Eypharian Race Rewrite

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Eypharian Race Rewrite

Postby Rosela on April 9th, 2015, 3:11 pm

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Because I am absolutely procrastinating the solo I'm supposed to be working on, here's more Eypharian stuff! This time, we've got Language and Names, both relatively unchanged, hence the quick turnaround, but tweaked and with a new addition on the use of arms.

I'm not 100% sure if Language is the right heading for Uses of Arms to go under, I may move it to the biology section. Thoughts on that would be appreciated.
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Language
The Eypharian language, Arumenic (Aru= river, Menic= language), has migrated the least from the Ancient tongue due to the continual caretaking of their history by Eypharians. Out of the present day languages it resembles the ancient tongue the most. The sound patterns are similar to the Ancient Tongue but have been over the centuries influenced by common. Significant traits from Nader-Canoch (The Ancient Tongue) in Arumenic include:

  • glottal stops,
  • a guttural consonant sound represented as "ayn",
  • the softness of the letter "y",
  • the interpretation of "w" as an "ou" sound,
  • the interchangeable nature of the letters "b" and "m". (When "b" or "m" are used they are pronounced like the "mb" in the common word "numb")
  • the main vowel sound being "u"
  • And the pronunciation of "t" as "tsh"
For example, the word Aynwba, companion, would be pronounced (roughly) Aiy-een-noum-a

Sentence composition is also irregular, compared to common, and uses a verb-subject-object structure. However, sections of a sentence can be rearranged with the use of position-conjunctions after each part, such as ‘tu’ indicating a direct object and ‘ank’ indicating subject. Arumenic used this way is typically reserved for poetry, complex literature, and song.

High Arumenic, is spoken by the upper class and any privileged enough to be trained in Semhu. It is an elaboration of Arumenic that includes both subtle gestures and nuanced tones to express deeper meanings than words alone. Amateurs in this style of language, and often children, may employ the above method of rearranging the sentence to match their intended gestures, but a master can take any spoken phrase and add new meaning to it with a seemingly innocuous gesture or change in tone. An outsider may hear an idea completely contrary to what the speaker is actually saying. It is also a treacherous style of speaking as it is difficult to pin a practitioner to a particular meaning.

Casual Uses of Multiple Arms
The use of hands in conversation and casual interactions, while integral to High Arumenic, is often employed in traditional Arumenic as well. For example, a simple handshake can convey commentary on the recipient’s social status. When greeting one of an equal class, each Eypharian will clasp one of their middle-set hands. When greeting one of lower, or perceived as lower, class, an Eypharian may subtly indicate their perception by offering instead a middle or lower hand to clasp in greeting. When greeting one of a higher class, and wishing to impress by showing proper deference, an Eypharian may offer one of their top-set hands in greeting.

When dining or performing any type of public act that only employs two arms, Eypharians will typically use only the upper or middle set of arms, and have any lower sets folded in their lap. This avoids the appearance of ‘flailing’ and needed to mindlessly employ an upper set of arms in order to give better range of motion to a lower set. When in private or while in some type of industry, the use of hands if up to personal preference. Upper classes will often use four arms while eating, leading to elaborate table settings and more room to move surrounding each person. Lower classes, especially if they cannot afford such table settings, typically stick to the highest set of hands.

However, despite having multiple arms, Eypharians are not perfect multi-taskers. As it is difficult for even two-armed beings to learn to do completely different things with different hands, such as simultaneously patting heads and rubbing stomachs, being truly ambidextrous is an ability that must be practiced and gotten used to. It is a common ability for Eypharians to put their minds to, but it is not automatic.

Names
Eypharian first names tend to favor the use of the letters "T", "K", "H", "A", "S" and "R" and frequently end in vowels sounds. These rules are not absolute, though. Names are often a reflection of parents' estimation or aspirations for their child. Many Eypharian spend their lives living up to or overcoming their titles.

Last names are not indications of family, as they are for other races. They are preceded by "re" and originally stemmed from names for the great river and its branches or the city in which one was born. Since the river and most the cities are gone, Eypharians maintain the names of their ancestors, regardless of where they were personally born. Current names are drawn from the four old cities (Ahnatep, Menehat, Naphu and Bisret) as the river families died out amidst the Valterrian.

However, last names involving the city of birth are only used in formal or legal proceedings. It is far more common for an Eypharian to identify himself by title or profession. Khafre re Bisret would usually introduce himself merely as Khafre, Khafre the Jeweler or, if titled, Khafre of the Eastwinds.

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Eypharian Race Rewrite

Postby Orin Fenix on April 9th, 2015, 4:02 pm

Once again I want to say how impressed I am with all your hard work on this. This is so detailed and pulls from so many different fields that I can't even imagine tackling a project of this magnitude. Just had one question and it probably doesn't even need to go in was just something I was wondering. When talking about racism, I think under the Psychology section, there's special mention of Ethaefal and Konti as potentially being of a higher bloodline, although that doesn't necessarily make them exempt from prejudice. I was just wondering how Eypharians viewed Akalaks? Since my understanding, which might be wrong, is that Akalaks are also considered direct descendants of dieties. Again though, this is awesome!
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Eypharian Race Rewrite

Postby Rosela on April 9th, 2015, 4:05 pm

You're right! I hadn't even thought of them, I just took that part from the existing lore. I'll add it in straight away. Thanks! :)
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Eypharian Race Rewrite

Postby Rosela on April 9th, 2015, 4:14 pm

Added, and also made a note that it doesn't necessarily mean all Eypharians know about the histories of these races. If an Eypharian met a random blue guy out in the desert and didn't know anything about the Akalaks, they'd assume he was just some strange race they hadn't met before.
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Eypharian Race Rewrite

Postby Rosela on July 15th, 2015, 3:07 pm

I wanted to touch base in this thread and let everyone know I'm back on the job. I'm rereading everything I've written so far and combining it into a single document, both to make sure it flows well and to make eventual posting to Peer Review a little easier. 'Family Structure' is on deck, so that'll be up soon.
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Eypharian Race Rewrite

Postby Rosela on July 15th, 2015, 5:35 pm

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Decided to keep going a bit more after proofreading, and I have the next two sections ready: Family Structure and Industry. I may just be a bit rusty, but these seemed to have a lot of information that was difficult to organize coherently. I may rewrite them later.

Sections left: Art, Religion, and Racial Bonuses
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Family Structure
Housing for families largely depends on wealth and whether the family can afford to spread out. It’s not uncommon for the poor to live with extended family in a single home, with the younger generation growing up with the hope of being the ones to ‘get out on their own’. In the middle and upper classes, children occasionally live with their parents until marriage, but almost never after. Marriage is the point at which one is expected to start their own life, and taking responsibility of a household is an expected part of that. Upon achieving their first measure of financial success, many flaunt their independence by moving out and acquiring homes of their own. These early homes are often on the very brink of what the young Eypharian can afford, to show off as much as possible. Children grow up with the expectation that they must one day own a home grander than their parents’.

Which family member is considered the head is often up for debate. While the eldest is usually considered the matriarch or patriarch, family politics may move this position around a great deal. Even among families spread out over multiple households, power plays are extremely common, and can get turn deadly when inheritance of wealth is involved. Such intra-family intricacies are cultural mores and feature often in plays and literature.

In any class, well-bred children are precious. After the difficulty of finding a suitable genetic match, the resulting offspring are born with a tremendous amount of pressure on their shoulders: to further the family name, their own name, and as always, the Eypharian race as a whole. While the Pressorah’s house has schools funded for the poor, most of the middle and upper class choose individual tutors for their children. For those looking to save money, many tutors offer teaching several students at once, often with a guarantee that they will be of equal societal status. Such informal schools are centered around a single tutor who teaches the batch of children for several years before they move onto another. The wealthy rarely allow their children to take part in anything but completely personalized tutelage, though there is a current trend of high-class schools of this sort, which allow children from equally lofty ranks to form alliances from early ages.

House slaves and servants are at the bottom rungs of any family, rich or poor. Even a poorly bred, or worse, misshapen, child is above the ranks of slaves. The poor may own a single slave, or a part-time servant, for the manual labor of cooking and cleaning. The middle classes often have two or three slaves with varying specialties, such as a cook, maid, and butler. Among the wealthiest Eypharians, as many as a dozen different slaves is not uncommon. For these families, each member often has their own valet, in addition to maid, cooks, gardeners, etc.

Industry
Most Eypharian industry revolves around portable luxury goods. Due to their distance from other cities they favor goods easily transported and worth the effort of caravans and ships. While the race produces a broad range of product they are most known for their perfumes, cosmetics, wadj (a form of paper) and dyes. For greater detail on common industries, please see the Ahnatep entry.

For those not borne into money, and even for many who are, industry is the primary method of gaining prestige. Apprentices are taken on with the expectation that they should seek to surpass the master, though few such masters ever expect their own work to be outdone. If it is, the master is expected to take what pride they can that from the fact that they were the ones to refine such talent. Family politics can weave their way into decisions about advancement, with the Eypharian’s family often pushing hard for whatever end would bring the most prestige.

Entrepreneurs who set out without any formal apprenticeship are given grudging, albeit grim, respect. Fresh, startup businesses run the risk of failure especially without the connections an apprenticeship would provide, and those that succeed are seen to have done so through talent or great personal cost.
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Eypharian Race Rewrite

Postby Rosela on July 16th, 2015, 1:53 pm

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Because Sayana got me thinking about it, here's the new religion section! I put a lot more detail here than in the original writeup, but I tried to keep the essence the same.

The only major difference is that I removed Dira. Worshipping death isn't something that I felt really fits with the Eypharian culture, and seemed more of a leftover from the Egyptian bent they used to have.

Sections Left: Art, Racial Bonuses
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Religion
In regards to the gods, Eypharians are opportunists with a respect for past favors. They worship the gods they perceive as the most powerful or useful in their lives, with a tendency to honor traditional gods out of habit. The Eypharians are not an especially devout people, on the whole. They enjoy the pomp and power of religion, and use faith like a talisman.

Their belief in their own divine blood inspires a more self-reliant attitude than many other races. This is not to say they disregard the gods. Priests are welcome guests in any home, and those of Makutsi and Syna are highly sought-after to add an element of prestige to any gathering.

Makutsi and Syna have historically been the most popular dieties in the region. It was by Makutsi’s divine will that the Eypharian race was blessed, though their origins have now taken on a myth-like quality. Water in the deserts of Eyktol can be worth more than gold, and even the proudest Eypharian will take an honest moment to ask Makutsi’s blessing.

The ever-present Syna is the giver of life and energy, so vital in the desert wastelands, but perpetually on a knife’s edge of danger. Syna’s touch may invigorate the soul and help shake off the cold dew of the night, but too much can mean death amongst the desert sands. Though the goddess does not ask for tribute, many will still make an offering before travel to ask that she not cast her burning gaze upon them too strongly.

Xyna and Sivah are also commonly worshipped, though it is a more sporadic following Makutsi and Syna receive. Business and revelry are two staples of Eypharian culture, but prayers are most often only performed before embarking on business ventures or festivities, respectively. For Sivah to appear at a party is a momentous occasion, and one that launches the host into instant popularity.

While the dominion of Qalaya permeates Eypharian culture, she is only actively worshipped by the Zapatl. The Hall of the Zapatl, which houses all bloodline records in Ahnatep, doubles as a shrine to the goddess.
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Postby Sayana on July 16th, 2015, 2:34 pm

Ooh, very nice. I like how you included Qalaya and tied her in with the Zapatl. It makes a lot of sense and feels right. Keep up the great work Rosela. =)
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Eypharian Race Rewrite

Postby Rosela on July 17th, 2015, 3:33 pm

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Thanks Sayana! We're almost there ^_^

Below is the section on Art. I tried hard to find an image to pair with this section, but finding art that's good, not blatantly Hindu, and free to use is a little hard. Anybody know of religions besides Hinduism that has multi-armed gods?

Here's what I came up with (don't know if they're free to use, but they seem like we could contact someone to ask):
http://vignette1.wikia.nocookie.net/subeta/images/6/69/Statue_room.png
http://th07.deviantart.net/fs70/PRE/i/2013/362/8/0/dancing_female_shiva_by_liliumm-d6ztz7p.jpg
http://orig03.deviantart.net/cf00/f/2010/066/3/4/sketch__shiva_nataraja_wip_by_ninjafaun.jpg
http://fc04.deviantart.net/fs43/i/2009/145/4/2/Kali_or_is_it_Shiva_by_DrStrangebob.jpg

There's a Tropes page about multi-armed characters, but god help me if I don't want to look through all that trying to find something free to use.

Istock unfortunately didn't produce anything usable, and Shutterstock only had images on the 'I'm a modern woman who can juggle EVERYTHING' theme.
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Art
Much of Eypharian literature and written art features highly complex plot and language, twisting and turning as much as the complexities of High Arumenic. Intrigue and politics are common social staples, and while comedies have their place, oft-repeated works are usually dramas or mysteries. No literature survives from pre-Valterrian times, though many stories and epic poems are set in what authors imagine those ages were like.

Visual art, such as painting and sculpture, tends to focus more on the body and physical grace. Decorational art, as opposed to fine art, shares these themes, but are often more grand in style. It is not uncommon for a wealthy Eypharian house to have statues lining the courtyard, gilded with real gold jewelry. Most houses contain murals or mosaics along certain walls, depicting desert vistas or, if it is prestigious enough, an illustrated history of the house’s family.

One of the most popular arts is theatre, namely Semhu. It is one of the oldest traditions in Mizahar, one of the few precious traditions left from pre-Valterrian times. While the subject matter and training has changed, the performances remain a rare glimpse into Pre-Valterrian Eyktol. Semhu is an intensely physical and visual artform, combining acrobatics, mime, and martial arts to produce a highly stylized and often vigorous dancing style. This bodily expression is paired with ornate singing and vocal phrasing, comparable to an operatic High Arumenic. Semhu is extremely intensive for the performers, and as such, there are few masters.

Art is also considered a subject not necessarily separate from one’s own body. For example, one artform displays the prowess of the body while another may adorn it. Jewelry, cosmetology, and perfumery are not only highly respected industries, they can be elevated to the status of an artform among the most talented producers.

Mastery of the body is also not limited to those on stage. The ideal Eypharian form is more than adorned with jewels, it is healthy and fit. Most Eypharians are trained from a young age in some manner of weapon or physical combat, not usually to fight, but to improve one’s figure and musculature. In these cases, the subject trains for grace and the optimal workout of muscle groups, rather than sheer skill.

Even among those who do aim for skill, this method of training results in a particular Eypharian fighting style that favors speed and precision over brute strength. Heavy weapons such as great swords are rare, giving way instead to lighter swords, polearms, daggers, and bows, often in carried combinations to be switched with free hands at the opportune moment. Warriors make full use of their multiple arms, a strong advantage over non-Eypharian opponents. Dual wielding, while a difficult skill to develop, is vital for those who rely on their weapons for their livelihood.
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Eypharian Race Rewrite

Postby Sayana on July 17th, 2015, 5:01 pm

I'm impressed at the artwork you did manage to find. It's no easy task. I just wanted to note that if you're still having issues finding that perfect Eypharian work of art, you can also simply show other content in their art.

For example, I found a mosaic of an elephant:
Elephant mosaic

One question I have (which may have been answered earlier in the re-write), is what sorts of clothing do they wear? I know that the old writeup had the women wearing simple sleeve dresses but it felt too 'normal' or 'boring' and it didn't seem to fit with the 'lavish' and 'excessive' style that Eypharians regard most other things. Clearly you'd want something light, airy and with lots of movement for additional arms. And you'd probably want something to cover up against the intense sun.

Also, the concept of black being a royal colour always felt off to me. Mostly because in other cities, a black cloak would be seen as extremely common and probably used by the stealthy and poor. I know that the original reasoning was that black was a hard colour to make and I think it was, but I would still lean towards something like gold embroidery showing wealth.

If you've already addressed one or both of these, then point me in the right direction.
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