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Timestamp: 7th Day of Summer, 514 A.V.
Location: Elysium Hall, Magecrafting Laboratory
A few days later, and the door had healed from the thousand injuries her initial assault had caused. No longer did painful violet light bleed from her laboratory with a sullen glare every five ticks, no – instead, the cool glow of skyglass had replaced the baleful light. The itching rush of djed acting against djed had faded, too, all of it now contained and corralled by her glyphs.
Some had evaporated under the strain, the paint and the meaning behind the paint sublimating under the strain of the craft, but that was all right, that was expected, even. Alses’ circles were always overdesigned for just such an eventuality – or rather, for just such a certainty. Even stone or metal, the most durable glyphing substances, couldn’t be expected to hold for a long time against the titanic forces unleashed by a magesmith, still less paint – even philtered paint, formulated to withstand djedic insults.
Thus, redundancy piled on redundancy, or else a continual programme of redrawing, was the order of the day for any magesmith who valued their life, their property, and their sanity.
The day was warm – golden sunlight pouring through the many windows of Elysium Hall – and likely to get warmer still, Alses thought with a wry smile, contemplating the labours that lay ahead. A tight little shiver of anticipation thrilled up her spine and a curious buoyant lightness rose in her stomach as she set her hands to the ornate brass handles of the laboratory doors and pushed them wide.
A wave of pungent air rushed out and over her, her sensitive nose burning from the sudden melange to which it was subjected. The rest of her senses, too, got a reflected version of the shock as her greedy auristics fed every scrap of information straight into her brain. There was the sharp tang of metal from her tools, for instance, bitingly metallic on the tongue, the cold brightness of diamonds glittering from her reagent circles, and much else besides. Over – or perhaps under – it all there came the utterly alien sick-sweetness of the sword, writhing with unknown magics she barely understood.
Unfortunately, Bharani had been of little help in understanding the higher reaches of the craft; Lhavit had never had a very strong magecrafting tradition, and nor, it seemed, had much survived from the Suvan Empire which had once held sway over the region. She was flying blind, in a sense, trusting to her own skill and intelligence and a certain amount of exploratory intuition (always tempered with planning, or so Alses told herself) to see her through.
Somehow, whatever her misgivings before she began, it all seemed to melt away when she grasped her hammers and her vices, set the clamps and the lenses and lost herself in the sheer joy of creation.
All of which meant she had to be extra-vigilant in the carving of her glyphs, in the planning and execution of the circles that would protect her and the wider world and – in some cases – protect the nascent artifact from itself, from the instabilities an open djed matrix induced. Much like a wounded animal, it could lash out, a blast of undirected toxic magic that could wreck months of painstaking work in a single stroke.
Or take a life, or make it a life not worth living.
‘Technique and finesse, Alses, technique and finesse,’ she repeated in the melee of her mind, the old mantra of the Dusk Tower – and memories of those simpler times – bringing a smile to her face as she stepped from the short corridor and into the laboratory proper, admiring the door sparkling in the light from the dome overhead – perhaps one of the few times in its life that natural sunlight would gild its silvery surface.
Which was a shame; it really was a work of art in and of itself. Nothing but the best for House Twilight.
With a sigh, Alses settled herself into a chair, thoughtfully positioned to gaze directly at the magecrafting enclosure and the artifact now glowing within it, enjoying the warmth of the polished wood and the yielding smoothness of the upholstery as she relaxed back into it. Inside, her magic woke at the merest of suggestions, rising in a golden tide from the nova-like core of her being that was her compound soul, all of it powerful and subtle and totally under her control.
The world exploded into a million colours, a thousand melting hues, a brilliant soaring crescendo symphony that showcased the obscured secrets of the world in a brilliant firework panoply. Wherever she looked, the whole world shifted on its axis, opening like the most complicated and perfect flower imaginable to reveal still more secrets, strung like pearls on a glittering potential filigree.
All the things people and time tried to hide, here they were, glimmering opalescent collections of impressions, just waiting for the caress of her magic to give up their treasure, low-hanging fruit for a master to pluck and savour, richer than wine.
Now…Alses turned her attention resolutely to the artifact, bringing herself into focus, letting the rest of the beauty that was Mizahar fade into the background as she pulled out the obscured nature of the artifact-to-be and let it shine in the light of her regard.
It was the most perfect, most complex thing to behold, a masterpiece in four dimensions, steel-blue essences reaching forward and back through Tanroa’s river when she looked at the door’s complex internal matrix, throbbing and humming and crackling with power.
With an expert’s eye, she could see exactly where her hammers would have the desired effect, how to shape and mould and flay the magic that was brimming over inside it all. Her fingers itched to pick the tools up and get started, to lose herself in the dance of djed and to ring in the changes with forces that could blast her to oblivion in a tick if she let them get out of control.
Then, too, there was the seductive, alien wrongness of the reagent, the first time in forever she’d been able to use one; what a challenge that would be!
Time, and past it, to enjoy herself.
e
Timestamp: 7th Day of Summer, 514 A.V.
Location: Elysium Hall, Magecrafting Laboratory
A few days later, and the door had healed from the thousand injuries her initial assault had caused. No longer did painful violet light bleed from her laboratory with a sullen glare every five ticks, no – instead, the cool glow of skyglass had replaced the baleful light. The itching rush of djed acting against djed had faded, too, all of it now contained and corralled by her glyphs.
Some had evaporated under the strain, the paint and the meaning behind the paint sublimating under the strain of the craft, but that was all right, that was expected, even. Alses’ circles were always overdesigned for just such an eventuality – or rather, for just such a certainty. Even stone or metal, the most durable glyphing substances, couldn’t be expected to hold for a long time against the titanic forces unleashed by a magesmith, still less paint – even philtered paint, formulated to withstand djedic insults.
Thus, redundancy piled on redundancy, or else a continual programme of redrawing, was the order of the day for any magesmith who valued their life, their property, and their sanity.
The day was warm – golden sunlight pouring through the many windows of Elysium Hall – and likely to get warmer still, Alses thought with a wry smile, contemplating the labours that lay ahead. A tight little shiver of anticipation thrilled up her spine and a curious buoyant lightness rose in her stomach as she set her hands to the ornate brass handles of the laboratory doors and pushed them wide.
A wave of pungent air rushed out and over her, her sensitive nose burning from the sudden melange to which it was subjected. The rest of her senses, too, got a reflected version of the shock as her greedy auristics fed every scrap of information straight into her brain. There was the sharp tang of metal from her tools, for instance, bitingly metallic on the tongue, the cold brightness of diamonds glittering from her reagent circles, and much else besides. Over – or perhaps under – it all there came the utterly alien sick-sweetness of the sword, writhing with unknown magics she barely understood.
Unfortunately, Bharani had been of little help in understanding the higher reaches of the craft; Lhavit had never had a very strong magecrafting tradition, and nor, it seemed, had much survived from the Suvan Empire which had once held sway over the region. She was flying blind, in a sense, trusting to her own skill and intelligence and a certain amount of exploratory intuition (always tempered with planning, or so Alses told herself) to see her through.
Somehow, whatever her misgivings before she began, it all seemed to melt away when she grasped her hammers and her vices, set the clamps and the lenses and lost herself in the sheer joy of creation.
All of which meant she had to be extra-vigilant in the carving of her glyphs, in the planning and execution of the circles that would protect her and the wider world and – in some cases – protect the nascent artifact from itself, from the instabilities an open djed matrix induced. Much like a wounded animal, it could lash out, a blast of undirected toxic magic that could wreck months of painstaking work in a single stroke.
Or take a life, or make it a life not worth living.
‘Technique and finesse, Alses, technique and finesse,’ she repeated in the melee of her mind, the old mantra of the Dusk Tower – and memories of those simpler times – bringing a smile to her face as she stepped from the short corridor and into the laboratory proper, admiring the door sparkling in the light from the dome overhead – perhaps one of the few times in its life that natural sunlight would gild its silvery surface.
Which was a shame; it really was a work of art in and of itself. Nothing but the best for House Twilight.
With a sigh, Alses settled herself into a chair, thoughtfully positioned to gaze directly at the magecrafting enclosure and the artifact now glowing within it, enjoying the warmth of the polished wood and the yielding smoothness of the upholstery as she relaxed back into it. Inside, her magic woke at the merest of suggestions, rising in a golden tide from the nova-like core of her being that was her compound soul, all of it powerful and subtle and totally under her control.
The world exploded into a million colours, a thousand melting hues, a brilliant soaring crescendo symphony that showcased the obscured secrets of the world in a brilliant firework panoply. Wherever she looked, the whole world shifted on its axis, opening like the most complicated and perfect flower imaginable to reveal still more secrets, strung like pearls on a glittering potential filigree.
All the things people and time tried to hide, here they were, glimmering opalescent collections of impressions, just waiting for the caress of her magic to give up their treasure, low-hanging fruit for a master to pluck and savour, richer than wine.
Now…Alses turned her attention resolutely to the artifact, bringing herself into focus, letting the rest of the beauty that was Mizahar fade into the background as she pulled out the obscured nature of the artifact-to-be and let it shine in the light of her regard.
It was the most perfect, most complex thing to behold, a masterpiece in four dimensions, steel-blue essences reaching forward and back through Tanroa’s river when she looked at the door’s complex internal matrix, throbbing and humming and crackling with power.
With an expert’s eye, she could see exactly where her hammers would have the desired effect, how to shape and mould and flay the magic that was brimming over inside it all. Her fingers itched to pick the tools up and get started, to lose herself in the dance of djed and to ring in the changes with forces that could blast her to oblivion in a tick if she let them get out of control.
Then, too, there was the seductive, alien wrongness of the reagent, the first time in forever she’d been able to use one; what a challenge that would be!
Time, and past it, to enjoy herself.
e