Utter fascination. The young nuit had never seen such an easy way to boost one’s power! He had merely thought the runes Thanadoros had taught him to write were simple focus aids for more complex animations. But this was so much more. He had formed a question after her reply about using the art as a cipher. It had been mostly what he thought she had been doing. That seemed to be something he may have to figure out on his own later. But this voiding aid was too good to resist.
The nuit wizard did not have to wait long. Annalisa explained the glyphs she had used on her hand to him. Each distinctly different type of glyph had a specific purpose in the pattern. And the pattern seemed to change for the specific use. Focus, Barrier, Paths, Switches. It would all have to be inspired by the individual. What may serve as a Focus for Professor Marin would not be the same for him. He had to create his own set of glyphs. His own dialect of the art, so to speak.
Had she not said that before? Pandaemus began to fumble around on the table for a quill and found one near the ornate candelabra along with a stack of basic parchment. As he pulled the materials closer to himself and pushed his book away, she was giving him a task.
“Yes, yes. I just want to write this down before attempting it on my own.” He dipped the quill in the inkwell she had been using and quickly scratched out the names of the glyphs and the purposes she had dictated. His notes were spiky and quick, but would serve to remind him for later use if the need arose. He had always been a more hands on learner anyway, but it never hurt to keep a record. His brain was dead after all. In fact, he decided with a grim smile, he would start taking more notes from now on. Who knows what would happen to his mind in the future?
He set the parchment aside to dry and pulled up another. Focus, focus, focus. He needed to find his own image of the idea. He licked the tip of the quill, forgetting he had already inked it. Then dipped the feathered tool into the blackness of the inkwell again before gingerly touching it to the slightly thready parchment. He drew a simple spiral that moved out from where he had first touched the paper. His focus. Barriers, he would have to think up at least four different runes, well three now. Each would have to be adequately representing their own purpose within his pattern.
A barrier. What could represent a barrier? A shield perhaps? No too simple. A shield only protected one direction, and he wanted something more. The nuit’s mind drifted to a wall. The quill began to press against the page once more. Two parallel lines flanking a single dot. Pandaemus glanced up at Marin to see if she was watching, and to possibly read her face. In his distraction, he almost forgot to leave room for the switch glyph.
The nuit pauses only briefly. The black tip of his tongue escaping from pale lips. The quill touched parchment three separate times for the switch glyph. The trifecta of inky black dots were arranged in a triangle between two of his newly fashioned barrier glyphs. Pandaemus was already anxious to repeat the process on his hand and try to augment his voiding.
And lastly a diamond would serve as his Path. Happy with the designations, Pan repeated the process, connecting the two Glyph circles together with his diamond shaped Path Glyphs. The whole thing reminded him of the set up for a standard Animation. He had no idea how the implementation of these glyphs would affect his animations, and the idea of botching it was a chilling one. Animation was all about pulling your djed into the circle and crafting it to carry the desired aspects of the Source across the link. But these glyphs that would make it easier may pull the djed too quickly, or too much. Pan had never even attempted trying to will the wild djed back from the far circle before. The thought made him queasy.
“This may be dangerous to implement into animation without more study…” He said slowly to the professor. His words prompted more questions about his craft. He pushed his parchment over for review without word. His mind was already lost in trying to explain the concept of a Soulcore. The cadaver found himself once again struggling with trying to teach.
Bloodless fingers rubbed against a temple. Pan frowned at the woman for a few moments before trying to answer. “The Soulcore is always crafted from the animator’s own djed. You infuse the djed with emotions… memories that give the construct the basics of it’s self.” He wasn’t sure if his words were getting through to the woman. Animation was a hard field to understand without practical application involved in the training. “That’s why this-” he gestured to the glyphs.”Might be dangerous. You don’t want to enable the wild djed in the circles to pull too much from you. I suppose if your barriers were doing their job…” He lost himself in thought for a moment.
Her waiting stare brought him back and he recalled her second question, about the Sources. “The source is limited in it’s applicability to the objective of the construct to be animated.” He said quickly, the phrase brought up from his past with Thanadoros almost without thought. “That is to say, the creature you draw aspects from to create the functionality of the golem. Sometimes a wizard will use themselves for more than the Soulcore. If a wizard wishes their golem to play the flute, they would have a flutist as the source. Said flutist would concentrate on the different keys, the notes, the music, and memories of playing. The wizard would extract all that and attach it to the djed before channeling it into the shell. If said wizard wished for an obedient golem, he may draw from a loyal dog.” Pan said, hoping that was enough to explain it.
“Now, do you think I’m ready to try those glyphs out on my voiding?” He could not hide the eagerness. This was turning out to be a very productive day already.
The nuit wizard did not have to wait long. Annalisa explained the glyphs she had used on her hand to him. Each distinctly different type of glyph had a specific purpose in the pattern. And the pattern seemed to change for the specific use. Focus, Barrier, Paths, Switches. It would all have to be inspired by the individual. What may serve as a Focus for Professor Marin would not be the same for him. He had to create his own set of glyphs. His own dialect of the art, so to speak.
Had she not said that before? Pandaemus began to fumble around on the table for a quill and found one near the ornate candelabra along with a stack of basic parchment. As he pulled the materials closer to himself and pushed his book away, she was giving him a task.
“Yes, yes. I just want to write this down before attempting it on my own.” He dipped the quill in the inkwell she had been using and quickly scratched out the names of the glyphs and the purposes she had dictated. His notes were spiky and quick, but would serve to remind him for later use if the need arose. He had always been a more hands on learner anyway, but it never hurt to keep a record. His brain was dead after all. In fact, he decided with a grim smile, he would start taking more notes from now on. Who knows what would happen to his mind in the future?
He set the parchment aside to dry and pulled up another. Focus, focus, focus. He needed to find his own image of the idea. He licked the tip of the quill, forgetting he had already inked it. Then dipped the feathered tool into the blackness of the inkwell again before gingerly touching it to the slightly thready parchment. He drew a simple spiral that moved out from where he had first touched the paper. His focus. Barriers, he would have to think up at least four different runes, well three now. Each would have to be adequately representing their own purpose within his pattern.
A barrier. What could represent a barrier? A shield perhaps? No too simple. A shield only protected one direction, and he wanted something more. The nuit’s mind drifted to a wall. The quill began to press against the page once more. Two parallel lines flanking a single dot. Pandaemus glanced up at Marin to see if she was watching, and to possibly read her face. In his distraction, he almost forgot to leave room for the switch glyph.
The nuit pauses only briefly. The black tip of his tongue escaping from pale lips. The quill touched parchment three separate times for the switch glyph. The trifecta of inky black dots were arranged in a triangle between two of his newly fashioned barrier glyphs. Pandaemus was already anxious to repeat the process on his hand and try to augment his voiding.
And lastly a diamond would serve as his Path. Happy with the designations, Pan repeated the process, connecting the two Glyph circles together with his diamond shaped Path Glyphs. The whole thing reminded him of the set up for a standard Animation. He had no idea how the implementation of these glyphs would affect his animations, and the idea of botching it was a chilling one. Animation was all about pulling your djed into the circle and crafting it to carry the desired aspects of the Source across the link. But these glyphs that would make it easier may pull the djed too quickly, or too much. Pan had never even attempted trying to will the wild djed back from the far circle before. The thought made him queasy.
“This may be dangerous to implement into animation without more study…” He said slowly to the professor. His words prompted more questions about his craft. He pushed his parchment over for review without word. His mind was already lost in trying to explain the concept of a Soulcore. The cadaver found himself once again struggling with trying to teach.
Bloodless fingers rubbed against a temple. Pan frowned at the woman for a few moments before trying to answer. “The Soulcore is always crafted from the animator’s own djed. You infuse the djed with emotions… memories that give the construct the basics of it’s self.” He wasn’t sure if his words were getting through to the woman. Animation was a hard field to understand without practical application involved in the training. “That’s why this-” he gestured to the glyphs.”Might be dangerous. You don’t want to enable the wild djed in the circles to pull too much from you. I suppose if your barriers were doing their job…” He lost himself in thought for a moment.
Her waiting stare brought him back and he recalled her second question, about the Sources. “The source is limited in it’s applicability to the objective of the construct to be animated.” He said quickly, the phrase brought up from his past with Thanadoros almost without thought. “That is to say, the creature you draw aspects from to create the functionality of the golem. Sometimes a wizard will use themselves for more than the Soulcore. If a wizard wishes their golem to play the flute, they would have a flutist as the source. Said flutist would concentrate on the different keys, the notes, the music, and memories of playing. The wizard would extract all that and attach it to the djed before channeling it into the shell. If said wizard wished for an obedient golem, he may draw from a loyal dog.” Pan said, hoping that was enough to explain it.
“Now, do you think I’m ready to try those glyphs out on my voiding?” He could not hide the eagerness. This was turning out to be a very productive day already.