.The thirty-ninth day of fall, 515 AV
The forest was smaller than Keene remembered.
It wasn't that the looming, sturdy pines that surrounded him had actually shrunk or that the needle strewn ground with its various forms of thigh high underbrush that crinkled at his passing had crept closer together; rather, it was the sense of enclosure. On the island, Keene had had little to restrict his vision, though the Ravine had certainly served to narrow it. Between the sizable trunks of the towering pillars about him, it was difficult - far more so than he remembered - to traverse the uneven ground and plan for what was to come. He had been forced to keep his attentions within in the immediate area, something that - before his extended stay on Sahova - he had always done without consideration that he might be able to see farther ahead if he only looked. It was a stark difference from what he had become accustomed to, and though he did remember the forest as it was, it did not change that nature of how it felt in that moment: restrictive.
He had ventured into the woods several days before and several times after that, searching through the wilderness to find a place suitable for his more arcane investigations, those that he found to warrant a more secretive location than the apparently ineffective locks his house could provide. In the forest, Keene was sheltered from prying eyes not just by the trees and ferns but by superstition and a fair helping of legitimate danger. Though he was not well versed on the myths that surrounded the lofty pines and gave those who knew them a foreboding shudder every time they heard mention of "Zastoska", Keene had watched his mother kill a fair number of abnormally vicious animals and the odd creature that he couldn't place - not even after his experiences on Sahova. It had never been clearly explained to him that the forest was not a place one should go alone, but it had been implied by the manner in which Keene had occasionally seen others refer to it with sideways glances or with the rare, drunken declaration of future exploration.
Though certainly hazardous, Keene paid the warnings little mind. He never had before, and the time he had spent away had only seen him grow stronger - though, he was well aware, not necessarily wiser. For the most part, he had staked out an area in what was, more or less, a clearing - half his own handiwork and half that of nature herself. The trees were not too dense, and with the underbrush removed thanks to a subtle use of reimancy, Keene had crafted himself a stone plateau upon which he could lay comfortably in the middle with his arms extended in all directions of the mostly circular, slightly raised platform. While he had considered the fact that a stone dais was certainly not common place out in the wilderness of the Zastoska Forest, within the few days after he had created it, the wilds had stayed true to their name: needles coated the semi-weathered stone, mosses had crept near the edges, and the platform had become one with the woods in just a matter of days. To some, it would have been unnerving. To Keene, it was convenient.
While his investigations into the more mundane, practical applications of glyphing had migrated from the deck of the ship he had arrived on to the rocky - sometimes sandy - beach, Keene had begun on another path, another discipline. Advised by the wizard Thomas Cosa and given practical tutelage from the apprentice-to-be Kamilla, Keene had gathered information enough that he felt it worth the time to attempt applying what he had learned from the two who shared the common craft of animation. Parts of the magic eluded him, such as the finer details of what could and could not be considered a vessel, the limitations of a animation's ability to learn, and especially more in depth time frames for the creation of more complex automatons. Like all magic before it, Keene approached animation much as he did any other: understand the theory as much as possible, then make small applications and isolate the areas in which the practice does not match with the theory.
Once he had drawn out the circles as he had seen Kamilla do before, Keene made several additions. For the linking line between the two, Keene repeated pond and korad in alternating instances, the symbols taking him time to mark correctly, better stabilizing the transfer that he planned on making. Around the circle in which he planned to sit, Keene surrounded the shape with the triangular marking of abase and linked them together with daeq, grouping them into two's with slightly more space between each pair to denote the difference. Within the other circle, Keene carefully drafted the lines to mark ranuri, centering the crosses around the middle, totaling seven of the glyphs in all. Finally, in the very center, Keene marked a single dot for nen, before carefully placing the doll that he had purchased earlier on top of the simple symbol.
The doll itself was a rudimentary sort of thing with lopsided, button eyes, crude stitching, and stuffed with what Keene imagined to be wool. It did have the general outline of a human body, what with it possessing a head, torso, and limbs that could have been a very basic outline of his race, something that Keene had found good enough for what he intended to do. The purpose of his experiment was not to craft the next Dranira, but to examine first hand what it was to manipulate the flow of magic as Kamilla had, rather than to just serve as a source for the animated creature's reference of learning.
With the doll forlornly staring up into the shaded sky above it, Keene moved to the other side of the simple setup he had created, his precise movements placed carefully to keep him from smudging or otherwise damaging the relatively flimsy pathways. When he was properly situated, Keene held up a his hand, res drifting a thin mist about his thumb before it was transmuted into a small, fierce blade that was quickly drawn against his skin, cutting deep enough to draw blood, but not enough to warrant a serious wound. He'd learned from his first attempts at creating soulmist that it was best not to mutilate oneself in the pursuit of magical progress, though if mutilations were incurred along the way, regardless of one's precautions, that was a different matter entirely. Pressing the slow bead of crimson to the circle's edge, Keene felt a small shiver run down his spine as his djed reacted to the ritual's initiation.
His eyes had closed, and the world around him faded away to the stillness of his mind. Unlike the darkness that was typically found beneath the cover of his eyelids, there was nothing but a steady, empty grey. It expanded out before him in all directions, featureless and stark. For a tick, Keene was uncertain what it was he saw, but in the next moment, he found it to be a mental construct of "potential". Within the empty plain, Keene searched for the vessel, his will fueling the circle's power, creeping along its edges to reach towards the doll. The grey gave way to a single point of darkness: true emptiness. It was the husk of the inanimate, that which could never live, that which had no potential. Kamilla had spoken of the soul's core, a creation that she had created through the introspective process that Keene had not been intimately privy too. Within the grey expanse, however, Keene found that it was, in essence, a simple task: he needed to give potential to that which had none.
The concept of true "nothingness" had always been something Keene had vaguely considered from time to time in the most passing of ways: what was nothing if everything was something. As he willed his own potential forward, the grey began to flow into the simple space of emptiness, a sensation that was more felt than seen in the featureless world where the only true variation was the single dot of darkness. The more he filled, however, the more he began to realize that "nothing" was not an empty vessel waiting to receive the ever expected pour of life. He had to replace the nothing with something, it could not be altered by the very nature of what it was: nothing. Had Keene's mind not been so completely absorbed in both thought and the effort of the animation process itself, he might have frowned. As things were, however, there was in the physical realm only a young man calmly sitting in a charcoal circle opposite a simple doll.
To replace the nothing, Keene drew upon the darkness, shifting it, exchanging potential for nothing, a payment, as it were. He felt the shift in his own djed, like creating a shield or a casting a reimantic spell: part of him slipped away to be replaced with the "nothing". It did not truly affect him, for that was the nature of nothing, but he could feel the slight whisper of emptiness as the soulcore was created. The possibilities, the potential, of his own djed had been transferred, and he felt it within the very heart of his own essence. It was odd, like bleeding without feeling the actual wound but still watching and knowing that the rush of crimson trailing away came from the eyes that observed it. Slowly, Keene drew back from the circle, his hand drifting from where it had been placed upon the charcoal as he sat staring blankly at the doll before him.
With the process begun, Keene was aware that the doll could not be removed until it was completed, thus, as he gingerly stepped from the source circle, Keene knelt down beside that which the doll rested in, his djed - already easily drawn upon by the nature of the animation process - drifted forward, coating the doll, then the circle, in a shield that drew from its caster's djed to allow only that through. A dark shadow was cast over where there had once been the second circle, an indication that everything but Keene would have no way to pass through it. With the soon to be golem amply protected, Keene rose to stand, only to find himself face to face with the wide eyed, open mouthed gape of a young boy.
The forest was smaller than Keene remembered.
It wasn't that the looming, sturdy pines that surrounded him had actually shrunk or that the needle strewn ground with its various forms of thigh high underbrush that crinkled at his passing had crept closer together; rather, it was the sense of enclosure. On the island, Keene had had little to restrict his vision, though the Ravine had certainly served to narrow it. Between the sizable trunks of the towering pillars about him, it was difficult - far more so than he remembered - to traverse the uneven ground and plan for what was to come. He had been forced to keep his attentions within in the immediate area, something that - before his extended stay on Sahova - he had always done without consideration that he might be able to see farther ahead if he only looked. It was a stark difference from what he had become accustomed to, and though he did remember the forest as it was, it did not change that nature of how it felt in that moment: restrictive.
He had ventured into the woods several days before and several times after that, searching through the wilderness to find a place suitable for his more arcane investigations, those that he found to warrant a more secretive location than the apparently ineffective locks his house could provide. In the forest, Keene was sheltered from prying eyes not just by the trees and ferns but by superstition and a fair helping of legitimate danger. Though he was not well versed on the myths that surrounded the lofty pines and gave those who knew them a foreboding shudder every time they heard mention of "Zastoska", Keene had watched his mother kill a fair number of abnormally vicious animals and the odd creature that he couldn't place - not even after his experiences on Sahova. It had never been clearly explained to him that the forest was not a place one should go alone, but it had been implied by the manner in which Keene had occasionally seen others refer to it with sideways glances or with the rare, drunken declaration of future exploration.
Though certainly hazardous, Keene paid the warnings little mind. He never had before, and the time he had spent away had only seen him grow stronger - though, he was well aware, not necessarily wiser. For the most part, he had staked out an area in what was, more or less, a clearing - half his own handiwork and half that of nature herself. The trees were not too dense, and with the underbrush removed thanks to a subtle use of reimancy, Keene had crafted himself a stone plateau upon which he could lay comfortably in the middle with his arms extended in all directions of the mostly circular, slightly raised platform. While he had considered the fact that a stone dais was certainly not common place out in the wilderness of the Zastoska Forest, within the few days after he had created it, the wilds had stayed true to their name: needles coated the semi-weathered stone, mosses had crept near the edges, and the platform had become one with the woods in just a matter of days. To some, it would have been unnerving. To Keene, it was convenient.
While his investigations into the more mundane, practical applications of glyphing had migrated from the deck of the ship he had arrived on to the rocky - sometimes sandy - beach, Keene had begun on another path, another discipline. Advised by the wizard Thomas Cosa and given practical tutelage from the apprentice-to-be Kamilla, Keene had gathered information enough that he felt it worth the time to attempt applying what he had learned from the two who shared the common craft of animation. Parts of the magic eluded him, such as the finer details of what could and could not be considered a vessel, the limitations of a animation's ability to learn, and especially more in depth time frames for the creation of more complex automatons. Like all magic before it, Keene approached animation much as he did any other: understand the theory as much as possible, then make small applications and isolate the areas in which the practice does not match with the theory.
Once he had drawn out the circles as he had seen Kamilla do before, Keene made several additions. For the linking line between the two, Keene repeated pond and korad in alternating instances, the symbols taking him time to mark correctly, better stabilizing the transfer that he planned on making. Around the circle in which he planned to sit, Keene surrounded the shape with the triangular marking of abase and linked them together with daeq, grouping them into two's with slightly more space between each pair to denote the difference. Within the other circle, Keene carefully drafted the lines to mark ranuri, centering the crosses around the middle, totaling seven of the glyphs in all. Finally, in the very center, Keene marked a single dot for nen, before carefully placing the doll that he had purchased earlier on top of the simple symbol.
The doll itself was a rudimentary sort of thing with lopsided, button eyes, crude stitching, and stuffed with what Keene imagined to be wool. It did have the general outline of a human body, what with it possessing a head, torso, and limbs that could have been a very basic outline of his race, something that Keene had found good enough for what he intended to do. The purpose of his experiment was not to craft the next Dranira, but to examine first hand what it was to manipulate the flow of magic as Kamilla had, rather than to just serve as a source for the animated creature's reference of learning.
With the doll forlornly staring up into the shaded sky above it, Keene moved to the other side of the simple setup he had created, his precise movements placed carefully to keep him from smudging or otherwise damaging the relatively flimsy pathways. When he was properly situated, Keene held up a his hand, res drifting a thin mist about his thumb before it was transmuted into a small, fierce blade that was quickly drawn against his skin, cutting deep enough to draw blood, but not enough to warrant a serious wound. He'd learned from his first attempts at creating soulmist that it was best not to mutilate oneself in the pursuit of magical progress, though if mutilations were incurred along the way, regardless of one's precautions, that was a different matter entirely. Pressing the slow bead of crimson to the circle's edge, Keene felt a small shiver run down his spine as his djed reacted to the ritual's initiation.
His eyes had closed, and the world around him faded away to the stillness of his mind. Unlike the darkness that was typically found beneath the cover of his eyelids, there was nothing but a steady, empty grey. It expanded out before him in all directions, featureless and stark. For a tick, Keene was uncertain what it was he saw, but in the next moment, he found it to be a mental construct of "potential". Within the empty plain, Keene searched for the vessel, his will fueling the circle's power, creeping along its edges to reach towards the doll. The grey gave way to a single point of darkness: true emptiness. It was the husk of the inanimate, that which could never live, that which had no potential. Kamilla had spoken of the soul's core, a creation that she had created through the introspective process that Keene had not been intimately privy too. Within the grey expanse, however, Keene found that it was, in essence, a simple task: he needed to give potential to that which had none.
The concept of true "nothingness" had always been something Keene had vaguely considered from time to time in the most passing of ways: what was nothing if everything was something. As he willed his own potential forward, the grey began to flow into the simple space of emptiness, a sensation that was more felt than seen in the featureless world where the only true variation was the single dot of darkness. The more he filled, however, the more he began to realize that "nothing" was not an empty vessel waiting to receive the ever expected pour of life. He had to replace the nothing with something, it could not be altered by the very nature of what it was: nothing. Had Keene's mind not been so completely absorbed in both thought and the effort of the animation process itself, he might have frowned. As things were, however, there was in the physical realm only a young man calmly sitting in a charcoal circle opposite a simple doll.
To replace the nothing, Keene drew upon the darkness, shifting it, exchanging potential for nothing, a payment, as it were. He felt the shift in his own djed, like creating a shield or a casting a reimantic spell: part of him slipped away to be replaced with the "nothing". It did not truly affect him, for that was the nature of nothing, but he could feel the slight whisper of emptiness as the soulcore was created. The possibilities, the potential, of his own djed had been transferred, and he felt it within the very heart of his own essence. It was odd, like bleeding without feeling the actual wound but still watching and knowing that the rush of crimson trailing away came from the eyes that observed it. Slowly, Keene drew back from the circle, his hand drifting from where it had been placed upon the charcoal as he sat staring blankly at the doll before him.
With the process begun, Keene was aware that the doll could not be removed until it was completed, thus, as he gingerly stepped from the source circle, Keene knelt down beside that which the doll rested in, his djed - already easily drawn upon by the nature of the animation process - drifted forward, coating the doll, then the circle, in a shield that drew from its caster's djed to allow only that through. A dark shadow was cast over where there had once been the second circle, an indication that everything but Keene would have no way to pass through it. With the soon to be golem amply protected, Keene rose to stand, only to find himself face to face with the wide eyed, open mouthed gape of a young boy.