9th bell
45th Spring 518
A small square outside the Womiyu
45th Spring 518
A small square outside the Womiyu
The sun rose up over the city like every morning. The faint bird calls from the coast pealed through the streets, which today were mostly wide, sunny but also a little muddy. As most awoke, they had no reason to suspect anything was strange in this city, other than the city itself. Only the more observant would notice how the placidity of the atmosphere was the strangeness that they were expecting. The air was frozen in place and there seemed to be no movement on this day. No matter who travelled through the streets, they would not meet anyone but themselves.
That was, until the street led them to the crime scene. And they all did, eventually.
The tense environment was replaced with a million voices and hundreds of people crammed into a tiny square outside the Womiyu. The place was set up daintily: the mud had been covered up with a sandy gravel, well trodden in by the crowd; a large tree was growing roughly central, casting shade over the waiting people, the fresh greenery a pleasant sight against the stone buildings; along three sides of the square, the yellowed stone structures, with sweeping balconies and ivy along the walls, offered lemonade and whiskey and sweet smelling pastries. Opposite them stood the tower, the Womiyu, with the wooden statues newly made after the fire and a slight scorch mark on the imposing gates.
Most of the square was full, people standing or watching over from the balconies or sitting inside the various cafes and restaurants and bakeries. The only part that was lacking the huddles of people was a small section right outside the Womiyu gate, roped off. Not to keep people fully out, but to control the flow of people in and out.
They were allowed in four or five at a time. Any more and the crime scene would be destroyed under they feet. Any less and they would never get through the throngs of people that was desperate for a glance of the dead, for any of various reasons.
The previous group had just left, with one interested in the identity of the dead person, while another two were simply curious to see a dead body and the third there to eagerly speak to the officials who were standing there about a completely unrelated subject. After they had been ushered away, it was a little easier to see what had happened.
In the centre of the roped-off area lay a dead body. He was face-down, with a black cloak that had fallen over his body that hid his other clothes. There was a line of chalk around him, as well as the bag that lay near him: dyed black, in a satchel style, closed. The ground in that area was especially wet and muddy, despite the fairly dry conditions that the city had been experiencing.
Towards the gate stood the officials who were looking over the crime scene. Irene Caene, wearing a face that made her look several years older than she was, was discussing the death with the Craven representative, Madara. Beside them, resting impatiently on a small stool, Karash Divine refused to speak to the two women beside him. He observed everyone near them with intense curiosity, before returning his attention to the crime scene. Finally, there were the two Speakers who had been presiding over the entire thing. The Seamstress, in an impressive black mourning gown, a veil covering her pale face and multitudes of ruffles that rested on the ground beneath her feet. Beside her stood a Kakapo bird, with ink black feathers. The bird moved across the crime scene, not bothering those investigating it, but watching closely.
On the gate itself lay a note, untouched but read by many.
The crime scene welcomed them. What could an observant eye could discover?
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