The 15th of Spring, 517
On the last day of the Illusion Festival the very stones of the city pulsed with life. Performers in gaudy outfits weaved through the crowds on stilts, on floating chairs, on their hands, on the shoulders of willing and unwilling participants. Murals were painted on every wall, and more than one reveller would find themselves colliding with stone where they thought there were stairs or an archway. Mind-bending sculptures stood on every street corner, attracting and entrancing both the inebriated and the stone-cold sober. Baskets had been set out across the city, each filled with cheap paper masks depicting snarling dogs, flower petals, feathers, beaks, and stranger things. Hawkers shouted above the crowd, advertising their wares not by the quality of their goods, but by the quality of their product's illusionary deceit.
In the centre of the city a strange sculpture of a bird had been slowly building for weeks. Built in pieces by the hands of the formerly cursed Vantha, the rumours said. A apology of a god, a sign of their return to it's good graces, or a hollow act of sympathy? Nobody was sure, but the theories ran rampant through the hushed whispers of the curious.
Madeira breezed by them all. Her new cloak floated in her wake as if she were underwater. The cloak was a strange thing; it was made of golden feathers like the golden wings of Ionu’s statue. But every time she looked at it she could swear it shimmered with a hundred different colours. Every once in a while it would billow about her legs like she was falling. Or flying.
Over her face was one of those peculiar masks she found in a basket on the first day of the festivities. It's unexceptionableness was in itself, exceptional. It's smooth plaster was painted silver, it's features human and androgynous and so boringly perfect. With her cloaked fastened in front of her, her mask over her face and her thin blonde hair tucked away, nobody could guess Madeira's age, her gender or even her race. It was her own way of honouring the city's ever changing, guileful and sexless god.
But more than that, she was drunk with anonymity. She danced with strangers, drank too much, laughed openly, and worshiped her gods loudly and often. Things Madeira the Craven girl would never do. But for these few precious days she wasn't Madeira at all, but a new creature drunk on celebration.
She was just passing one of the city's many temporary stages, where a troupe, wearing nothing but body paint and glitter, were enacting a scene from a play, when suddenly a roar went up from the streets. The whole city vibrated with cries of wonder and jubilation and confusion. Madeira looked around in a panic, wondering what fresh trick this could be, before an immense shadow passed over her, and her eyes flicked skyward.
The crow!
The statue of the golden crow was alive and whole and so very real. It wheeled above the streets on immense, shimmering wings that seemed to grow even as the creature flew higher and higher. All of Alvadas watched it's ascent with wide eyes all reflecting the same scene of azure blue sky and golden feathers.
Just as the Madeira was sure the creature would disappear into the sky, the majestic illusion lost forever, there was a flash of light. With a crackling like the whole of Miza was breaking apart, the creature exploded. Sparks and explosions and dazzling lights even brighter than Syna rained from the sky in a crazy dance, and the whole city lost it's mind. A cheer went up from every mouth in the city as everyone stopped what they were doing to praise the spectacle, praise god, or simply shout for everyone else to shut up.
With a laugh Madeira's hand slipped out of her cloak and grabbed the nearest person by the chin without looking at who it could be. She drew their face forcefully to hers and kissed them hard with the sculpted lips of the mask, warmed slightly by her breath, as the lights flashed above the city and the people thundered around them.
On the last day of the Illusion Festival the very stones of the city pulsed with life. Performers in gaudy outfits weaved through the crowds on stilts, on floating chairs, on their hands, on the shoulders of willing and unwilling participants. Murals were painted on every wall, and more than one reveller would find themselves colliding with stone where they thought there were stairs or an archway. Mind-bending sculptures stood on every street corner, attracting and entrancing both the inebriated and the stone-cold sober. Baskets had been set out across the city, each filled with cheap paper masks depicting snarling dogs, flower petals, feathers, beaks, and stranger things. Hawkers shouted above the crowd, advertising their wares not by the quality of their goods, but by the quality of their product's illusionary deceit.
In the centre of the city a strange sculpture of a bird had been slowly building for weeks. Built in pieces by the hands of the formerly cursed Vantha, the rumours said. A apology of a god, a sign of their return to it's good graces, or a hollow act of sympathy? Nobody was sure, but the theories ran rampant through the hushed whispers of the curious.
Madeira breezed by them all. Her new cloak floated in her wake as if she were underwater. The cloak was a strange thing; it was made of golden feathers like the golden wings of Ionu’s statue. But every time she looked at it she could swear it shimmered with a hundred different colours. Every once in a while it would billow about her legs like she was falling. Or flying.
Over her face was one of those peculiar masks she found in a basket on the first day of the festivities. It's unexceptionableness was in itself, exceptional. It's smooth plaster was painted silver, it's features human and androgynous and so boringly perfect. With her cloaked fastened in front of her, her mask over her face and her thin blonde hair tucked away, nobody could guess Madeira's age, her gender or even her race. It was her own way of honouring the city's ever changing, guileful and sexless god.
But more than that, she was drunk with anonymity. She danced with strangers, drank too much, laughed openly, and worshiped her gods loudly and often. Things Madeira the Craven girl would never do. But for these few precious days she wasn't Madeira at all, but a new creature drunk on celebration.
She was just passing one of the city's many temporary stages, where a troupe, wearing nothing but body paint and glitter, were enacting a scene from a play, when suddenly a roar went up from the streets. The whole city vibrated with cries of wonder and jubilation and confusion. Madeira looked around in a panic, wondering what fresh trick this could be, before an immense shadow passed over her, and her eyes flicked skyward.
The crow!
The statue of the golden crow was alive and whole and so very real. It wheeled above the streets on immense, shimmering wings that seemed to grow even as the creature flew higher and higher. All of Alvadas watched it's ascent with wide eyes all reflecting the same scene of azure blue sky and golden feathers.
Just as the Madeira was sure the creature would disappear into the sky, the majestic illusion lost forever, there was a flash of light. With a crackling like the whole of Miza was breaking apart, the creature exploded. Sparks and explosions and dazzling lights even brighter than Syna rained from the sky in a crazy dance, and the whole city lost it's mind. A cheer went up from every mouth in the city as everyone stopped what they were doing to praise the spectacle, praise god, or simply shout for everyone else to shut up.
With a laugh Madeira's hand slipped out of her cloak and grabbed the nearest person by the chin without looking at who it could be. She drew their face forcefully to hers and kissed them hard with the sculpted lips of the mask, warmed slightly by her breath, as the lights flashed above the city and the people thundered around them.
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