, for an Animation, comes through anything reflective or shiny enough. The best golems use gemstones, because they're hard and easily polished, but like anything worthwhile they're costly. Cheaper golems, or those designed for stealth, use polished metal or fragments of mirror; they work just as well, you understand, but they're not as hard-wearing and easier to blind.” Maeki bent and picked up a set of strings that seemed as though they'd been cut straight from a musical instrument of some kind.

Speech – not strictly a sense, I know, but might as well cover it - comes from vibrating strings. It's a mimicry of your voicebox, or so the medics and Morphers tell me. You stretch them across a tensioning assembly inside the golem and the Animation can tension and loosen strings and vibrate them to produce sounds. Elegant and efficient,” she added approvingly, once again rummaging eagerly through the pile of objects before beaming triumphantly at a small square of leather.

Again, this is another copy of how we hear,” she announced. “Stretched leather makes a sort of drum that can receive sound. Simple matter to plumb in, really; speech is the most difficult physical thing to replicate, believe me.” Maeki clapped her hands and stood up, absently brushing dust from her knees. “Enough of the theory; fancy a go?

Alses blinked; this was moving very fast. She'd expected nothing more than theory for the first few lessons, at least. “You mean...make an Animation?

Maeki grinned, wide and white. “
Why not? The circles will help you, I'll guide you too. 'sides, we won't do anything too difficult – I know what failure feels like and I don't like it. Let's try making a jumping-jack toy, like the one I did earlier, hmm?” She waved a hand, pre-empting a dismayed exclamation from Alses. “We'll stick in a kill-word so you don't have to go haring off after it this time around, all right?

Alses smiled, mollified and pleased she'd passed Maeki's little test – undignified and stupid though it had been.

Now, let's select the pieces you'll need,” Maeki announced, dragging Alses over to the crates of miscellany that were ranged in prodigious array against the sides of the laboratory. “Always good to get a feel for the construct – and you only really understand the object when you've handled its components, felt every ridge and bump and quirky bit. Helps when it comes to making the astral body.

Maeki's fingers danced over the piles of objects, dipping in again and again to select items with unerring accuracy before presenting them to Alses for her perusal.

Block of wood, for the main torso,” she explained briefly. “Holed at the bottom for the spring, with a dimple for the mirror fragment. Flat board for the foot, very simple. And finally, the spring itself – Aska's quite good at making these, actually. Nice and springy, and quite strong, too. Now, put them together, hmm?
Image
User avatar
Alses
Lady Magesmith
 
Posts: 852
Words: 1556681
Joined roleplay: August 8th, 2012, 2:32 pm
Location: Lhavit
Race: Ethaefal
Character sheet
Storyteller secrets
Medals: 3
Featured Character (1) Overlored (1)
One Million Words! (1)

Things Set in Motion

Postby Alses on September 5th, 2013, 4:39 pm

Image
Alses breathed, deep and slow, sat cross-legged on the floor in the middle of the Source circle, trying to establish total, serene calm, the focus needed for Animation. Quelling the butterflies dancing in great spirals inside her stomach was no mean feat, but she managed it in the end, reciting magecraft reagent tables until the familiar litany calmed her down, centred and localised her into the here-and-now, the familiar wash of arcane names quieting the choir of past lives and memories.

Hot on the heels of her recitation, swelling to a deep crescendo as she let go the reins of organized thought and the threads of reagent lists drifted off one by one into the aether, there came the fundamental rhythm of life. Thrumming up from where her eternal heart beat strong and steady in her breast, rippling through her body on regular tides, slowly coming into synchrony with the slow breaths that filled her lungs with life-giving air, it gave her a beacon, a point of light in the dark to aim for.

But then, the whole concept of a 'goal' was anathema to meditation; serenity was achieved by accepting the here-and-now, one's place in the great tapestry of the world, and in so doing gaining a greater understanding of the self and the grand weave everyone was a part of.

Perhaps that was why Alses had never been particularly good at it, why she had to rely on crutches like the pounding of her own heart to drive out thought and find that stillness inside. No matter, no matter, she was calmed and centred enough.

A thousand thousand reaching tendrils of her magic unfurled, smooth and practised and beautiful to watch for those with the eyes to see it, a shimmering solar prominence of many twining vines thrilling up from the bright core of her soul, coiling under her skin and pouring along well-established pathways to drive the engines of synchrony deep in her head.

When she opened her eyes, purely physical sight was the least of her senses, the deeper parts of the world drenched in colour and light and sound, the meanings of their delicate filigrees instantly in focus, totally understandable and understood, reading the minute shifts and mirrors of the Animation circles all around her, their function and how they'd worked in the past, the progression of activation that would ripple down the runes in super-rapid sequence, the squeezing and fluxing and acceleration that would then ensue, the sharp snapping trigger that would obliterate the barrier leading from first to second circles, the complicated replication setup – mirror upon mirror of reflecting and multiplying djed constructed with infinite care and an expert touch – and much else besides.

Staying this deep was dangerous; it was so easy to lose the grip on sanity, on the bigger picture and the purpose for such a dive amid the sublimely-beautiful deeper secrets, the shyly-unfolding flowers of knowledge that bloomed silently in the depths of Mizahar, offering sweet temptation with their dazzling display to anyone who tarried too long. Alses, though, was a master aurist and well-used to the vibrantly seductive world the full evolution of her powers unveiled – and besides she had a clear, burning goal here; the acquisition of new and powerful knowledge. That prospect, the hunger of the scholar inside, kept her from tripping merrily down the primrose path to oblivion and all its manifold siren delights.

Or so she hoped, anyway. It had worked so far.

Ready,” she murmured, and her words curved away in assured red-and-gold, blooming into the world as djed carried the phrase and the meaning from her mouth out into the air, bringing its twining, diffusing strands into contact with the butter-yellow aura of Maeki, close by and watching intently, curious and confused in equal measure, then recalled to purpose as red-and-gold twined with yellow and brought about a plethora of tiny, subtle changes – an auristic manifestation of thoughts changing track, of a purpose recalled and of stray musings pruned by an overarching direction.

Blood first,” came Maeki's voice, a sunny thing heavy with the scent of remembered honeysuckles – reassurance, to Alses, that fragrance, and its phantom smell in her nose brought a small curving smile to her face.

Moving slowly, more out of habit than any real need to, these days, Alses drew her razor-sharp eating knife and in one practised movement pricked her thumb, letting a single drop of bronze blood well slowly from the tiny wound. A drop was all that was necessary, after all – no sense in splattering the precious stuff of life all over the place where anyone could get ahold of it – as a magesmith Alses knew full-well all of the manifold nefarious uses things like blood and bone could be put to by the unscrupulous and/or the desperate.

Now, touch it to the circles.

Another simple task, simply leaning forward and pressing the blood-drop firmly against the runic lines of the Animation circle, watching with an aurist's sight as the liquid caught phantom flame and channelled rapidly along the graven lines, propagating far too rapidly in her Sight to be purely liquid any more, the complex lines and arcs of the circle having extracted something of the essential essence of herself from the blood.

The etched runes and dancing, weaving inks were casting that essence, some shadowed imprint of her own djed, on to the more distant sections of the circle, faster and faster until the whole of it was lit to her watching, wondering eyes with the spangled brilliance of her own aura, feathering curls of fading lives gloriously arrayed around the central beam of shimmering, dancing, scintillating light that bore with it some shadow of the spectacular brilliance and fury of a solar prominence that formed part of her true name, the unsayable celestial mirror of her soul that only the gods could still voice.

Maeki's voice came from a great distance away, its wavering presence in the auristic glory of her own soul a dull and boring stain that she'd have wiped away if she could – but then the words and their meaning percolated into her brain and she dragged herself up from the deep-dive dreaming state and towards a shallower, easier equilibrium – an action for which her reserves silently gave thanks, no longer bleeding from a thousand wounds.

Take control of the reaction,” came her mentor's voice once more, stronger now. “The blood's given you a connection, but you have to use it. It can feel quite strange, at first; it will associate with you very quickly, and your instinct will be to resist it: don't.

Maeki was right; in the back of her head Alses could feel the whirling djed that had evolved under the influence of the circle from the blood she'd sacrificed, an insistent intrusion into her brain, fumbling and unsure and seeming quite unstable. She could even feel it on her skin, a sliding and slippery, slightly warm sensation that wasn't unpleasant, exactly, just alien and intrusive. Indeed, her arms were slowly rising to try and brush the phantom touch off her sensitive skin, before she remembered Maeki's admonition, clamped them back to her sides and tried her utmost to open herself up, to lower all the baffling shields of djed she now habitually wove around her soul and through her aura, a master's defence against the casual skimming of her aura.

It was unpleasantly like disrobing – but it was presumably working; that intrusive sense of something – but something that was also herself – sliding over her grew stronger, pervaded more of her, coupled with a strange anticipatory sensation, almost.

If you feel a sort of sucking sensation, then the connection is there,” Maeki intoned. “It's completely blank, and complete blankness is very unstable; it wants to know something, anything, which is where the Animator comes in.
Image
User avatar
Alses
Lady Magesmith
 
Posts: 852
Words: 1556681
Joined roleplay: August 8th, 2012, 2:32 pm
Location: Lhavit
Race: Ethaefal
Character sheet
Storyteller secrets
Medals: 3
Featured Character (1) Overlored (1)
One Million Words! (1)

Things Set in Motion

Postby Alses on September 6th, 2013, 11:22 am

Image
Your first step is differentiation,” Maeki continued, somewhere close by. Most of Alses' being was focused on the whirling ring of djed in a dizzying whorl around her, constrained and channelled by the circle of runes on the floor; it was an effort to register and digest what she was being told.

The circles will help with that, along with the sacrifice; think of the djed in the circles as separate and different, pinch and winnow at the link as much as you can without breaking it; that introduces instability, which changes the essential character of the djed just a little.

It really was the most unusual sensation, the trapped djed copying from her soul somehow, the essential essence that made her, well, her, as opposed to a chair, say, being teased out and copied, duplicated by streamers of ambient djed that poured in from shining Animation runes, drawn in tiny amounts from every single thing close about.

A stray thought wondered if Animation labs degraded over time – like her magecraft reagents did - from the constant gentle sucking of the essential djed from their very structure, but the thought caused the tenuous, gossamer-thin connection to waver and totter towards full collapse even with the aid of the animation circles' stabilising influence. Alses was feeling her way through unfamiliar territory, testing out techniques and refining them as she tried to understand the concepts and theories Maeki was attempting to demonstrate; small wonder she couldn't focus on anything other than the complex interplay of self and non-self djed and how the Animation circles whirled and spun them together in a brilliant latticework that saw them becoming something other, something new and different from her.

Different, yes, but still with that essential something, that bitter mote that was, perhaps, just perhaps, the spark of a soul, rippling in the air around her.

Let it go now,” Maeki murmured softly. “Feel it as something other, something stable, then let it go. The trigger will-” even as she was speaking, the blocking barrier vanished, evaporating as the first feather of thought flashed across the linked circles, shared by virtue of the blood sacrifice, hurling the mimicking djed down the connection and into the second circle, its runes far different and its lines with a completely altered purpose. The Destination circle began to glitter and shimmer and dance with a beautiful spangled panoply of light, djed bouncing between shining and ephemeral mirrors, tugging at the strings of her soul and feeding greedily on every scrap of ambient djed the circles could pull in, a long ribbon of gleaming djed sparkling as it snaked through the twists and turns of Animation magic.

When it began, it was so subtle she almost missed it, tiny infalling tendrils of djed that caressed, every so lightly, ever so tentatively, the innocuous toy in the centre of the Destination circle. Slow and gentle at first, the feathery conduits falling apart under the pressure of her wondering gaze as her concentration dimmed and failed.

Focusing furiously on life, on the transfer and duplication, her body an afterthought to the main importance of the circles and the djed surging through their complex transference runes, brought them back, whenever she dared sneak a peek at the developing kernel, brighter and brighter flashes streaking across her vision, more and more tentacles of djed tangling and being incorporated, being pressed by djed pressure all around into the very core of the small toy, perfusing it with purposed djed, with that singular, bitter instant of life – or at least, it's shadow, its doppelganger, its mimic.

Do you think it will live?” Maeki asked, breaking Alses' absolute concentration. To her Sight, the nascent kernel of life wavered, shimmered like a soap bubble about to collapse, but then firmed, tendrils of shimmering and rainbow-rippled djed coursing, coruscant, across its surface to Alses' wondering Sight. In something of an anticlimax, a final faint ripple of magic that made the tiny sphere stable shimmered out, leaving a glittering jewel in the very centre of the toy, a seed from which more wondrous things could be grown.

You can move if you think your Life Principle will stay stable,” Maeki murmured; freed from the tyranny of focus on this new discipline of magic, Alses rolled her neck gratefully, sending a fusillade of cracks echoing briefly about the laboratory, eyes blinking rapidly as they adjusted back to the shallower physical world she'd more or less left behind whilst working.

Ohh, that feels good,” Alses groaned, experimentally rising, slowly and with exaggerated care so as not to disturb any facet of the circle that was now completely quiescent and inactive. “We didn't realise it was so easy to stop Animation,” she remarked, stepping out of the circle, still slightly wobbly, and moving to stand by the diminutive Maeki.

It only works at certain points,” came the reply, slightly sharp. “But it's lovely to have a forgiving discipline, you're right. Praise be to Mashaen and Wotch,” she murmured with a mischievous smile, casting her eyes facetiously skyward.

Certain points?” Alses echoed. She thought that might correspond to the points at which a new layer of Animation was added into the forming construct, the different layers of the soul – that would be logical – but with a vastly more experienced Animator on-hand there was no point puzzling out the answer by trial and error when it could be easily and safely and quickly answered definitively.

Maeki nodded. “
You can stop after creating the Life Principle, as you've seen, then again once you've crafted a Persona. Those are the only two that have to be completed in a single sitting, because they're so crucial and so necessary to the whole construct. Things like building up intelligence and memory, you can stop those at any time, provided you remember where you left off, of course. Same thing applies to the Astral Body – although it's not really the shiniest of ideas to stop halfway through teaching it how to use its eyes or ears.

Shiniest. The phrase amused Alses inordinately, curving her lips up into a wide smile and causing a chiming chuckle to ripple up from her breast and out into the world, something that seemed to please Maeki, too.

Success!” she exclaimed, jubilant, all-but clapping her hands together in glee. “You can laugh!

Alses blinked – had she seemed that stoic? “Of course we can,” she replied, slightly stung. “How did I manage to give the impression I couldn't?

Maeki flapped a dismissive hand. “
You sound like you've swallowed a dictionary,” she replied. “Takes me back to Common classes at Alluvion when I was just a slip of a thing. You're so focused and serious – not that that's really a bad thing, I guess, when you're learning – but I like to laugh with my pupils, you know?

Alses tried her best to keep the hurt tone from poisoning her words and her expressions – she wasn't all that sure she succeeded, though. “I don't know you that well,” she pointed out. “We don't want to offend with an off-colour remark, and I've been trying to take in everything you've been saying about Animation.

Maeki shrugged, perhaps with just a soupçon of guilt – but then again, perhaps not. “
Fair point, I suppose.
Image
User avatar
Alses
Lady Magesmith
 
Posts: 852
Words: 1556681
Joined roleplay: August 8th, 2012, 2:32 pm
Location: Lhavit
Race: Ethaefal
Character sheet
Storyteller secrets
Medals: 3
Featured Character (1) Overlored (1)
One Million Words! (1)

Next

Who is online

Users browsing this forum: No registered users and 0 guests