2nd of Spring, 515 AV
Ravenna's walk to work that morning was uneventful, though this day would be unlike any she'd experienced before. The carver muttered a greeting to Mr.Heigan, and per her usual, headed straight to the workroom and to her bench to get to work. She set her toolkit on the bench and reached for her orders. Plucking the top one from the pile, she absentmindedly pulled up a stool and sat to plan her piece, hazel eyes already pacing back and forth across the page as she read the write-up. It was another scenery piece, but this order was ideally unique and very important. Ravenna was being commissioned to carve a remembrance piece to commemorate the obelisks. The weight of the request hung heavy off her shoulders. Even more of a surprise came over her when in the added notes, she was directed to meet up and create this piece with someone at the University in their Art Studio. Having a second set of hands in the completion of a project was an entirely new concept for Ravenna, but for something this serious and important, she wasn't going to complain or try to deviate from the instructions.
Grabbing a piece of parchment and charcoal, Ravenna began jotting down the key notes of what was expected in her finished product, as well as her ideas on how to bring it to life. The client wanted a blended before and after of the obelisk awakenings. Getting both obelisks projected into the same image would be the easy part. However, it'll be tricky to get a before and after look and feel across in one piece without starkly dividing the piece down the middle. The carver knew she had to bring her best to the table on this or it would harshly affect her career. Closing her eyes, Ravenna envisioned the piece, watching the ideas come together in her mind. She'd "divide" the piece top to bottom, the top half showing the dark skies, unsettled waters in the distance, beaming light, and crumbling of the stone while the lower portion would show the base of the obelisks in their pristine conditions, calmer waters, and undamaged land at the edge of the Bay, all boat docks fully intact.
Feeling brilliant and excited for her design, and hoping with all her might that she'll be able to pull it off, Ravenna slid the stool back out of the way of the workbench, put the order paperwork off to the side, and began gathering all she needed to bring with her to the University. The request didn't specify a size in mind for the carving, so Ravenna envisioned the size she'd want it to be if she were ordering it done, and went with that. She tracked down a slab of wood roughly four feet wide and two and a half feet tall, and placed it on the bench. It was a large piece of wood, but it wouldn't be too troublesome to carry to the University to carve. Not wishing to bore someone there with her sketching beforehand, Ravenna chose to get her perspective drawings taken care of before headed to the Studio.
Picking up her piece of charcoal and centering herself in front of the slab of wood, she lightly began sketching out the major parts of her design, preparing it to be carved correctly. She roughly placed and outlined the land edge along the bottom, slightly curved for depth and to make the viewer interpret themselves as standing near the edge of the water looking out onto the Bay. Next she placed delicate outlines of the shapes and whereabouts of the obelisks themselves. Lastly, she placed a light indication of the distant water line. Satisfied that the major pieces were properly depicted, she closed up her toolkit and packed it into her backpack. Once it was securely on her back, she set the wood landscape-style, cupped the bottom of it with her left hand, and throwing her right arm over the top to help balance it, headed out of the store and began making her way to the University, ever thankful that it wasn't located far from West Street.
Grabbing a piece of parchment and charcoal, Ravenna began jotting down the key notes of what was expected in her finished product, as well as her ideas on how to bring it to life. The client wanted a blended before and after of the obelisk awakenings. Getting both obelisks projected into the same image would be the easy part. However, it'll be tricky to get a before and after look and feel across in one piece without starkly dividing the piece down the middle. The carver knew she had to bring her best to the table on this or it would harshly affect her career. Closing her eyes, Ravenna envisioned the piece, watching the ideas come together in her mind. She'd "divide" the piece top to bottom, the top half showing the dark skies, unsettled waters in the distance, beaming light, and crumbling of the stone while the lower portion would show the base of the obelisks in their pristine conditions, calmer waters, and undamaged land at the edge of the Bay, all boat docks fully intact.
Feeling brilliant and excited for her design, and hoping with all her might that she'll be able to pull it off, Ravenna slid the stool back out of the way of the workbench, put the order paperwork off to the side, and began gathering all she needed to bring with her to the University. The request didn't specify a size in mind for the carving, so Ravenna envisioned the size she'd want it to be if she were ordering it done, and went with that. She tracked down a slab of wood roughly four feet wide and two and a half feet tall, and placed it on the bench. It was a large piece of wood, but it wouldn't be too troublesome to carry to the University to carve. Not wishing to bore someone there with her sketching beforehand, Ravenna chose to get her perspective drawings taken care of before headed to the Studio.
Picking up her piece of charcoal and centering herself in front of the slab of wood, she lightly began sketching out the major parts of her design, preparing it to be carved correctly. She roughly placed and outlined the land edge along the bottom, slightly curved for depth and to make the viewer interpret themselves as standing near the edge of the water looking out onto the Bay. Next she placed delicate outlines of the shapes and whereabouts of the obelisks themselves. Lastly, she placed a light indication of the distant water line. Satisfied that the major pieces were properly depicted, she closed up her toolkit and packed it into her backpack. Once it was securely on her back, she set the wood landscape-style, cupped the bottom of it with her left hand, and throwing her right arm over the top to help balance it, headed out of the store and began making her way to the University, ever thankful that it wasn't located far from West Street.
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