She seemed entertained by his reluctance. Keene let his suspicions drop some, unsure whether the woman's bemused smile meant he was overreacting or if he was not reacting quite enough. With a terse warning, Master Rayage began to draw on his arms. She had said it might tickle, but Keene was far more preoccupied with the woman's grip on his wrist to notice the gliding of the quill. She had started with his right arm, and he was glad for it. Sensations were numbed, giving him little information beyond the pressures exerted by both foreign objects pressing into his skin. While unpleasant, it was not unbearable. Keene's grey eyes followed the black lines of the ink as the woman's hand moved steadily. It was more of a sort of drawing than anything else, the motions organic, flowing. He found it odd that the ink stuck so well to his skin, or that the lines were so steady despite the curve of his arm. His frown was one of interest and investigation, eyes following the lugubrious path of the quill. As she drew, Master Rayage delivered another narrative, speaking of days past.
His eyes lifted from the artwork, starting at the focused green gaze that still illuminated the woman's work as she spoke. He wondered just how old she was, finding no clues in the smooth curve of her jaw or the gentle rose of her cheeks. He had never heard of "glyphing" before, though he knew the etymological meaning of the word. How it might have been similar to learning the common tongue in regards to magic, however, Keene had little idea. It did not strike him as a language so much as an art form. In a sense, Nader Canoch had a similar feel to it, however, which made Master Rayage's words not seem entirely far fetched. It was subjective, as he had come to realize most magic was. There was a form, a base, but what one did it with was only limited by innovation and creativity. That a language and art devoted to the wild and unexpected nature of magic would seem more fluid and abstract was not the most surprising thing, though Keene still had difficulty coming to terms with it. Up until recently, magic had been entirely composed of reimancy. The island had forced him to assimilate and accommodate more and more knowledge pertaining to the arcane, and it was exhausting. Revelation upon revelation made for a constantly expanding mind when it came to such things.
She spoke of magic like she might a doting mother over her child, fussing about its poor development. Keene knew little of what magic was before his time, but from the nostalgia in Master Rayage's tone, he couldn't imagine it had been anything short of grand. It was almost sad to think that it was still so unknown, so wild and that it was what he had inherited and would ever truly know. He wondered what the wizards of old were like as his stared at the woman before him as she continued to create the runes upon his skin. He doubted they could have all been as refined as the woman before him, but he had the feeling many of them would have been similar to the nuits before they sacrificed their mortality: stately and powerful. The wizards of the common era, Master Rayage had little to offer in support for. Though he knew few of them, Keene himself had thought magic a solution on may occasions before, a "hidden weapon" so to speak. It seemed the very psychology of wizards had changed with the years. He supposed it was in part due to the views of those who did not practice the arts (or once-arts, as Master Rayage seemed to view them).
She continued on in her lesson, explaining that the magic of glyphing should be as second nature to him as blinking or breathing was to life. It was a form of magic to guide djed, rather than alter and change it. If it were a guide, Keene could see the practicality of it immediately. The most difficult thing about reimancy once control was established was producing the res. He was quick enough at it, but it still required him to focus and shift his djed before he could withdraw it in the form of res. With the glyphs, their intricate workings aside, if they were able to make his djed more readily accessed, the potential for the magic was incredible. As she continued her explanation, Keene frowned at the idea of the magic being intuitive. It was hard to imagine the delicate lines as something intrinsic rather than predetermined forms. She spoke of focuses, paths, and sigils, their meanings lost on him but holding relevance none the less. He could see the distinct markings, and while he was unsure of how it worked, he could see the cohesive flow of the entire image. It held a power about it that even the unpracticed eye could see. In the way Master Rayage said the glyphs would explain their own purpose, Keene could feel them. They were marks of motion, of keys to locks and paths made clearer.
Seemingly drawing from Keene's own thoughts, she finished with an address to power. Keene's frown darkened then as she began the finishing touches. She knew better than he that change was no so easily affected. Balance was required. Balance that Keene had yet to attain. As he stared down at the inked markings on his arm, Keene wondered if it were not better to pursue the balance Master Rayage spoke of rather than raw power. It seemed logical, though how to achieve it was as murky as magic's lost era. He knew it was the better path, the "right" path if there was one, yet he had little idea how to go about it. Perhaps it was a combination of power and self-control, or a mix of wisdom and knowledge. He did not know, and in spite of everything Master Rayage had intimated, he had the feeling she too was unsure. They were not nearly as different as he might have thought at first: two souls struggling against the darkness of self. It seemed some things that plagued the living and unliving alike could not be solved with time.
As she moved to his next wrist, Keene winced. The sensation of her chilled fingers as they wrapped around his skin tightened the muscles through his entire body, his jaw clenching to keep himself from drawing back. As she began again, the path of the ink was cool and tugged at his skin. After about a chime, Keene was able to breath easier, forcing his focus from the point of contact and back onto the sweeping motions of the quill. With a slight shake to his voice as he was still regaining control, Keene spoke in his soft, cool tone a question he had been wondering. "You speak of change as if it is something you can longer guide." He drew a sharp breath as she took a moment to regrip his arm, his skin screaming out at the contact, but his mind forcing his arm to remain. The utility of the glyphs far outweighed his aversion to touch, but the struggle was evident on his face. He could control much about his features, but when it came to the sheer antipathy he felt towards skin to skin contact, it was far too difficult a thing to mask. "Power may not force change, but can wisdom not mold it?" He spoke between clenched teeth, the conversation a better distraction from his plight than anything else. His wrist burned from where the chilled fingers wrapped themselves around it, but he kept himself as steady as he could, a small shake in his frame.
His eyes lifted from the artwork, starting at the focused green gaze that still illuminated the woman's work as she spoke. He wondered just how old she was, finding no clues in the smooth curve of her jaw or the gentle rose of her cheeks. He had never heard of "glyphing" before, though he knew the etymological meaning of the word. How it might have been similar to learning the common tongue in regards to magic, however, Keene had little idea. It did not strike him as a language so much as an art form. In a sense, Nader Canoch had a similar feel to it, however, which made Master Rayage's words not seem entirely far fetched. It was subjective, as he had come to realize most magic was. There was a form, a base, but what one did it with was only limited by innovation and creativity. That a language and art devoted to the wild and unexpected nature of magic would seem more fluid and abstract was not the most surprising thing, though Keene still had difficulty coming to terms with it. Up until recently, magic had been entirely composed of reimancy. The island had forced him to assimilate and accommodate more and more knowledge pertaining to the arcane, and it was exhausting. Revelation upon revelation made for a constantly expanding mind when it came to such things.
She spoke of magic like she might a doting mother over her child, fussing about its poor development. Keene knew little of what magic was before his time, but from the nostalgia in Master Rayage's tone, he couldn't imagine it had been anything short of grand. It was almost sad to think that it was still so unknown, so wild and that it was what he had inherited and would ever truly know. He wondered what the wizards of old were like as his stared at the woman before him as she continued to create the runes upon his skin. He doubted they could have all been as refined as the woman before him, but he had the feeling many of them would have been similar to the nuits before they sacrificed their mortality: stately and powerful. The wizards of the common era, Master Rayage had little to offer in support for. Though he knew few of them, Keene himself had thought magic a solution on may occasions before, a "hidden weapon" so to speak. It seemed the very psychology of wizards had changed with the years. He supposed it was in part due to the views of those who did not practice the arts (or once-arts, as Master Rayage seemed to view them).
She continued on in her lesson, explaining that the magic of glyphing should be as second nature to him as blinking or breathing was to life. It was a form of magic to guide djed, rather than alter and change it. If it were a guide, Keene could see the practicality of it immediately. The most difficult thing about reimancy once control was established was producing the res. He was quick enough at it, but it still required him to focus and shift his djed before he could withdraw it in the form of res. With the glyphs, their intricate workings aside, if they were able to make his djed more readily accessed, the potential for the magic was incredible. As she continued her explanation, Keene frowned at the idea of the magic being intuitive. It was hard to imagine the delicate lines as something intrinsic rather than predetermined forms. She spoke of focuses, paths, and sigils, their meanings lost on him but holding relevance none the less. He could see the distinct markings, and while he was unsure of how it worked, he could see the cohesive flow of the entire image. It held a power about it that even the unpracticed eye could see. In the way Master Rayage said the glyphs would explain their own purpose, Keene could feel them. They were marks of motion, of keys to locks and paths made clearer.
Seemingly drawing from Keene's own thoughts, she finished with an address to power. Keene's frown darkened then as she began the finishing touches. She knew better than he that change was no so easily affected. Balance was required. Balance that Keene had yet to attain. As he stared down at the inked markings on his arm, Keene wondered if it were not better to pursue the balance Master Rayage spoke of rather than raw power. It seemed logical, though how to achieve it was as murky as magic's lost era. He knew it was the better path, the "right" path if there was one, yet he had little idea how to go about it. Perhaps it was a combination of power and self-control, or a mix of wisdom and knowledge. He did not know, and in spite of everything Master Rayage had intimated, he had the feeling she too was unsure. They were not nearly as different as he might have thought at first: two souls struggling against the darkness of self. It seemed some things that plagued the living and unliving alike could not be solved with time.
As she moved to his next wrist, Keene winced. The sensation of her chilled fingers as they wrapped around his skin tightened the muscles through his entire body, his jaw clenching to keep himself from drawing back. As she began again, the path of the ink was cool and tugged at his skin. After about a chime, Keene was able to breath easier, forcing his focus from the point of contact and back onto the sweeping motions of the quill. With a slight shake to his voice as he was still regaining control, Keene spoke in his soft, cool tone a question he had been wondering. "You speak of change as if it is something you can longer guide." He drew a sharp breath as she took a moment to regrip his arm, his skin screaming out at the contact, but his mind forcing his arm to remain. The utility of the glyphs far outweighed his aversion to touch, but the struggle was evident on his face. He could control much about his features, but when it came to the sheer antipathy he felt towards skin to skin contact, it was far too difficult a thing to mask. "Power may not force change, but can wisdom not mold it?" He spoke between clenched teeth, the conversation a better distraction from his plight than anything else. His wrist burned from where the chilled fingers wrapped themselves around it, but he kept himself as steady as he could, a small shake in his frame.