Celeste seemed just fine. Satisfied, Kit backed off and gave the girl some space. "Don't rush. It's better to take this slow." Kit foundered herself mirroring her father's words. Sheepish, she took her seat again. Now it was her turn.
"That . . . Makes sense." Kit said, leaning forward, hands on knees. "Papa always said reimancy was like bleeding your soul, that res was its blood then spilled. If it's like that, maybe morphing is just . . . changing it." Kit fell back into her chair and furrowed her brow. Was that how Celeste had caught on to auristics so fast? Was all sorcery intertwined in that way, each leading into another? "Okay," Kit said, rubbing her hands together. "I'll give it a try."
Her father had said that magic was best used from a place of calm control. Kit closed her eyes to keep outside influence out of her head, closed her ears to the sounds of birds and the gentle creaking of the city in the wind. Breathe in, breathe out. Breathe in, breathe out. Kit tried to imagine her Djed, to feel it in the same way she felt another's, but in the end she left herself feeling silly, sitting around doing nothing.
Maybe Celeste was good enough, or well trained enough to understand the basic flows of her own djed, to pick them apart from each other, but Kit was not. She was not even sure where to begin. If her father had been around, he would have said something about gestures surely. Coping mechanisms to ease the learning . . .
Kit barely understood how a loom worked, and aside from picking at rugs knew only the basics of weft and weave. It was unfamiliar to her. But maybe she could use something else. Breathe in, breathe out.
She listened to her body, felt the way her weight pressed into the chair bottom against her back. The way her clothes brushed against her skin, the way the wind ran through her hair. Kit knew the little curiosities of her body intimately; she had stretched it, exercised it, pushed it. She imagined it now, as complete as she could, tried to make it breathe as she did. Spasm as she did. It was her body. Her body, to warp and change as she felt fit . . . Kit raised hands to her face, pressed against them . . . Nothing happened. She borrowed the way she influenced her body into res, the sideways tilt she let her sensations take. You are mine. Change! She thought, and felt skin mold beneath her fingers like clay.
Kit imagined Celeste'. The shape shape of her own retreated, losing tick by slow tick what little hardness maturity had given her. She thought of the shape of her skin; round chin, gradually broadening up into her face. When Kit lifted her hands from her face what looked back at Celeste was a simple mimicry of her the younger girl's face; the cheeks were fine, as was the overall shape, but still Kit's nose, still Kit's eyes. Kit grimaced with a face that wasn't her own. "Gods," she whispered and shook her head hard, and her natural dimensions reasserted themselves immediately. "It's so tight! Like . . . Like . . . Like wearing a shirt you're too big for." It seemed to chafe, her natural face constantly insisting on retaking what belonged to it. "How do you stand it?"
"That . . . Makes sense." Kit said, leaning forward, hands on knees. "Papa always said reimancy was like bleeding your soul, that res was its blood then spilled. If it's like that, maybe morphing is just . . . changing it." Kit fell back into her chair and furrowed her brow. Was that how Celeste had caught on to auristics so fast? Was all sorcery intertwined in that way, each leading into another? "Okay," Kit said, rubbing her hands together. "I'll give it a try."
Her father had said that magic was best used from a place of calm control. Kit closed her eyes to keep outside influence out of her head, closed her ears to the sounds of birds and the gentle creaking of the city in the wind. Breathe in, breathe out. Breathe in, breathe out. Kit tried to imagine her Djed, to feel it in the same way she felt another's, but in the end she left herself feeling silly, sitting around doing nothing.
Maybe Celeste was good enough, or well trained enough to understand the basic flows of her own djed, to pick them apart from each other, but Kit was not. She was not even sure where to begin. If her father had been around, he would have said something about gestures surely. Coping mechanisms to ease the learning . . .
Kit barely understood how a loom worked, and aside from picking at rugs knew only the basics of weft and weave. It was unfamiliar to her. But maybe she could use something else. Breathe in, breathe out.
She listened to her body, felt the way her weight pressed into the chair bottom against her back. The way her clothes brushed against her skin, the way the wind ran through her hair. Kit knew the little curiosities of her body intimately; she had stretched it, exercised it, pushed it. She imagined it now, as complete as she could, tried to make it breathe as she did. Spasm as she did. It was her body. Her body, to warp and change as she felt fit . . . Kit raised hands to her face, pressed against them . . . Nothing happened. She borrowed the way she influenced her body into res, the sideways tilt she let her sensations take. You are mine. Change! She thought, and felt skin mold beneath her fingers like clay.
Kit imagined Celeste'. The shape shape of her own retreated, losing tick by slow tick what little hardness maturity had given her. She thought of the shape of her skin; round chin, gradually broadening up into her face. When Kit lifted her hands from her face what looked back at Celeste was a simple mimicry of her the younger girl's face; the cheeks were fine, as was the overall shape, but still Kit's nose, still Kit's eyes. Kit grimaced with a face that wasn't her own. "Gods," she whispered and shook her head hard, and her natural dimensions reasserted themselves immediately. "It's so tight! Like . . . Like . . . Like wearing a shirt you're too big for." It seemed to chafe, her natural face constantly insisting on retaking what belonged to it. "How do you stand it?"