WINTER 85, 514
The last winds of winter brought the generously cooling dregs of a Zeltiva bone snapper - or at least Minnie liked to suppose that was the wind’s source. Preparing to leave one beloved place, she found, gave her a yearning for all places previously left, and just as the dusk-scent of Semiyr filled her with preemptive nostalgia, the thought of the gardens of the Wright House just coming into bloom brought her near tears.
The water was rich with currents, for the evening’s cool brought slender barges up and down the lengths of the grand canal. The boatswains, both Zeltivan and Akvatari, recognized her by now, fluttering down the way with her feet bound. Her belly was strong know, the muscles of it toned from the rhythmic waves of the kicks, her shoulders more taut than they had been, really, since her childhood, when she had wormed into nooks and crannies in search of suppers to filch, and they moved the water along with, if not the grace of an expert, at least with familiarity.
“Geldscrier Philomena, a fine evening, yes?”
The voice came from an Akvatari gentleman, quietly knitting as he guided a load of lambswool along the canal.
Minnie smiled, and nodded, “That ’tis.”
It WAS a beautiful night, and not even the hard beauty of the sun-swelters of the desert. The sky held, high up, wisps of clouds like pale shadows on the dusk. The soft click-clack of the needles blended with the murmur of wings above her, where a troupe of Akvatari performed a silent dance, slow and formal, and eery with no music but the whisper of night-wind. Balconies in the towers around the canal held silent spectators.
They say the wild is beautiful, I suppose
She did not really know, she admitted to herself. She had walked the meadows below the mountains, but they were so interlaced with road and rick, vineyard and hedgerow that to call them wild would be a misnomer. And then, she knew the sea, but the sea seemed its own sort of wild. The idea of an empty land (or at least empty of humans) filled her with a an irrational foreboding - the wilds, after all, were where she and Lanie had agreed to die together.
I wonder if there are beasts on Darva?
She sighed softly. The movements of dancers began to strike her as predatory, the beautiful swoop and hover of birds of prey.
———
She arrived, finally at the wharves, and took her ankle ribbon to bind up her damp, dark hair. A ship rested in the harbor, filled with the slow, hard-cornered songs of sailors winching cargo from a hold. It smelled strong, some spice perhaps from Eypharia. She settled her satchel on her hip, and stretched her hands. The joints of her fingers had begun to feel the mild ache of their age, particularly whens he wrote - and how she wrote now! She spent long, late nights with the pen, poring over papers for her biography of Charm Wright, and then timid mornings trying to pen a libretto for an opera about Akvatar, an adaptation of a folk tale that her young apprentice had taught her. She wrote as if the world was ending - perhaps, after all, it was, at least for her.
The customs house sat broad and high-stooped on the dusty pavers. She slid quietly to the back, and to the door of Raisa’s private apartments, and with a slow, sad breath, tugged the bell pull.
x
The last winds of winter brought the generously cooling dregs of a Zeltiva bone snapper - or at least Minnie liked to suppose that was the wind’s source. Preparing to leave one beloved place, she found, gave her a yearning for all places previously left, and just as the dusk-scent of Semiyr filled her with preemptive nostalgia, the thought of the gardens of the Wright House just coming into bloom brought her near tears.
The water was rich with currents, for the evening’s cool brought slender barges up and down the lengths of the grand canal. The boatswains, both Zeltivan and Akvatari, recognized her by now, fluttering down the way with her feet bound. Her belly was strong know, the muscles of it toned from the rhythmic waves of the kicks, her shoulders more taut than they had been, really, since her childhood, when she had wormed into nooks and crannies in search of suppers to filch, and they moved the water along with, if not the grace of an expert, at least with familiarity.
“Geldscrier Philomena, a fine evening, yes?”
The voice came from an Akvatari gentleman, quietly knitting as he guided a load of lambswool along the canal.
Minnie smiled, and nodded, “That ’tis.”
It WAS a beautiful night, and not even the hard beauty of the sun-swelters of the desert. The sky held, high up, wisps of clouds like pale shadows on the dusk. The soft click-clack of the needles blended with the murmur of wings above her, where a troupe of Akvatari performed a silent dance, slow and formal, and eery with no music but the whisper of night-wind. Balconies in the towers around the canal held silent spectators.
They say the wild is beautiful, I suppose
She did not really know, she admitted to herself. She had walked the meadows below the mountains, but they were so interlaced with road and rick, vineyard and hedgerow that to call them wild would be a misnomer. And then, she knew the sea, but the sea seemed its own sort of wild. The idea of an empty land (or at least empty of humans) filled her with a an irrational foreboding - the wilds, after all, were where she and Lanie had agreed to die together.
I wonder if there are beasts on Darva?
She sighed softly. The movements of dancers began to strike her as predatory, the beautiful swoop and hover of birds of prey.
———
She arrived, finally at the wharves, and took her ankle ribbon to bind up her damp, dark hair. A ship rested in the harbor, filled with the slow, hard-cornered songs of sailors winching cargo from a hold. It smelled strong, some spice perhaps from Eypharia. She settled her satchel on her hip, and stretched her hands. The joints of her fingers had begun to feel the mild ache of their age, particularly whens he wrote - and how she wrote now! She spent long, late nights with the pen, poring over papers for her biography of Charm Wright, and then timid mornings trying to pen a libretto for an opera about Akvatar, an adaptation of a folk tale that her young apprentice had taught her. She wrote as if the world was ending - perhaps, after all, it was, at least for her.
The customs house sat broad and high-stooped on the dusty pavers. She slid quietly to the back, and to the door of Raisa’s private apartments, and with a slow, sad breath, tugged the bell pull.
x