basic information
character concept
physical description
scars and markings
Name Orakan Khendras
Alias Ora/One-Eye Ora
Age & Sex 21 & Male
Race Human
Height & Weight 1.80m (5'11") & 77kg (170lbs)
Sexuality Asexual
Origin Sunberth
Date of Birth Summer 43, 497 AV
Current Residence Sunberth
Occupation Daggerhand brother & thug
Alignment Neutral Evil
Alias Ora/One-Eye Ora
Age & Sex 21 & Male
Race Human
Height & Weight 1.80m (5'11") & 77kg (170lbs)
Sexuality Asexual
Origin Sunberth
Date of Birth Summer 43, 497 AV
Current Residence Sunberth
Occupation Daggerhand brother & thug
Alignment Neutral Evil
character concept
“'It still seems a strange decision, though, for the tortured to turn torturer.'
'On the contrary, nothing could be more natural. In my experience,
people do as they are done to.'”
― Joe Abercrombie, Before They Are Hanged
'On the contrary, nothing could be more natural. In my experience,
people do as they are done to.'”
― Joe Abercrombie, Before They Are Hanged
Impressionable and damaged whoreson and gutter rat turned fear-mongering Daggerhand thug, Ora is well versed in the ways of the streets. He's most focused on surviving and maintaining what little hold his gang has left on Sunberth. Although neutral evil at heart, he has yet to develop much in the way of personal ambition and is currently content with his pack mentality.
physical description
Ora is hardly remarkable in appearance for a Sunberthian and easy to overlook from a distance. Somewhat swarthy, his dark olive skin darkens considerably in the warmer seasons, face and shoulders heavily freckled and pigmented because of the amount of time he has spent outside and around the wharf. His hair is brown yet mousy from the sun and he keeps it short and out of the way.
Having been living a more comfortable life since his induction into the Daggerhands, Ora is on the stockier side, barrel-chested and broad shouldered with a little softness around his middle. However, the scars that riddle his shoulders, back and arms prove that he's had it just as rough as the average Sunberth denizen and only add to his burgeoning air of intimidation. He has duck-syndrome - legs disproportionately short compared to the rest of his body - which lends him an rather bullish appearance.
His face is boyish and would seem gentle if not for his perpetual glare and frown - a stark contrast to the roughness of his body. The only thing of note about the young man is his eyes. Born a shifting shade of hazel, his left has since turned pale and milky since the incident that maimed him and left him blind in that eye. A deep, telling scar rests above and below. His brow seems constantly narrowed, making his eyes hold a pensive, wary look and his nose is broad and soft. His upper lip is far fuller than his lower - both dotted with freckles - and his crooked, cheeky smile (when he does decide to offer it) is filled with crowded and crooked teeth, the top two left incisors jagged and broken.
Having been living a more comfortable life since his induction into the Daggerhands, Ora is on the stockier side, barrel-chested and broad shouldered with a little softness around his middle. However, the scars that riddle his shoulders, back and arms prove that he's had it just as rough as the average Sunberth denizen and only add to his burgeoning air of intimidation. He has duck-syndrome - legs disproportionately short compared to the rest of his body - which lends him an rather bullish appearance.
His face is boyish and would seem gentle if not for his perpetual glare and frown - a stark contrast to the roughness of his body. The only thing of note about the young man is his eyes. Born a shifting shade of hazel, his left has since turned pale and milky since the incident that maimed him and left him blind in that eye. A deep, telling scar rests above and below. His brow seems constantly narrowed, making his eyes hold a pensive, wary look and his nose is broad and soft. His upper lip is far fuller than his lower - both dotted with freckles - and his crooked, cheeky smile (when he does decide to offer it) is filled with crowded and crooked teeth, the top two left incisors jagged and broken.
Ora tends to favour practical yet loose and drapey fashion often in dark colours with the odd - and faded - pop of colour. He's most often seen donning a faded blue shirt - sleeves rolled up - worn loose and open around the neck and chest yet bound at the waist by a dirty red striped sash - that cinched in by a dark leather weapon belt. His trousers are well-travelled and baggy, worn tucked into his old leather boots.
He has a thing for collecting odd scraps of fabric and tends to tie them where he's able: around the top of a bicep, a thigh, his neck, wound around his boots or his head and - most often - worn wrapped around his right forearm and knuckle to hide his Daggerhand brand when the situation calls for discretion. His Kopis and knuckleduster are kept on his left side, the former slung between his belt and sash and latter strung from one of his strips of cloth and ready to be pulled free for use, while his dagger is kept sheathed at his lower back.
He trades his long-sleeved shirt for a loose, open linen vest in the warmer months - or forgoes a shirt entirely, hardly modest or shy of the marks that litter his frame. Conversely, the cooler season and travel finds him layering the two and adding a hooded cloak over his usual ensemble. This cloak is also used to disguise his features, wrapping it around his head and face when necessary.
He has a thing for collecting odd scraps of fabric and tends to tie them where he's able: around the top of a bicep, a thigh, his neck, wound around his boots or his head and - most often - worn wrapped around his right forearm and knuckle to hide his Daggerhand brand when the situation calls for discretion. His Kopis and knuckleduster are kept on his left side, the former slung between his belt and sash and latter strung from one of his strips of cloth and ready to be pulled free for use, while his dagger is kept sheathed at his lower back.
He trades his long-sleeved shirt for a loose, open linen vest in the warmer months - or forgoes a shirt entirely, hardly modest or shy of the marks that litter his frame. Conversely, the cooler season and travel finds him layering the two and adding a hooded cloak over his usual ensemble. This cloak is also used to disguise his features, wrapping it around his head and face when necessary.
scars and markings
Scar - Left eye A deep, thick scar winds through his left brow and continues down nearly to the corner of his lip. Clean and paler than his tan skin, he received it (among many others) when he was thirteen and found himself in the middle of a bloody gang clash.
Scars - Body Growing up in Sunberth, one will inevitably acquire their fair share of scars and Ora is no different. His back is littered with deep, ugly marks from his days of getting flogged by his mother's pimp. Pale, raised scars also make their appearance on the top of his left pec, across his right bicep and lower left torso near his hip.
Tattoos - Arms & Hands His arms are littered with scraggly scars from his rough and tumble upbringing and line of work as well as simplistic, poorly-done tattoos - shapes and symbols, mainly (the Daggerhand symbol - the thorn-encircled dagger - is on his right forearm). His hands are calloused, worn and battered, each knuckle tattooed with some small symbol and finger inked in a manner to resemble thick rings, each bearing an emblem of sorts.
Scars - Body Growing up in Sunberth, one will inevitably acquire their fair share of scars and Ora is no different. His back is littered with deep, ugly marks from his days of getting flogged by his mother's pimp. Pale, raised scars also make their appearance on the top of his left pec, across his right bicep and lower left torso near his hip.
Tattoos - Arms & Hands His arms are littered with scraggly scars from his rough and tumble upbringing and line of work as well as simplistic, poorly-done tattoos - shapes and symbols, mainly (the Daggerhand symbol - the thorn-encircled dagger - is on his right forearm). His hands are calloused, worn and battered, each knuckle tattooed with some small symbol and finger inked in a manner to resemble thick rings, each bearing an emblem of sorts.
Scars
22 Fall 516 | Scar on back of left forearm | ||
24 Fall 516 | Scar on right cheek and left bicep | ||
39 Fall 516 | Circular scar the size of a miza on back of left thigh |
Injuries
22 Fall 516 | | ||
24 Fall 516 | | ||
39 Fall 516 | Crossbow bolt wound, back of left thigh |
Misc